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Studying texts by Lorenzo Valla, Erasmus, Saint Jerome, George Gascoigne, and Fulke Greville, this volume explores authorial character as an instrument of textual analysis in the scholarship of early Renaissance literature.
Editing the Image looks at the editing of visual media as both a series of technical exercises and as an allegory.
This collection of essays, in the series on Editorial Problems, offers historical and contextual discussions of several of Grosseteste's works.
Except perhaps for Wittenberg, no place in the German Empire played a greater role in the early Reformation than the free imperial city of Strasbourg. This volume presents the results of a workshop on the correspondence of a major figure in the Strasbourg Reformation, Wolfgang Capito. The collection includes interpretive essays, text editions of two Capito works and documents of a lawsuit that affected his establishment in the city, as well as studies of the problems of producing modern editions of Capito himself and his contemporaries Erasmus, Bucer, Bullinger, and Beza. Readers will find fresh insights into the intellectual, religious, and political world of southwestern Germany in the early sixteenth century.
Essays examine the problems inherent in attempting to record oral cultures for a visual society. What happens when the oral stories, beliefs, or histories of North American Native peoples are transferred to paper or other media?
The early modern ‘public sphere’ emerges out of a popular ‘culture of persuasion’ fostered by the Protestant Reformation. By 1600, religious identity could no longer be assumed as ‘given’ within the hierarchical institutions and elaborate apparatus of late-medieval ‘sacramental culture’. Reformers insisted on a sharp demarcation between the inner, subjective space of the individual and the external, public space of institutional life. Gradual displacement of sacramental culture was achieved by means of argument, textual interpretation, exhortation, reasoned opinion, and moral advice exercised through both pulpit and press. This alternative culture of persuasion presupposes a radically distinct notion of mediation. The common focus of the essays collected here is the dynamic interaction of religion and politics which provided a crucible for the emerging modern ‘public sphere’.
The authors strive to illuminate every aspect of Erasmus’ life, work, and legacy while providing an expert synthesis of the most inspiring research in the field. There is no volume to compare or to compete with this compendium of all Erasmian knowledge.
This is the third and final volume of essays issuing from the Leverhulme International Network 'Renaissance Conflict and Rivalries: Cultural Polemics in Europe, c. 1300–c. 1650'. The overall aim of the network was to examine the various ways in which conflict and rivalries made a positive contribution to cultural production and change during the Renaissance. The present volume, which contains papers delivered at the third colloquium, draws that examination to a close by considering a range of different strategies deployed in the period to manage conflict and rivalries and to bring them to a positive resolution. The papers explore these developments in the context of political, diplomatic, social, institutional, religious, and art history.