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This volume collects Weston's photographic studies of the nude form, first put together in 1953.
Photographs of Edward Weston_
A concise and authoratitive introduction to this seminal American photographer.
This new book surveys Edward Weston's work more comprehensively and exhaustively than any previous work. A combination of biography and critical analysis, it offers more than 320 meticulously reproduced duotone images, nearly a quarter of which have never been reproduced in books before. The selected photographs trace Weston's career from his early days, through formative years in Mexico, and on through the balance of his career, which ended because of the onset of Parkinson's disease ten years prior to his death in 1958. Treated chronologically and emphasizing Weston's creative preoccupations in each period, the book includes work that he created in 1938 and 1939 with funds from the first two Guggenheim Foundation grants ever awarded to a photographer. To illustrate the book vintage prints have been selected from the copious Weston Archives at the Center for Creative Photography in Tucson, Arizona, and the highly important Lane Collection at the Boston Museum of Fine Arts. Nearly 10,000 photographs have been examined in order to select those reproduced in the book.
"In 2003 the Getty Museum, which holds a collection of about 240 Weston prints, hosted a colloquium on the photographer. This volume in the In Focus series records remarks by the author, Brett Abbott, along with those of six other participants: William Clift, Amy Conger, David Featherstone, Weston Naef, David Travis, and Jennifer Watts. Context for their conversation is provided by the author's introduction, plate texts, and chronology. Approximately fifty of Weston's images demonstrate why his work continues to resonate with a contemporary public and serves as a model for a host of photographers active today."--BOOK JACKET.
From nudes to landscapes, a wide-ranging retrospective of the work of Edward Weston, one of the greatest twentieth-century American photographers. This gorgeous volume shows the work of one of the major twentieth-century artists whose output has influenced the very conception of photography for generations to come. After abandoning pictorial photography, Weston turned his interest in the direction of realism, developing his own original style based on the quest for a pure form to express his contemporary world. He believed that the world around him, whether it be the face of a woman, a place, or a vegetable, did not require special devices to be recorded: in fact, he felt that it is inside the mind that things become proud-looking sculptures, objects that seem to come to life on their own. This thoughtful selection of 110 photographs is an eloquent testimony to Weston's teachings, bearing witness to the experiences that contributed to making him the artist he was: from his interest in modernism and cubism to his years in Mexico, where he shared the echoes of European surrealism with the local artists; from his decision to move to Point Lobos, a location that was of crucial importance to the development of his vision of the landscape, to his intense relationships with women who were his muses and companions in his everyday life as well as in his photography.
This lavish hardcover book is wrapped in European gold cloth, debossed with Weston's signature, and set inside an elegant slipcase cover. This limited edition book contains 125 of Weston's well-known images and many lesser known gems. Additionally, a detailed introduction, along with reproductions of many unseen photographs and ephemera help round out this ultimate tribute to a legendary photographer. Printed on lush and heavy paper stock, Edward Weston: One Hundred Twenty-Five Photographs is destined to become a valuable collector's item and necessary addition to any serious art library. Its duotone reproductions are of the highest grade possible, made from newly created digital scans direct from the master images within the vaults of the Edward Weston Archive at the Center for Creative Photography in Tucson, Arizona. Only 2,000 copies of this special, limited edition book will be released worldwide.
A memoir of the wife and model of photographer Edward Weston details their marriage and professional collaboration
"This is the first major book to celebrate the Huntington's collection of five hundred Edward Weston photographs, all of them selected and printed for the institution by the artist in the 1940s. The Guggenheim photographs lie at the heart of this legacy, but Weston also included in his gift still-life studies from the early 1920s and 1930s, as well as later landscapes from the 1940s. Weston selected these photographs as representative of his best work, and they are reproduced here, complemented by investigations into the influences that shaped them."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
A collection of portraits and nudes taken from The Lane Collection, which have only been previously published in the form of exhibition catalogues. Most of these photographs are in private ownership and have never truly been available for viewing by the general public.