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The youngest son of Emperor Maximilian II, and nephew of Philip II of Spain, Archduke Albert (1559-1621) was originally destined for the church. However, dynastic imperatives decided otherwise and in 1598, upon his marriage to Philip's daughter, the Infanta Isabella Clara Eugenia, he found himself ruler of the Habsburg Netherlands, one of the most dynamic yet politically unstable territories in early-modern Europe. Through an investigation of Albert's reign, this book offers a new and fuller understanding of international events of the time, and the Habsburg role in them. Drawing on a wide range of archival and visual material, the resulting study of Habsburg political culture demonstrates the large degree of autonomy enjoyed by the archducal regime, which allowed Albert and his entourage to exert a decisive influence on several crucial events: preparing the ground for the Anglo-Spanish peace of 1604 by the immediate recognition of King James, clearing the way for the Twelve Years' Truce by conditionally accepting the independence of the United Provinces, reasserting Habsburg influence in the Rhineland by the armed intervention of 1614 and devising the terms of the Oñate Treaty of 1617. In doing so the book shows how they sought to initiate a realistic policy of consolidation benefiting the Spanish Monarchy and the House of Habsburg. Whilst previous work on the subject has tended to concentrate on either the relationship between Spain and the Netherlands or between Spain and the Empire, this book offers a far deeper and much more nuanced insight in how the House of Habsburg functioned as a dynasty during these critical years of increasing religious tensions. Based on extensive research in the archives left by the archducal regime and its diplomatic partners or rivals, it bridges the gap between the reigns of Philip II and Philip IV and puts research into the period onto a fascinating new basis.
Annotation This volume reconstructs the lives of Henry VII's new men - low-born ministers with legal, financial, political, and military skills who enforced the king's will as he sought to strengthen government after the Wars of the Roses, examining how they exercised power, gained wealth, and spent it to sustain their new-found status.
In 1483, Edward V (age twelve) and his brother Richard, Duke of York (age nine), disappeared from the Tower of London. History has judged they were murdered on the orders of Richard III. This new book reveals the truth behind the greatest unsolved mystery in English history. Philippa Langley took the world by storm when, against all the odds and after a seven-year investigation, she discovered the grave of King Richard III (1452-1485) in a Leicester car park. A king finally laid to rest, the rediscovery and reburial of Richard III was watched by a global audience of over 366 million. Now, in The Princes in the Tower, Langley reveals the findings of a remarkable new research initiative: "The Missing Princes Project." In the summer of 1483, Edward V (age 12) and his brother Richard Duke of York (age 9), disappeared from the Tower of London. For over five hundred years, history has judged that they were murdered on the orders of their uncle, Richard III. Following years of intensive research in British, American, and European archives, Philippa has uncovered astonishing new archival discoveries that radically change what we know about the fate of the princes in the Tower. Established by Langley in 2016, "The Missing Princes Project" employs the methods of a cold-case police inquiry. Using investigative methodology, it aims to place this most enduring of mysteries under a forensic microscope for the very first time. In The Princes in the Tower, Langley narrates the painstaking investigative work and research of the project. By questioning received wisdom, she and her international team of researchers shed light upon one of history's greatest miscarriages of justice, in turn revealing a surprising and phenomenal untold story.
In Imagining the Americas in Print, Michiel van Groesen reveals the variety of ways in which publishers and printers in early modern Europe gathered information about the Americas, constructed a narrative, and used it to further colonial ambitions in the Atlantic world (1500–1700). The essays examine the creative ways in which knowledge was manufactured in printing workshops. Collectively they bring to life the vivid print culture that determined the relationship between the Old World and the New in the Age of Encounters, and chart the genres that reflected and shaped the European imagination, and helped to legitimate ideologies of colonialism in the next two centuries.
Il volume è il catalogo della mostra itinerante di Amburgo, (Museum für Kunst und Gewerbe, 10 giugno - 26 settembre 2004), New York (The Metropolitan Museum of Art, 26 ottobre 2004 - 30 gennaio 2005), Roma (Palazzo Ruspoli, 2 marzo 25 aprile 2005), dedicata agli splendidi oggetti provenienti dalla Corte di Dresda, esposti per la prima volta dopo il restauro. Gli oggetti in mostra, databili tra il tardo Rinascimento e il primo Barocco, vanno dalle armi alle armature, alle sculture, ai preziosi scrigni in oro e avorio, agli abiti e ai ritratti. Il catalogo fornisce una documentazione completa di una delle più ricche collezioni di arte principesca.
The Revolt in the Low Countries is one of the major conflicts of early modern Europe. Though it is mostly seen as a war between the Dutch and the Spanish, in reality it was a complex civil war with international involvement. This book returns to the original war narratives of the period, re-establishing the multi-faceted character of the conflict.
This volume is the sixth in what is now to become a regular biennial publication which presents the recent research into the conservation, structure, materials, history etc. of paintings by past and present staff and students (including early career interns) of the Hamilton Kerr Institute.