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Es la epopeya vivida por un glorioso linaje italiano de origen medieval, los Marescotti que descendieron del clan escocés Douglas. Su fundador, Mario Escoto (Galloway, hacia 745; Bagnocavallo, hacia 820), hermano de Guillermo, conde Douglas y primo del Rey de Escocia, fue valido de Carlomagno y salvador del Papa León III, fue investido de varios honores, entre los cuales cabe destacar el de Defensor de la Fe, conde del feudo de Bagnocavallo, Senador de Roma, Caballero Aurato poseedor del anillo del Pescador. El relato de las hazañas de los Marescotti abarca temas de religión, historia, política, meditación, magia, esoterismo, superstición, locura, reliquias, intrigas, batallas, duelos, torturas, traiciones, venganzas, misterios, etc. Los condes Marescotti fueron los primeros a establecer una relación especial entre cristianos y judíos en Italia.
During the years between the restoration of the Medici to Florence and the election of Cosimo I, the Medici family sponsored a series of splendid public festivals, reconstructed here by Anthony M. Cummings. Cummings has utilized unexpectedly rich sources of information about the musical life of the time in contemporary narrative accounts of these occasions—histories, diaries, and family memoirs. In this interdisciplinary work, he explains how the festivals combined music with art and literature to convey political meanings to Florentine observers. As analyzed by Cummings, the festivals document the political transformation of the city in the crucial era that witnessed the end of the Florentine republic and the beginnings of the Medici principate. This book will interest all students of the life and institutions of sixteenth-century Florence and of the Medici family. In addition, the author furnishes new evidence about the contexts for musical performances in early modern Europe. By describing such contexts, he ascertains much about how music was performed and how it sounded in this period of music history and shows that the modes of musical expression were more varied than is suggested by the relatively few surviving examples of actual pieces of music. Originally published in 1992. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
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