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Collects four novels dealing with turn-of-the-century New York society.
Acclaimed biographer Hermione Lee presents four “remarkable and surprising” books that collectively capture World War I and the Jazz Age through the eyes of one of our greatest novelists. Edith Wharton achieved the height of her critical and popular success in the 1920s, following The Age of Innocence, winner of the 1921 Pulitzer Prize, with four works that, though less well-known today, reveal the same mastery of dramatic irony and penetrating social satire that place her, with Henry James and Willa Cather, among the foremost writers of her era. The Library of America now brings these brilliant works together for the first time in the fifth volume of its ongoing edition of Wharton’s works. Here are The Glimpses of the Moon (1922), a romance set amid the crosscurrents of upper-class social maneuvering that is considered by some scholars to have been a literary inspiration for The Great Gatsby; A Son at the Front (1923), set in Paris in the First World War, a searing character study of an American painter grappling with his son’s decision to answer the call of duty in the French army; Twilight Sleep (1927), a satire of the Jazz Age and the New York society ladies who turn to drugs, occultism, and other distractions to escape the pain and emptiness of their lives; and The Children (1928), an unlikely love story that editor Hermione Lee has called “a daring and profoundly sad book” and “the most remarkable and surprising of the novels that came after The Age of Innocence.” Also included is a chronology of Wharton’s life, newly expanded from Hermione Lee’s masterful biography of Wharton, as well as helpful explanatory notes. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
"First published by Pushkin Press in 2004"--Title page verso.
The classic account of the lead-up to World War I, told with “a rare combination of impeccable scholarship and literary polish” (The New York Times)—from the Pulitzer Prize–winning author of The Guns of August During the fateful quarter century leading up to World War I, the climax of a century of rapid, unprecedented change, a privileged few enjoyed Olympian luxury as the underclass was “heaving in its pain, its power, and its hate.” In The Proud Tower, Barbara W. Tuchman brings the era to vivid life: the decline of the Edwardian aristocracy; the Anarchists of Europe and America; Germany and its self-depicted hero, Richard Strauss; Diaghilev’s Russian ballet and Stravinsky’s music; the Dreyfus Affair; the Peace Conferences in The Hague; and the enthusiasm and tragedy of Socialism, epitomized by the assassination of Jean Jaurès on the night the Great War began and an epoch came to a close. The Proud Tower, The Guns of August, and The Zimmermann Telegram comprise Barbara W. Tuchman’s classic histories of the First World War era.
Divides American history into nine time periods stressing the contributions of various individuals to the history of each period.
West of Rome's two novellas, "My Dog Stupid" and "The Orgy," fulfill the promise of their rousing titles. The latter novella opens with virtuoso description: "His name was Frank Gagliano, and he did not believe in God. He was that most singular and startling craftsman of the building trade-a left-handed bricklayer. Like my father, Frank came from Torcella Peligna, a cliff-hugging town in the Abruzzi. Lean as a spider, he wore a leather cap and puttees the year around, and he was so bowlegged a dog could lope between his knees without touching them."
Critical Theory Today is the essential introduction to contemporary criticial theory. It provides clear, simple explanations and concrete examples of complex concepts, making a wide variety of commonly used critical theories accessible to novices without sacrificing any theoretical rigor or thoroughness. This new edition provides in-depth coverage of the most common approaches to literary analysis today: feminism, psychoanalysis, Marxism, reader-response theory, new criticism, structuralism and semiotics, deconstruction, new historicism, cultural criticism, lesbian/gay/queer theory, African American criticism, and postcolonial criticism. The chapters provide an extended explanation of each theory, using examples from everyday life, popular culture, and literary texts; a list of specific questions critics who use that theory ask about literary texts; an interpretation of F. Scott Fitzgerald's The Great Gatsby through the lens of each theory; a list of questions for further practice to guide readers in applying each theory to different literary works; and a bibliography of primary and secondary works for further reading.
Before Palm Pilots and iPods, PCs and laptops, the term "computer" referred to the people who did scientific calculations by hand. These workers were neither calculating geniuses nor idiot savants but knowledgeable people who, in other circumstances, might have become scientists in their own right. When Computers Were Human represents the first in-depth account of this little-known, 200-year epoch in the history of science and technology. Beginning with the story of his own grandmother, who was trained as a human computer, David Alan Grier provides a poignant introduction to the wider world of women and men who did the hard computational labor of science. His grandmother's casual remark, "I wish I'd used my calculus," hinted at a career deferred and an education forgotten, a secret life unappreciated; like many highly educated women of her generation, she studied to become a human computer because nothing else would offer her a place in the scientific world. The book begins with the return of Halley's comet in 1758 and the effort of three French astronomers to compute its orbit. It ends four cycles later, with a UNIVAC electronic computer projecting the 1986 orbit. In between, Grier tells us about the surveyors of the French Revolution, describes the calculating machines of Charles Babbage, and guides the reader through the Great Depression to marvel at the giant computing room of the Works Progress Administration. When Computers Were Human is the sad but lyrical story of workers who gladly did the hard labor of research calculation in the hope that they might be part of the scientific community. In the end, they were rewarded by a new electronic machine that took the place and the name of those who were, once, the computers.
The celebrated author of The Age of Innocence offers a biting satire of Jazz Age society in this tale of indulgence, infidelity, and family dysfunction. Nona Manford is in love with the wrong man—or at least, she’s in love with a man whose wife won’t grant a divorce. When she isn’t preoccupied with her own romantic dilemma, Nona is busy trying to save the marriage of her stepbrother, Jim. But Jim’s wife, Lita, is desperate to escape her domestic role for a life of dancing, champagne, and glamour. And meanwhile, the family’s older generation isn’t faring much better. An instant bestseller when it was first published in 1927, Edith Wharton’s Twilight Sleep is both a scathing satire of Jazz Age frivolity and a psychologically probing portrait of a family coming apart at the seams.