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Selections include poetry from pyramid texts, morning hymns, instructions in wisdom, meditations, exhortations to schoolboys, love songs, poems to the king, and more. Also included are an outline of Egyptian history, an introduction to Egyptian literature, and extensive footnotes and commentary on the material presented.
[Poetry and Culture in Middle Kingdom Egypt] certainly represents a landmark. It is the first monograph devoted to an integral study and interpretation of the entire corpus of literature preserved from the Egyptian Middle Kingdom.'Joachim Quack, Professor of Egyptology, University of Heidelberg.
An innovative and adventurous book, this collection of poems is in the form of a conversation with Queen Hatshepsut, the only woman pharaoh in ancient Egypt. Hatshepsut, Speak to Me, Ruth Whitman's eighth volume of poetry, is her most innovative and adventurous book. It is in the form of a conversation with Queen Hatshepsut, the only woman pharaoh in ancient Egypt, whose reign of more than twenty years was one of the most peaceful and artistically splendid eras in Egyptian history. As poet and pharaoh talk to each other, it becomes apparent that the two lives intersect remarkably across the centuries. Both must face problems of sexual identity, love, work, mothering, conflict, and loss. An admirer of Hatshepsut for the past forty years, Whitman has spent the last five researching the pharaoh's life and surrounding culture, visiting Egypt twice in order to study the landscape along the Nile to contemplate Hatshepsut's monuments, particularly her spectacular three-tiered temple at Deir el Bahri in the Valley of the Kings. The result is a vibrant glimpse into two parallel lives, illustrating a unique relationship between two women separated by twenty-five centuries, and illuminating many of the issues relevant to every contemporary woman's experience. Whitman goes beyond just telling Hatshepsut's story. She connects herself with the life of her subject, speaks to her, and learns from her. Hatshepsut, Speak to Me represents a culmination of Ruth Whitman's series of groundbreaking narrative poems written in the voices of other extraordinary women--Lizzie Borden, Tamsen Donner, Hanna Senesh, Anna Pavlova, and Isadora Duncan.
THE TWO GREATEST EGYPTIAN POETS Ibn al-Farid & Ahmed Shawqi SELECTED POEMS Translation & Introduction Paul Smith IBN AL-FARID, an Egyptian poet (1181-1235), is the undisputed master of Islamic mystical (Sufi) poetry in Arabic. He is not only ta poet but a Perfect Master (Qutub) a God-realized soul, and it is his journey to unity with God he reveals in probably the longest qasida (ode) in Arabic (761 couplets), his famous The Mystic's Progress. The other poem for which he is most known is his Wine Poem. Although these poems have been translated into English before, this is the first time in the correct rhyme of the qasida and in clear, concise, modern English. Included in the Introduction are chapters on his Life & Work, The Qasida in Arabic, Previous Qasidas by Master Arab Poets that would have influenced him and one who he influenced, The Perfect Master (Qutub), and the Wine Poem and The Mystic's Way. Selected Bibliography. AHMED SHAWQI (1869 - 1932) was the great Arabic Poet-Laureate; an Egyptian poet and dramatist who pioneered the modern Egyptian literary movement, most notably introducing the genre of poetic epics to the Arabic literary tradition. In 1927 he was crowned by his peers the 'Prince of Poets' in recognition of his considerable contributions to the literary field. Shawqi's work can be categorized into three main periods during his career: The first coincides with the period during which he occupied a position at the court of the Khedive (Viceroy), consisting of eulogies to the Khedive: praising him or supporting his policy. The second comprised the period of his exile in Spain. During this period his feeling of nostalgia and sense of alienation directed his poetic talent to patriotic poems on Egypt as well as the Arab world. The third stage occurred after his return from exile: during that period he became preoccupied with the history of Ancient Egypt and Islam. He wrote his famous Sufi poem, in praise of the Prophet Muhammad (here fully translated in qasida form). The maturation of his poetic style was reflected in his plays (including his Majnun-Layla). Includeed are remarkable poems for children and others in the correct forms. Introduction on his Life & Times & poems & his Museum. Large Format Paperback 7" x 10" 369 pages. Paul Smith (b. 1945) is a poet, author and translator of many books of Sufi & other poets of the Persian, Arabic, Urdu, Turkish, Pashtu and other languages including Hafiz, Sadi, Nizami, Rumi, 'Attar, Sana'i, Jahan Khatun, Obeyd Zakani, Mu'in, Amir Khusrau, Nesimi, Kabir, Anvari, Ansari, Jami, Omar Khayyam, Rudaki, Yunus Emre, Bulleh Shah, Shah Latif, Mahsati, Lalla Ded, Iqbal and many others, and his own poetry, fiction, plays, biographies, children's books and 12 screenplays. www.newhumanitybooks.com
History.
In Reading Ancient Egyptian Poetry, Richard Parkinson explores how ancient Egyptian poems have been read and perceived across the ages. Presents an innovative and theoretically-informed account of how the most famous ancient Egyptian poems have been read over 4,000 years From a leading expert in the interpretation of ancient Egyptian literature Explores the original experience of ordinary Egyptians enjoying the poems as well as their interpretation during the Middle Kingdom and up to modern times Draws on recent discoveries in the British Museum archives to reconstruct the contexts of the poems
A fifty-line fragment by the poet Stesichorus of Sicily (c. 640-555 B.C.), what survives of his Pallinode, tells us almost all we know of this other Helen, and from it H. D. wove her book-length poem. The fabulous beauty of Helen of Troy is legendary. But some say that Helen was never in Troy, that she had been conveyed by Zeus to Egypt, and that Greeks and Trojans alike fought for an illusion. A fifty-line fragment by the poet Stesichorus of Sicily (c. 640-555 B.C.), what survives of his Pallinode, tells us almost all we know of this other Helen, and from it H. D. wove her book-length poem. Yet Helen in Egypt is not a simple retelling of the Egyptian legend but a recreation of the many myths surrounding Helen, Paris, Achilles, Theseus, and other figures of Greek tradition, fused with the mysteries of Egyptian hermeticism.