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Draws together the best of Bawden's pieces of work.
This book reveals the wonderful world of painter and illustrator Edward Bawden. Some pages are beautiful, some instructive and some baffling, but together they give us an insight into the mind of one of the 20 century's most reclusive and English of artists.
This comprehensive survey of the career of Edward Bawden (1903-89) accompanied a major exhibition at Dulwich Picture Gallery and brings together his most significant work in watercolour, printmaking, design and illustration. Bawden began his career in the 1920s as a precociously talented designer and illustrator, and he successfully reinvented himself time and again as the decades passed while always retaining a distinctive freshness, humour and humanity in his work. The book explores in depth the most significant creative periods of Bawden's life and is fully illustrated throughout.
"This book tells the story of Great Bardfield and its artists, and their famous 'open house' exhibitions, showing how the village and neighbouring landscape nurtured a distinctive style of art, design and illustration from the 1930s to the 1970s and beyond."--Jacket.
This book draws on Edward Bawden's delightful illustrations, posters and linocuts of Kew Gardens made over 60 years. It presents a light-hearted social history of Kew, peopled with the many Hanoverian Kings, Queens and Princes who resided there, as well as courtiers such as the 3rd Earl of Bute, Joseph Banks Fulke Greville and their proteges including William Chambers, William Aiton, Fanny Burney and Sir William Hooker. Alongside Bawden's posters and linocuts, the book is illustrated with the contemporary caricatures of Thomas Rowlandson, George Cruikshank and James Gillray as well as botanical illustrations by Franz Bauer, Evelyn Dunbar and others. The book also reproduces in full Bawden's previously unpublished manuscript guide to Kew Gardens, drawn by the artist when he was just 19, and the redrawn illustrations and maps in Robert Herring's 1930 book Adam and Evelyn at Kew.
In recent years Eric Ravilious has become recognized as one of the most important British artists of the 20th century, whose watercolours and wood engravings capture an essential sense of place and the spirit of mid-century England. What is less appreciated is that he did not work in isolation, but within a much wider network of artists, friends and lovers influenced by Paul Nashs teaching at the Royal College of Art Edward Bawden, Barnett Freedman, Enid Marx, Tirzah Garwood, Percy Horton, Peggy Angus and Helen Binyon among them. The Ravilious group bridged the gap between fine art and design, and the gentle, locally rooted but spritely character of their work came to be seen as the epitome of contemporary British values. Seventy-five years after Raviliouss untimely death, Andy Friend tells the story of this group of artists from their student days through to the Second World War. Ravilious & Co. explores how they influenced each other and how a shared experience animated their work, revealing the significance in this pattern of friendship of women artists, whose place within the history of British art has often been neglected. Generously illustrated and drawing on extensive research, and a wealth of newly discovered material, Ravilious & Co. is an enthralling narrative of creative achievement, joy and tragedy.