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Meh . . . From Sanrio, who brought you Hello Kitty, comes Gudetama, the lazy egg. Not all Sanrio characters are cheery! In Japanese, when you're lazy, you are referred to as gude gude. And that's where our new friend gets its name. Gudetama (tama from "tamago," egg in Japanese) is the lazy egg. Gudetama likes soy sauce and being left alone. Sometimes, Gudetama wonders if we are born only to suffer. And here, in Eggsistential Thoughts, are Gudetama's musings on life.
"Eggs are yummy ... boiled, baked, or raw. There are many ways to make an egg, but eggs are so lazy (gude gude in Japanese). Look closely and you will see the eggs that you eat lack spunk"--
From Sanrio, who brought you Hello Kitty, Gudetama the Lazy Egg returns with a guidebook to living life to the almost fullest. In Japanese, when you're lazy, you are referred to as gude gude. Gudetama (tama from "tamago," egg in Japanese) is the lazy egg. Gudetama likes soy sauce and being left alone. Sometimes, Gudetama wonders if we are born only to suffer. Each page of this book is kind of packed with helpful lessons, inspiring quotes and mind-blowing advice that will have you laying around like an egg in no time! And all of it comes straight from the yolk of a Gudetama!
Celebrate the holiday season with Gudetama the Lazy Egg in a yuletide ode to naps, soy sauce, and the comforts of being left alone. On the first day of Christmas, thy true love gave to Gude... ...something the egg doesn't want. Take it back. Let Gudetama sleep. Ring in the twelve days of Christmas with a yuletide ode to the world's laziest egg.
Decorate your home, office, or dorm room with this set of 12 hilarious posters inspired by everyone's favorite lazy egg with the can't-be-bothered attitude. Perfect for framing or washi-taping to your walls, this officially licensed deluxe poster art book features twelve unique 8" x 10" removable designs of Gudetama to give you the motivation you need to be a little more lazy. Posters include: Meh . . . Leave me alone Five more minutes Whatever Sigh . . . Reasons to get out of bed: none Why bother? Nope, not today And more!
For fans of Gudetama, this adorable talking figurine is the perfect addition to any desktop. Meet Gudetama -- everyone's favorite lazy egg with the can't-be-bothered attitude. This one-of-a-kind kit includes a 3" talking Gudetama figurine with a retractable bacon blanket to activate the sound and a mini sticker book. Sound clips include: "leave me alone"; "don't care"; "so lazy"; "meh"; "can you not?"; "please don't"; "okay okay"; "please stop."
Dating is exhausting, so let's take a lighthearted approach to exploring it with Gudetama, everyone's favorite grumpy egg! From navigating first-date smalltalk to recovering from being dumped, Gudetama is your guide to finding love...even when you're lazy.
Cassie Knight is bubbly, stylish, and super-friendly, the fashion queen at her Texas school. When her father moves the family to Maine, Cassie's in for a huge culture shock.
"Aggretsuko, the hit Netflix show, stars Retsuko the Red Panda, a young office worker stuck in a thankless job, whose only stress release is singing heavy metal at the local karaoke joint. With the help of her friends, can she ever find the job satisfaction she craves -- not to mention adventure, the approval of her mother, and even... love?!"--Page [4] of cover.
In Pink Globalization, Christine R. Yano examines the creation and rise of Hello Kitty as a part of Japanese Cute-Cool culture. Yano argues that the international popularity of Hello Kitty is one aspect of what she calls pink globalization—the spread of goods and images labeled cute (kawaii) from Japan to other parts of the industrial world. The concept of pink globalization connects the expansion of Japanese companies to overseas markets, the enhanced distribution of Japanese products, and the rise of Japan's national cool as suggested by the spread of manga and anime. Yano analyzes the changing complex of relations and identities surrounding the global reach of Hello Kitty's cute culture, discussing the responses of both ardent fans and virulent detractors. Through interviews, Yano shows how consumers use this iconic cat to negotiate gender, nostalgia, and national identity. She demonstrates that pink globalization allows the foreign to become familiar as it brings together the intimacy of cute and the distance of cool. Hello Kitty and her entourage of marketers and consumers wink, giddily suggesting innocence, sexuality, irony, sophistication, and even sheer happiness. Yano reveals the edgy power in this wink and the ways it can overturn, or at least challenge, power structures.