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Originally published in 1957, this was the first biography and full account of Eduard Mörike’s works to appear in English. One of the greatest German lyric poets, Mörike is, according to some critics equal to Goethe as a lyricist. This book was the first attempt to analyse Mörike’s highly suggestive drawings, some of which are reproduced in the book. The contents of poems are summarized, so no prior knowledge of German is assumed, and a large number of poems are quoted in full.
While on a journey to Prague with his wife for the opening night of Don Giovanni, Mozart is caught picking an orange on the grounds of a stately home. But when the resident family finds out who they are dealing with, they are delighted to be in the presence of the celebrated composer and invite him to their daughter's wedding. This vivid and imaginative depiction captures both the humorous and the more pensive side of the genius composer.
Viennese composer Hugo Wolf produced one of the most important song collections of the nineteenth century when he set to music fifty-three poems by the great German poet Eduard Mörike. Susan Youens reappraises this singular collaboration to shed new light on the sophisticated interplay between poetry and music in the songs. Wolf is customarily described as 'the Poet's Composer', someone who revered poetry and served it faithfully in his music. Yet, as Youens reveals, this cliché overlooks the rich terrain in which his songs are often at cross purposes with his chosen poetry. Although Wolf did much to draw the world's attention to the neglected Swabian poet, his musical interpretation of the poetry was also influenced by his own life, psychology and experiences. This book examines selected Mörike songs in detail, demonstrating that the poems and music each have their own distinctive stories which at times intersect but also diverge.
First English translation of Mörike's strikingly modern artist-novel of 1832. When one thinks of German artist-novels and Bildungsromane, works long available in translation come to mind--by Goethe, Novalis, Hoffmann, Stifter, Keller, or more recently by Mann, Kafka, Musil, or Grass. Yet Eduard Mörike's provocatively subtitled Maler Nolten: Novelle in zwei Teilen (Nolten the Painter: A Novella in Two Parts, 1832) has remained neglected and misunderstood, and until now has never been translated into English, despite itsobvious ties to other artist-novels and its striking modernity in playing with conventions of narrative authority and heroic identity. Witness the subtle irony of the opening sequence, in which the narrator is subverted by hintsat his own clumsiness and intimations about the dire truths that lurk behind the protagonist Nolten's relationships to his male friends and to the seductive yet somehow frightening women in his life. Or the interplay between the narrator's attempts to make sense of Nolten's complex inner motivations in his loves and art and the ludicrously pompous pathos with which Nolten persists in speaking and thinking, as he concocts a heroic persona caught up in passion, intrigue, and tragedy. Fascinating too is the mysterious trail of the "Grenzgänger," or border-line characters, with their hints at the dimension of "Gypsies, Tramps, and Thieves" that seems to threaten and at the same time tofoster the complex unfolding of the realities of life and art that defy Nolten's all-too-artful "mastery." Raleigh Whitinger is Professor in the Department of Germanic Languages at the University of Alberta.
Johann Christoph Blumhardt (1805-1880) was a pastoral counselor and theologian of hope. His theology and pastoral approach, shaped as they were by the awakening in his congregation and numerous incidents of faith healing, provoked earnest and lively debate, and the controversy continues today. Ising's work mines the original sources, the product of an interaction with Blumhardt's life and work that goes back many years. He has drawn a portrait that explores the shadows as well as its bright side. Readers are invited to enter fully into the nineteenth century, Blumhardt's century, yet are constantly reminded that the problems of that day have lost none of their currency within the altered mental horizons of today.
In 850 analytical articles, this two-volume set explores the developments that influenced the profound changes in thought and sensibility during the second half of the eighteenth century and the first half of the nineteenth century. The Encyclopedia provides readers with a clear, detailed, and accurate reference source on the literature, thought, music, and art of the period, demonstrating the rich interplay of international influences and cross-currents at work; and to explore the many issues raised by the very concepts of Romantic and Romanticism.
This is the story of Sylvester and his annual journey to Earth to bring the New Year.
Dieses Werk ist Teil der Buchreihe TREDITION CLASSICS. Der Verlag tredition aus Hamburg veroffentlicht in der Buchreihe TREDITION CLASSICS Werke aus mehr als zwei Jahrtausenden. Diese waren zu einem Grossteil vergriffen oder nur noch antiquarisch erhaltlich. Mit der Buchreihe TREDITION CLASSICS verfolgt tredition das Ziel, tausende Klassiker der Weltliteratur verschiedener Sprachen wieder als gedruckte Bucher zu verlegen - und das weltweit! Die Buchreihe dient zur Bewahrung der Literatur und Forderung der Kultur. Sie tragt so dazu bei, dass viele tausend Werke nicht in Vergessenheit geraten