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The autobiography of women’s rights pioneer Elizabeth Cady Stanton—published for the 100th anniversary of women’s suffrage—including an updated introduction and afterword from noted scholars of women’s history Ellen Carol DuBois and Ann D. Gordon. Eighty Years and More: Reminiscences 1815–1897, is one of the great American autobiographies. There is really no other American woman’s autobiography in the nineteenth century that comes near it in relevance, excellence, and historical significance. In 1848, thirty-three-year-old Stanton and four others organized the first major women’s rights meeting in American history. Together with Susan B. Anthony, her partner in the cause, she led the campaign for women’s legal rights, most prominently woman suffrage, for the rest of the century. In those years, Stanton was the movement’s spokeswoman, theorist, and its visionary. In addition to her suffrage activism, she was a pioneering advocate of women’s reproductive freedom, and a ceaseless critic of religious misogyny. As the mother of seven, she also had pronounced opinions on women’s domestic responsibilities, especially on raising children. In Eighty Years and More, Stanton reminisces about dramatic moments in the history of woman suffrage, about her personal challenges and triumphs, and about the women and men she met in her travels around the United States and abroad. Stanton’s writing retains its vigor, intelligence, and wit. Much of what she had to say about women, their lives, their frustrations, their aspirations and their possibilities, remains relevant and moving today.
More than one hundred years after her death, Elizabeth Cady Stanton still stands—along with her close friend Susan B. Anthony—as the major icon of the struggle for women’s suffrage. In spite of this celebrity, Stanton’s intellectual contributions have been largely overshadowed by the focus on her political activities, and she is yet to be recognized as one of the major thinkers of the nineteenth century. Here, at long last, is a single volume exploring and presenting Stanton’s thoughtful, original, lifelong inquiries into the nature, origins, range, and solutions of women’s subordination. Elizabeth Cady Stanton, Feminist as Thinker reintroduces, contextualizes, and critiques Stanton’s numerous contributions to modern thought. It juxtaposes a selection of Stanton’s own writings, many of them previously unavailable, with eight original essays by prominent historians and social theorists interrogating Stanton’s views on such pressing social issues as religion, marriage, race, the self and community, and her place among leading nineteenth century feminist thinkers. Taken together, these essays and documents reveal the different facets, enduring insights, and fascinating contradictions of the work of one of the great thinkers of the feminist tradition. Contributors: Barbara Caine, Richard Cándida Smith, Ellen Carol DuBois, Ann D. Gordon, Vivian Gornick, Kathi Kern, Michele Mitchell, and Christine Stansell.
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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Elizabeth Cady Stanton, born in 1815, was an American suffragist, social activist, abolitionist, and leading figure of the early women's rights movement. Along with her friend Susan B. Anthony, Canton was one of the very prominent faces of Women's Movement in America. Her Declaration of Sentiments, presented at the Seneca Falls Convention in 1848 New York, is often credited with initiating the first organized women's rights and women's suffrage movements in USA. Unlike her contemporaries, Stanton was also interested in various other issues pertaining to women like their parental and custody rights, property rights, employment and income rights, divorce, the economic health of the family, and birth control until her death in 1905. But even before being a suffragist, she had also been a champion of Abolitionist cause and envisaged the dream of a just society since the very beginning of her life. This edition brings to you the famed autobiography of this courageous woman in celebration of the undying spirit of freedom, equality and woman power. "I am moved to recall what I can of my early days, what I thought and felt, that grown people may have a better understanding of children and do more for their happiness and development. I see so much tyranny exercised over children, even by well-disposed parents, and in so many varied forms,—a tyranny to which these parents are themselves insensible,—that I desire to paint my joys and sorrows in as vivid colors as possible, in the hope that I may do something to defend the weak from the strong...."
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The Woman’s Bible (1895-1898) is a work of religious and political nonfiction by American women’s rights activist Elizabeth Cady Stanton. Despite its popular success, The Woman’s Bible caused a rift in the movement between Stanton and her supporters and those who believed that to wade into religious waters would hurt the suffragist cause. Reactions from the press, political establishment, and much of the reading public were overwhelmingly negative, accusing Stanton of blasphemy and sacrilege while refusing to engage with the book’s message: to reconsider the historical reception of the Bible in order to make room for women to be afforded equality in their private and public lives. Working with a Revising Committee of 26 members of the National American Woman Suffrage Association, Stanton sought to provide an updated commentary on the Bible that would highlight passages allowing for an interpretation of scripture harmonious with the cause of the women’s rights movement. Inspired by activist and Quaker Lucretia Mott’s use of Bible verses to dispel the arguments of bigots opposed to women’s rights and abolition, Stanton hoped to establish a new way of framing the history and religious representation of women that could resist similar arguments that held up the Bible as precedent for the continued oppression of women. Starting with an interpretation of the Genesis story of Adam and Eve, Stanton attempts to show where men and women are treated as equals in the Bible, eventually working through both the Old and New Testaments. In its day, The Woman’s Bible was a radically important revisioning of women’s place in scripture that Stanton and her collaborators hoped would open the door for women to obtain the rights they had long been systematically denied. With a beautifully designed cover and professionally typeset manuscript, this edition of Elizabeth Cady Stanton’s The Woman’s Bible is a classic of American literature reimagined for modern readers.
From admired historian—and coiner of one of feminism's most popular slogans—Laurel Thatcher Ulrich comes an exploration of what it means for women to make history. In 1976, in an obscure scholarly article, Ulrich wrote, "Well behaved women seldom make history." Today these words appear on t-shirts, mugs, bumper stickers, greeting cards, and all sorts of Web sites and blogs. Ulrich explains how that happened and what it means by looking back at women of the past who challenged the way history was written. She ranges from the fifteenth-century writer Christine de Pizan, who wrote The Book of the City of Ladies, to the twentieth century’s Virginia Woolf, author of A Room of One's Own. Ulrich updates their attempts to reimagine female possibilities and looks at the women who didn't try to make history but did. And she concludes by showing how the 1970s activists who created "second-wave feminism" also created a renaissance in the study of history.