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Vita-Finzi (English literature and theatre studies, Ealing College, London) explores Wharton's concept of the artist through a study of her fiction, published and unpublished, and autobiographical material. She shows that Wharton's views were rooted in 19th century thought rather than contemporary literary and intellectual debates, and refutes the view of Wharton as a standard 19th century "woman writer". Annotation copyrighted by Book News, Inc., Portland, OR
Edith Wharton is renowned for her nonfiction work "The writing of Fiction" and provides classic guidance on Writing and reading. Wharton was the very first female to win, in fact, a Pulitzer Prize with this particular book becoming a rare nonfiction piece. It features a new introduction by Brandon Taylor and offers a rare look into Wharton's views on the arts of reading and writing. Wharton examines different issues with writing in this particular publication, which include character development, the art of crafting exquisite short stories, and the structure of a novel. Not simply a writing guide but a broad meditation by a great practitioner. Wharton draws on her great knowledge of being a renowned novelist renowned for her sharp critiques of upper-class culture in addition to her formal remarkable works. Edith Wharton's "The writing of Fiction" is a tremendous contribution to literary critique and Writing guidance. The very first female to win a Pulitizer Prize, this nonfiction book offers ageless guidance on reading and writing. Wharton, a author of books like "The Age of Innocence," "The House of Mirth," "The Custom of the Country," pertains her sharp critique and intimate understanding of upper class society to this novel. Wharton explores different facets in the literary craft in the book. She gives information on character development, short story writing and the bigger story structure of a novel. Her discussion goes beyond pure technical guidance; Her observations and experiences as a renowned novelist serve as a meditation on writing.
This work explores Edith Wharton's career-long concern with a 19th-century visual culture that limited female artistic agency and expression. Wharton repeatedly invoked the visual arts as a medium for revealing the ways that women's bodies have been represented (as passive, sexualized, infantalized, sickly, dead). Well-versed in the Italian masters, Wharton made special use of the art of the Pre-Raphaelite Brotherhood, particularly its penchant for producing not portraits of individual women but instead icons onto whose bodies male desire is superimposed.
Despite the popularity of Edith Wharton's novels and stories, her artistic genius has never been fully appreciated. Accordingly, this book provides new readings of such familiar favourites as The House of Mirth and The Age of Innocence as well as neglected works such as Twilight Sleep and The Glimpses of the Moon. The effect of this study is to require reassessment not only of the critical possibilities of Edith Wharton's work and the private life about which she was so reticent, but also of her position in American literature. The book concludes that as a bridge between the Victorian and modern periods, Edith Wharton should stand independently as an American writer of the first rank.
Based on extensive new archival research, Edith Wharton and Genre: Beyond Fiction offers the first study of Wharton’s full engagement with original writing in genres outside those with which she has been most closely identified. So much more than an acclaimed novelist and short story writer, Wharton is reconsidered in this book as a controversial playwright, a gifted poet, a trailblazing travel writer, an innovative and subversive critic, a hugely influential design writer, and an author who overturned the conventions of autobiographical form. Her versatility across genres did not represent brief sidesteps, temporary diversions from what has long been read as her primary role as novelist. Each was pursued fully and whole-heartedly, speaking to Wharton’s very sense of herself as an artist and her connected vision of artistry and art. The stories of these other Edith Whartons, born through her extraordinary dexterity across a wide range of genres, and their impact on our understanding of her career, are the focus of this new study, revealing a bolder, more diverse, subversive and radical writer than has long been supposed.
These 20 short stories and novellas offer an exquisite portrait of Old New York, spanning from the Civil War through the Gilded Age (New York Times). “Edith Wharton . . . remains one of the most potent names in the literature of New York.” —New York Times Edith Wharton wrote about New York as only a native can. Her Manhattan is a city of well-appointed drawing rooms, hansoms and broughams, all-night cotillions, and resplendent Fifth Avenue flats. Bishops’ nieces mingle with bachelor industrialists; respectable wives turn into excellent mistresses. All are governed by a code of behavior as rigid as it is precarious. What fascinates Wharton are the points of weakness in the structure of Old New York: the artists and writers at its fringes, the free-love advocates testing its limits, widows and divorcées struggling to hold their own. The New York Stories of Edith Wharton gathers twenty stories of the city, written over the course of Wharton’s career. From her first published story, “Mrs. Manstey’s View,” to one of her last and most celebrated, “Roman Fever,” this new collection charts the growth of an American master and enriches our understanding of the central themes of her work, among them the meaning of marriage, the struggle for artistic integrity, the bonds between parent and child, and the plight of the aged. Illuminated by Roxana Robinson’s introduction, these stories showcase Wharton’s astonishing insight into the turbulent inner lives of the men and women caught up in a rapidly changing society.
In late 19th-century New York, high society places great demands on a woman—she must be beautiful, wealthy, cultured, and above all, virtuous, at least on the surface. At 29, Lily Bart has had every opportunity to marry successfully within her social class, but her irresponsible lifestyle and high standards lead her further and further down the social ladder. Her gambling debts are catching up with her, and an arrangement with a friend's husband causes society to begin questioning her virtue. The House of Mirth is Edith Wharton’s sharp critique of an American upper class she viewed as morally corrupt and relentlessly materialistic. EDITH WHARTON [1862–1937], born in New York, made her debut at the age of forty but managed to write around twenty novels, nearly a hundred short stories, poetry, travelogues, and essays. Wharton was nominated for the Nobel Prize in Literature three times: 1927, 1928, and 1930. For The Age of Innocence [1920], she was awarded the Pulitzer Prize in 1921.
Among the many twentieth century treatises on the art of writing, there were few that attempted to analyze the development of form and style. But Edith Wharton's bestselling classic, 'The Writing of Fiction' did just that. Complete with chapters devoted to the invaluable insight on character, pacing, structure, the short story, the novel, and a wide-range of approaches to modern fiction. The book is a window into the mind of one of America's most important and enduring voices. In 1921, Edith Wharton became the first woman to win a Pulitzer Prize for her 1920 novel 'The Age of Innocence'. Edith Wharton (1862–1937) was a prolific novelist and one of the twentieth century’s greatest authors. 'The Age of Innocence', her Pulitzer-winning novel was made into the acclaimed Martin Scorsese film of the same name – starring Daniel Day-Lewis, Michelle Pfeiffer, and Winona Ryder. Wharton's work has sold millions of copies worldwide. Among her other renowned works are 'The House of Mirth' and 'Ethan Frome'.
Adeline Virginia Woolf was an English writer, and one of the foremost modernists of the twentieth century. During the interwar period, Woolf was a significant figure in London literary society and a central figure in the influential Bloomsbury Group of intellectuals. Her most famous works include the novels Mrs Dalloway (1925), To the Lighthouse (1927) and Orlando (1928), and the book-length essay A Room of One's Own (1929), with its famous dictum, "A woman must have money and a room of her own if she is to write fiction." This eBook contains 13 essays on The Art of Fiction by Virginia Woolf: The Narrow Bridge of Art. Hours in a Library. Impassioned Prose. Life and the Novelist. On Rereading Meredith. The Anatomy of Fiction. Gothic Romance. The Supernatural in Fiction. Henry James's Ghost Stories. A Terribly Sensitive Mind. Women and Fiction. An Essay in Criticism. Phases of Fiction.
Edith Wharton, the first woman to win the Pulitzer Prize for Fiction with her novel The Age of Innocence, was also a brilliant poet. This revealing collection of 134 poems brings together a fascinating array of her verse—including fifty poems that have never before been published. The celebrated American novelist and short story writer Edith Wharton, author of The House of Mirth, Ethan Frome, and the Pulitzer Prize–winning The Age of Innocence, was also a dedicated, passionate poet. A lover of words, she read, studied, and composed poetry all of her life, publishing her first collection of poems at the age of sixteen. In her memoir, A Backward Glance, Wharton declared herself dazzled by poetry; she called it her “chiefest passion and greatest joy.” The 134 selected poems in this volume include fifty published for the first time. Wharton’s poetry is arranged thematically, offering context as the poems explore new facets of her literary ability and character. These works illuminate a richer, sometimes darker side of Wharton. Her subjects range from the public and political—her first published poem was about a boy who hanged himself in jail—to intimate lyric poems expressing heartbreak, loss, and mortality. She wrote frequently about works of art and historical figures and places, and some of her most striking work explores the origins of creativity itself. These selected poems showcase Wharton’s vivid imagination and her personal experience. Relatively overlooked until now, her poetry and its importance in her life provide an enlightening lens through which to view one of the finest writers of the twentieth century.