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Based on Einstein's theory of general relativity, gravitational lensing--known as Einstein's Telescope--is enabling new discoveries that are taking researchers toward the next revolution in scientific thinking--one that may change forever the notions of where the Universe is headed. Illustrated.
"In Einstein’s Telescope, Evalyn Gates, an expert on all that’s dark in the universe, brings dark matter, dark energy, and even black holes to light." —Neil deGrasse Tyson, astrophysicist, American Museum of Natural History, and New York Times best-selling author of Astrophysics for People in a Hurry In 1936, Albert Einstein predicted that gravitational distortions would allow space itself to act as a telescope far more powerful than humans could ever build. Now, cosmologists at the forefront of their field are using this radical technique ("Einstein’s Telescope") to detect the invisible. In fresh, engaging prose, astrophysicist Evalyn Gates explains how this tool is enabling scientists to uncover planets as big as the Earth, discover black holes as they whirl through space, and trace the evolution of cosmic architecture over billions of years. Powerful and accessible, Einstein’s Telescope takes us to the brink of a revolution in our understanding of the deepest mysteries of the Universe.
The inside story of the epic quest to solve the mystery of dark matter The ordinary atoms that make up the known universe—from our bodies and the air we breathe to the planets and stars—constitute only 5 percent of all matter and energy in the cosmos. The rest is known as dark matter and dark energy, because their precise identities are unknown. The Cosmic Cocktail is the inside story of the epic quest to solve one of the most compelling enigmas of modern science—what is the universe made of?—told by one of today's foremost pioneers in the study of dark matter. Blending cutting-edge science with her own behind-the-scenes insights as a leading researcher in the field, acclaimed theoretical physicist Katherine Freese recounts the hunt for dark matter, from the discoveries of visionary scientists like Fritz Zwicky—the Swiss astronomer who coined the term "dark matter" in 1933—to the deluge of data today from underground laboratories, satellites in space, and the Large Hadron Collider. Theorists contend that dark matter consists of fundamental particles known as WIMPs, or weakly interacting massive particles. Billions of them pass through our bodies every second without us even realizing it, yet their gravitational pull is capable of whirling stars and gas at breakneck speeds around the centers of galaxies, and bending light from distant bright objects. Freese describes the larger-than-life characters and clashing personalities behind the race to identify these elusive particles. Many cosmologists believe we are on the verge of solving the mystery. The Cosmic Cocktail provides the foundation needed to fully fathom this epochal moment in humankind’s quest to understand the universe.
This book attempts to define the issues that face us in trying to understand the often-overwhelming complexity of the human experience. It is intellectually challenging, broad in its scope, richly detailed, and densely argued. It is the first in a projected series of five volumes in which the author will seek to touch on every aspect of human historical reality and all the multitudinous variables that have shaped it.
Dark Matter maps the invisible dimension of theater whose effects are felt everywhere in performance. Examining phenomena such as hallucination, offstage character, offstage action, sexuality, masking, technology, and trauma, Andrew Sofer engagingly illuminates the invisible in different periods of postclassical western theater and drama. He reveals how the invisible continually structures and focuses an audience’s theatrical experience, whether it’s black magic in Doctor Faustus, offstage sex in A Midsummer Night’s Dream, masked women in The Rover, self-consuming bodies in Suddenly Last Summer, or surveillance technology in The Archbishop’s Ceiling. Each discussion pinpoints new and striking facets of drama and performance that escape sight. Taken together, Sofer’s lively case studies illuminate how dark matter is woven into the very fabric of theatrical representation. Written in an accessible style and grounded in theater studies but interdisciplinary by design, Dark Matter will appeal to theater and performance scholars, literary critics, students, and theater practitioners, particularly playwrights and directors.
A Seminary Co-op Notable Book A BBC Sky at Night Best Book “An impressively comprehensive bird’s-eye view of a research topic that is both many decades established and yet still at the very cutting edge of astronomy and physics.” —Katie Mack, Wall Street Journal “Schilling has craftily combined his lucid and accessible descriptions of science with the personal story of those unlocking the finer details of the missing mass mystery. The result is enthralling...A captivating scientific thriller.” —BBC Sky at Night “Fascinating...A thorough and sometimes troubling account of the hunt for dark matter...You will come away with a very good understanding of how the universe works. Well, our universe, anyway.” —Michael Brooks, New Scientist When you train a telescope on outer space, you can see luminous galaxies, nebulae, stars, and planets. But if you add all that together, it constitutes only 15 percent of the matter in the universe. Despite decades of research, the nature of the remaining 85 percent is unknown. We call it dark matter. Physicists have devised huge, sensitive instruments to search for dark matter, which may be unlike anything else in the cosmos—some unknown elementary particle. Yet so far dark matter has escaped every experiment. It is so elusive that some scientists are beginning to suspect there might be something wrong with our theories about gravity or with the current paradigms of cosmology. Govert Schilling interviews believers and heretics and paints a colorful picture of the history and current status of dark matter research. The Elephant in the Universe is a vivid tale of scientists puzzling their way toward the true nature of the universe.
Unravelling the thought of Alexander Kluge and Oskar Negt Collaborators for more than four decades, lawyer, author, filmmaker, and multimedia artist Alexander Kluge and social philosopher Oskar Negt are an exceptional duo in the history of Critical Theory precisely because their respective disciplines think so differently. Dark Matter argues that what makes their contributions to the Frankfurt School so remarkable is how they think together in spite of these differences. Kluge and Negt's "gravitational thinking" balances not only the abstractions of theory with the concreteness of the aesthetic, but also their allegiances to Frankfurt School mentors with their fascination for other German, French, and Anglo-American thinkers distinctly outside the Frankfurt tradition. At the core of all their adventures in gravitational thinking is a profound sense that the catastrophic conditions of modern life are not humankind's unalterable fate. In opposition to modernity's disastrous state of affairs, Kluge and Negt regard the huge mass of dark matter throughout the universe as the lodestar for thinking together with others, for dark matter is that absolute guarantee that happier alternatives to our calamitous world are possible. As illustrated throughout Langston's study, dark matter's promise--its critical orientation out of catastrophic modernity--finds its expression, above all, in Kluge's multimedia aesthetic.
What’s in the dark? Countless generations have gazed up at the night sky and asked this question—the same question that cosmologists ask themselves as they study the universe. The answer turns out to be surprising and rich. The space between stars is filled with an exotic substance called “dark matter” that exerts gravity but does not emit, absorb, or reflect light. The space between galaxies is rife with “dark energy” that creates a sort of cosmic antigravity causing the expansion of the universe to accelerate. Together, dark matter and dark energy account for 95 percent of the content of the universe. News reporters and science journalists routinely talk about these findings using terms that they assume we have a working knowledge of, but do you really understand how astronomers arrive at their findings or what it all means? Cosmologists face a conundrum: how can we study substances we cannot see, let alone manipulate? A powerful approach is to observe objects whose motion is influenced by gravity. Einstein predicted that gravity can act like a lens to bend light. Today we see hundreds of cases of this—instances where the gravity of a distant galaxy distorts our view of a more distant object, creating multiple images or spectacular arcs on the sky. Gravitational lensing is now a key part of the international quest to understand the invisible substance that surrounds us, penetrates us, and binds the universe together. A Ray of Light in a Sea of Dark Matter offers readers a concise, accessible explanation of how astronomers probe dark matter. Readers quickly gain an understanding of what might be out there, how scientists arrive at their findings, and why this research is important to us. Engaging and insightful, Charles Keeton gives everyone an opportunity to be an active learner and listener in our ever-expanding universe. Watch a video with Charles Keeton: Watch video now. (http://www.youtube.com/watch?v=Uc3byXNS1G0).
The Extravagant Universe tells the story of a remarkable adventure of scientific discovery. One of the world's leading astronomers, Robert Kirshner, takes readers inside a lively research team on the quest that led them to an extraordinary cosmological discovery: the expansion of the universe is accelerating under the influence of a dark energy that makes space itself expand. In addition to sharing the story of this exciting discovery, Kirshner also brings the science up-to-date in a new epilogue. He explains how the idea of an accelerating universe--once a daring interpretation of sketchy data--is now the standard assumption in cosmology today. This measurement of dark energy--a quality of space itself that causes cosmic acceleration--points to a gaping hole in our understanding of fundamental physics. In 1917, Einstein proposed the "cosmological constant" to explain a static universe. When observations proved that the universe was expanding, he cast this early form of dark energy aside. But recent observations described first-hand in this book show that the cosmological constant--or something just like it--dominates the universe's mass and energy budget and determines its fate and shape. Warned by Einstein's blunder, and contradicted by the initial results of a competing research team, Kirshner and his colleagues were reluctant to accept their own result. But, convinced by evidence built on their hard-earned understanding of exploding stars, they announced their conclusion that the universe is accelerating in February 1998. Other lines of inquiry and parallel supernova research now support a new synthesis of a cosmos dominated by dark energy but also containing several forms of dark matter. We live in an extravagant universe with a surprising number of essential ingredients: the real universe we measure is not the simplest one we could imagine.
The discoveries in physics that inform current dark matter theory, everything from Newtonian gravity to Einstein's relativity to the Higgs boson, are examined in this authoritative guide. It examines the biggest question facing physicists today: if we are only seeing about four percent of matter in the universe, what is the rest of it made of? The lengths that scientists are going to find what they call dark matter are revealed. Alternative theories to dark matter are also discussed, as are the scientists who don't believe that dark matter exists and are conducting their own experiments to disprove its existence.