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The subject of Michael Warner's book is the rise of a nation. America, he shows, became a nation by developing a new kind of reading public, where one becomes a citizen by taking one's place as writer or reader. At heart, the United States is a republic of letters, and its birth can be dated from changes in the culture of printing in the early eighteenth century. The new and widespread use of print media transformed the relations between people and power in a way that set in motion the republican structure of government we have inherited. Examining books, pamphlets, and circulars, he merges theory and concrete analysis to provide a multilayered view of American cultural development.
This important new book explores epistolary forms and practices in relation to important areas of British culture. Familiar ideas about epistolary fiction and personal correspondence, and public and private, are re-examined in the light of alternative paradigms, showing how the letter is a genre at the centre of Eighteenth-century life.
Excerpt from Eighteenth Century Letters The voluminous and interesting correspondence of the Eighteenth Century - when letter-writing was indeed an art - can only be read at present in more or less elaborate and expensive complete editions, or in small anthologies containing at most half-a-dozen letters by the same writer. The aim of the present series is to present a selection of this inexhaustible material in groups, each sufficiently large to create an atmosphere. No attempt has been made to seek out one-letter men, or to unearth a neglected genius; but the leaders of thought arid action - in so far as they wrote good letters - are represented by their most characteristic work, collected from all authentic sources. The choice of particular letters has been governed by literary rather than historical or even biographical considerations; and each volume should be readable and complete in itself; illustrative at once of style and manners. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
The Atlantic represented a world of opportunity in the eighteenth century, but it represented division also, separating families across its coasts. Whether due to economic shifts, changing political landscapes, imperial ambitions, or even simply personal tragedy, many families found themselves fractured and disoriented by the growth and later fissure of a larger Atlantic world. Such dislocation posed considerable challenges to all individuals who viewed orderly family relations as both a general and a personal ideal. The more fortunate individuals who thus found themselves 'all at sea' were able to use family letters, with attendant emphases on familiarity, sensibility, and credit, in order to remain connected in times and places of considerable disconnection. Portraying the family as a unified, affectionate, and happy entity in such letters provided a means of surmounting concerns about societies fractured by physical distance, global wars, and increasing social stratification. It could also provide social and economic leverage to individual men and women in certain circumstances. Sarah Pearsall explores the lives and letters of these families, revealing the sometimes shocking stories of those divided by sea. Ranging across the Anglophone Atlantic, including mainland American colonies and states, Britain, and the British Caribbean, Pearsall argues that it was this expanding Atlantic world, much more than the American Revolution, that reshaped contemporary ideals about families, as much as families themselves reshaped the transatlantic world.
Elisabetta Caminer Turra (1751-96) was one of the most prominent women in eighteenth-century Italy and a central figure in the international "Republic of Letters." A journalist and publisher, Caminer participated in important debates on capital punishment, freedom of the press, and the abuse of clerical power. She also helped spread Enlightenment ideas into Italy by promoting and publishing Voltaire's latest works and translating new European plays-plays she herself directed, to great applause, on Venetian stages. Bringing together Caminer's letters, poems, and journalistic writings, nearly all published for the first time here, Selected Writings offers readers an intellectual biography of this remarkable figure as well as a glimpse into her intimate correspondence with the most prominent thinkers of her day. But more important, Selected Writings provides insight into the passion that animated Caminer's fervent reflections on the complex and shifting condition of women in her society-the same passion that pushed her to succeed in the male-dominated literary professions.
This wonderful collection of timeless love letters includes the words of Ludwig Van Beethoven, Wolfgang Amadeus Mozart, Winston Churchill, Nathaniel Hawthorne, Harriet Beecher Stowe, Napoleon Bonaparte, John Keats, King Henry VIII, Voltaire, Vincent Van Gogh, Charlotte Bronte, Lord Byron, Lewis Carrol, Leo Tolstoy, Pierre Curie, F. Scott Fitzgerald, and many more. YES, it includes the poems mentioned in the Sex and the City movie.
This is is the first critical study of one of the most important women writers of the early eighteenth century, Lady Mary Wortley Montagu (1689–1762), who produced a body of erudite and entertaining correspondence that spanned more than fifty years. Lady Mary's letters illuminate the difficulties encountered by a sensitive, intelligent, and gifted woman writer living through an era of significant cultural change. These letters display the tensions inherent in the competing demands of public and private life, revealing Lady Mary's own discomfort about the problems of authorship and authority in an age that held publication to be an improper activity for respectable women. Through the discourse of supposedly “private” letters, Lady Mary was able to find an avenue for her talents that brought her “public” stature without violating the imperatives of her position as a woman and an aristocrat. Cynthia Lowenthal argues persuasively that Lady Mary's letters, themselves central to the establishment of the familiar letter as an important eighteenthcentury genre, were self-consciously constructed as literary artifacts and crafted as part of a larger female epistolary tradition. Moreover, Lowenthal contends, the works of Lady Mary are essential to the feminist recuperation of women's writing precisely because she provided an aristocratic critique—a voice often ignored—of the class and gender codes of her day.
Informed by Jurgen Habermas's public sphere theory, this book studies the popular eighteenth-century genre of the epistolary narrative through readings of four works: Montesquieu's Lettres persanes (1721), Richardson's Clarissa (1749-50), Riccoboni's Lettres de Mistriss Fanni Butlerd (1757), and Crevecoeur's Letters from an American Farmer (1782).The author situates epistolary narratives in the contexts of eighteenth-century print culture: the rise of new models of readership and the newly influential role of the author; the model of contract derived from liberal political theory; and the techniques and aesthetics of mechanical reproduction. Epistolary authors used the genre to formulate a range of responses to a cultural anxiety about private energies and appetites, particularly those of women, as well as to legitimate their own authorial practices. Just as the social contract increasingly came to be seen as the organising instrument of public, civic relations in this period, the author argues that the epistolary novel serves to socialise and regulate the private subject as a citizen of the Republic of Letters.
America’s physical and cultural landscape is captured in these two classics of American history. Letters provides an invaluable view of the pre-Revolutionary and Revolutionary eras; Sketches details in vivid prose the physical setting in which American settlers created their history. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.