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Divides American history into nine time periods stressing the contributions of various individuals to the history of each period.
Collects four novels dealing with turn-of-the-century New York society.
At the height of the Jazz Age, Ring Lardner was America’s most beloved humorist, equally admired by a popular audience and by literary friends like F. Scott Fitzgerald and Edmund Wilson. A sports writer who became a sensation with his comic baseball bestseller, You Know Me Al, Lardner had a rare gift for inspired nonsense and an ear attuned to the rhythms and hilarious oddities of American speech. He was also a sharp and dispassionate observer of the American scene. His best stories—among them such masterpieces as “Haircut,” “The Golden Honeymoon,” “A Caddy’s Diary,” and “The Love Nest”—cast a devastating eye on the hypocrisies, prejudices, and petty scheming of everyday life. In this Library of America edition, editor Ian Frazier surveys the whole sweep of Lardner’s talents, offering contemporary readers his finest stories, the full texts of You Know Me Al, The Big Town, and the long out-of-print The Real Dope, and a generous sampling of his humor pieces, sports reporting, song lyrics, and surrealist playlets. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
The ten works collected in this volume demonstrate how a diverse group of writers challenged the conscience of a nation and laid the foundations of the African American literary tradition by expressing their in anger, pain, sorrow, and courage. Included in the volume: Narrative of the Most Remarkable Particulars in the Life of James Albert Ukawsaw Gronniosaw; Interesting Narrative of the Life of Olaudah Equiano; The Confessions of Nat Turner; Narrative of the Life of Frederick Douglass; Narrative of William W. Brown; Narrative of the Life and Adventures of Henry Bibb; Narrative of Sojouner Truth; Ellen and William Craft's Running a Thousand Miles for Freedom; Harriet Jacobs' Incidents in the Life of a Slave Girl and Narrative of the Life of J. D.Green. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
A showcase of the extraordinary career America’s first Black novelist and pivotal figure in African American literature “It is difficult to imagine any one of his contemporaries who contributed as much or as richly to so many genres.” —Henry Louis Gates Jr. Born a slave and kept functionally illiterate until he escaped at age nineteen, William Wells Brown (1814–1884) refashioned himself first as an agent of the Underground Railroad, then as an antislavery activist and self-taught orator, and finally as the author of a series of landmark works that made him, like Frederick Douglass, a foundational figure of African American literature. His controversial novel Clotel; or, the President’s Daughter (1853), a fictionalized account of the lives and struggles of Thomas Jefferson’s black daughters and granddaughters, is the first novel written by an African American. This Library of America volume brings it together with Brown’s other groundbreaking works: Narrative of William W. Brown: A Fugitive Slave, Written by Himself (1847), his first published book and an immediate bestseller, which describes his childhood, life in slavery, and eventual escape; later memoirs charting his life during the Civil War and Reconstruction; the first play (The Escape; or, A Leap for Freedom, 1858), travelogue (The American Fugitive in Europe, 1855), and history (The Black Man, His Antecedents, His Genius, and His Achievements, 1862) written by an African American; and eighteen speeches and public letters from the 1840s, 50s, and 60s, many collected here for the first time. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
Edith Wharton is renowned for her nonfiction work "The writing of Fiction" and provides classic guidance on Writing and reading. Wharton was the very first female to win, in fact, a Pulitzer Prize with this particular book becoming a rare nonfiction piece. It features a new introduction by Brandon Taylor and offers a rare look into Wharton's views on the arts of reading and writing. Wharton examines different issues with writing in this particular publication, which include character development, the art of crafting exquisite short stories, and the structure of a novel. Not simply a writing guide but a broad meditation by a great practitioner. Wharton draws on her great knowledge of being a renowned novelist renowned for her sharp critiques of upper-class culture in addition to her formal remarkable works. Edith Wharton's "The writing of Fiction" is a tremendous contribution to literary critique and Writing guidance. The very first female to win a Pulitizer Prize, this nonfiction book offers ageless guidance on reading and writing. Wharton, a author of books like "The Age of Innocence," "The House of Mirth," "The Custom of the Country," pertains her sharp critique and intimate understanding of upper class society to this novel. Wharton explores different facets in the literary craft in the book. She gives information on character development, short story writing and the bigger story structure of a novel. Her discussion goes beyond pure technical guidance; Her observations and experiences as a renowned novelist serve as a meditation on writing.
Set in New England, a farmer struggles to survive a bare existence, tethered to his farm, first by his helpless parents and then by a hypochondriac wife. Yet, when his wife's alluring cousin comes to stay, his dreams are rekindled
Twenty years after Appomattox, stricken by cancer and facing financial ruin, Ulysses S. Grant wrote his Personal Memoirs to secure his family’s future. in doing so, the Civil War’s greatest general won himself a unique place in American letters. His character, intelligence, sense of purpose, and simple compassion are evident throughout this vivid and deeply moving account, which has been acclaimed by readers as diverse asMark Twain, Matthew Arnold, Gertrude Stein, and Edmund Wilson. Annotated and complete with detailed maps, battle plans, and facsimiles reproduced from the original edition, this volume offers an unparalleled vantage on the most terrible, moving, and inexhaustibly fascinating event in American history. included are 174 letters, many of them to his wife, Julia, which offer an intimate view of their affectionate and enduring marriage.
Henry James led a wandering life, which took him far from his native shores, but he continued to think of New York City, where his family had settled for several years during his childhood, as his hometown. Here Colm Tóibín, the author of the Man Booker Prize shortlisted novel The Master, a portrait of Henry James, brings together for the first time all the stories that James set in New York City. Written over the course of James’s career and ranging from the deliciously tart comedy of the early “An International Episode” to the surreal and haunted corridors of “The Jolly Corner,” and including “Washington Square,” the poignant novella considered by many (though not, as it happens, by the author himself) to be one of James’s finest achievements, the nine fictions gathered here reflect James’s varied talents and interests as well as the deep and abiding preoccupations of his imagination. And throughout the book, as Tóibín’s fascinating introduction demonstrates, we see James struggling to make sense of a city in whose rapidly changing outlines he discerned both much that he remembered and held dear as well as everything about America and its future that he dreaded most. Stories included: The Story of a Masterpiece A Most Extraordinary Case Crawford’s Consistency An International Episode The Impressions of a Cousin The Jolly Corner Washington Square Crapy Cornelia A Round of Visits
Henry James’s travel writings are at once literary masterpieces, unsurpassed guidebooks and penetrating reflections on the international themes familiar from his fiction. This volume, the second of two, begins with the classic A Little Tour in France (1900), illustrated with Joseph Pennell’s exquisite drawings from the original edition. James begins his tour of the French countryside one rainy morning in mid-September of 1882, when he sets off for the city of Tours as a means of exploring the proposition that “though France might be Paris, Paris was by no means France.” From Tours, Balzac’s birthplace, James travels to the great chateaux of the Loire Valley, visiting Chambord, Amboise, Chenonceaux, and Blois, where, as you cross the threshold, “you step straight into the sunshine and storm of the French Renaissance.” Dense with literary associations and historical echoes, James’s prose brings castles and cathedrals and old walled towns to life. In his glancingly precise visual evocations of terrain and cityscape, he realizes his ambition “to sketch without a palette or brushes.” Henry James loved Italy, “a beautiful disheveled nymph” to England’s “good married matron.” The incisive and witty essays in Italian Hours (1909) describe memorably happy sojourns in Venice, Rome, and Florence, and excursions to Siena, Assisi, Perugia, Capri, Ravenna, and other Italian cities. “Nowhere do art and life seem so interfused” as in Venice, wrote James in celebration of the splendor of Venetian light and color, air, and history. He records his radiant impressions of Roman churches and aqueducts, museums and fountains, and rambles through the gardens of the Villa Borghese in spring, when Rome seems lighted “with an irresistible smile.” All these essays are filled with James’s intense pleasure in Italian places and people. This volume concludes with sixteen essays on such varied places as Switzerland, Holland, Rheims, and the Pyrénées, including a memorable account of the American volunteer ambulance corps in Europe during World War One. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.