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One of the first novels to deal honestly with a woman's sexual awakening, "Summer" created a sensation upon its 1917 publication. The Pulitzer Prize-winning author of "Ethan Frome" shattered the standards of conventional love stories with candor and realism. Nearly a century later, this tale remains fresh and relevant.
In late 19th-century New York, high society places great demands on a woman—she must be beautiful, wealthy, cultured, and above all, virtuous, at least on the surface. At 29, Lily Bart has had every opportunity to marry successfully within her social class, but her irresponsible lifestyle and high standards lead her further and further down the social ladder. Her gambling debts are catching up with her, and an arrangement with a friend's husband causes society to begin questioning her virtue. The House of Mirth is Edith Wharton’s sharp critique of an American upper class she viewed as morally corrupt and relentlessly materialistic. EDITH WHARTON [1862–1937], born in New York, made her debut at the age of forty but managed to write around twenty novels, nearly a hundred short stories, poetry, travelogues, and essays. Wharton was nominated for the Nobel Prize in Literature three times: 1927, 1928, and 1930. For The Age of Innocence [1920], she was awarded the Pulitzer Prize in 1921.
Provides examinations and interpretations of several works by Wharton, and concentrates on the theme of women as artist
This study reflects recent feminist interest in Wharton as a critic of American materialism and as a woman who personally escaped from the confines of the conventional, prosperous Eastern urban society of her time. Building upon the work of R. W. B. Lewis and C. G. Wolff, the author gives close readings of Wharton's best-known novels and traces her interpretation of changing social mores from the 1870s through the 1920s. Concludes that Wharton was not a "fossilized old New Yorker" but an independent, fearless seeker of the intelligent, creative life. ISBN 0-8386-3126-6 : $24.50.
Ironically, now that she is becoming recognized as a Modernist by some, and as perhaps the greatest American writer of her generation, the criticism often obfuscates more than it reveals. The reasons reside in critics' loyalties to various theoretical approaches, the objectivity of which are often compromised by political hopes. This volume not only traces and analyzes the development of Whartonian literary criticism in its historical and political contexts, but also allows Edith Wharton, herself a literary critic, to respond to various concepts through the author's deductions and extrapolations from Wharton's own words.
Edith Wharton was one of America's most popular and prolific writers, becoming the first woman to win the Pulitzer Prize for Fiction in 1921. In a publishing career spanning seven decades, Wharton lived and wrote through a period of tremendous social, cultural and historical change. Bringing together a team of international scholars, this volume provides the first substantial text dedicated to the various contexts that frame Wharton's remarkable career. Each essay offers a clearly argued and lucid assessment of Wharton's work as it relates to seven key areas: life and works, critical receptions, book and publishing history, arts and aesthetics, social designs, time and place, and literary milieux. These sections provide a broad and accessible resource for students coming to Wharton for the first time while offering scholars new critical insights.
Edith Wharton is renowned for her nonfiction work "The writing of Fiction" and provides classic guidance on Writing and reading. Wharton was the very first female to win, in fact, a Pulitzer Prize with this particular book becoming a rare nonfiction piece. It features a new introduction by Brandon Taylor and offers a rare look into Wharton's views on the arts of reading and writing. Wharton examines different issues with writing in this particular publication, which include character development, the art of crafting exquisite short stories, and the structure of a novel. Not simply a writing guide but a broad meditation by a great practitioner. Wharton draws on her great knowledge of being a renowned novelist renowned for her sharp critiques of upper-class culture in addition to her formal remarkable works. Edith Wharton's "The writing of Fiction" is a tremendous contribution to literary critique and Writing guidance. The very first female to win a Pulitizer Prize, this nonfiction book offers ageless guidance on reading and writing. Wharton, a author of books like "The Age of Innocence," "The House of Mirth," "The Custom of the Country," pertains her sharp critique and intimate understanding of upper class society to this novel. Wharton explores different facets in the literary craft in the book. She gives information on character development, short story writing and the bigger story structure of a novel. Her discussion goes beyond pure technical guidance; Her observations and experiences as a renowned novelist serve as a meditation on writing.
An elegantly hair-raising collection of Edith Wharton's ghost stories, selected and with a preface written by the author herself. No history of the American uncanny tale would be complete without mention of Edith Wharton, yet many of Wharton’s most dedicated admirers are unaware that she was a master of the form. In fact, one of Wharton’s final literary acts was assembling Ghosts, a personal selection of her most chilling stories, written between 1902 and 1937. In “The Lady’s Maid’s Bell,” the earliest tale included here, a servant’s dedication to her mistress continues from beyond the grave, and in “All Souls,” the last story Wharton wrote, an elderly woman treads the permeable line between life and the hereafter. In all her writing, Wharton’s great gift was to mercilessly illuminate the motives of men and women, and her ghost stories never stray far from the preoccupations of the living, using the supernatural to investigate such worldly matters as violence within marriage, the horrors of aging, the rot at the root of new fortunes, the darkness that stares back from the abyss of one’s own soul. These are stories to “send a cold shiver down one’s spine,” not to terrify, and as Wharton explains in her preface, her goal in writing them was to counter “the hard grind of modern speeding-up” by preserving that ineffable space of “silence and continuity,” which is not merely the prerogative of humanity but—“in the fun of the shudder”—its delight. Contents All Souls’ The Eyes Afterward The Lady’s Maid’s Bell Kerfol The Triumph of Night Miss Mary Pask Bewitched Mr. Jones Pomegranate Seed A Bottle of Perrier
The Moving Finger is a short story by Edith Wharton. Edith Wharton ( born Edith Newbold Jones; January 24, 1862 - August 11, 1937) was a Pulitzer Prize-winning American novelist, short story writer, and designer. She was nominated for the Nobel Prize in Literature in 1927, 1928 and 1930. Wharton combined her insider's view of America's privileged classes with a brilliant, natural wit to write humorous, incisive novels and short stories of social and psychological insight. She was well acquainted with many of her era's other literary and public figures, including Theodore Roosevelt. Wharton was born to George Frederic Jones and Lucretia Stevens Rhinelander in New York City. She had two brothers, Frederic Rhinelander and Henry Edward. The saying "Keeping up with the Joneses" is said to refer to her father's family. She was also related to the Rensselaer family, the most prestigious of the old patroon families. She had a lifelong friendship with her Rhinelander niece, landscape architect Beatrix Farrand of Reef Point in Bar Harbor, Maine. In 1885, at 23, she married Edward (Teddy) Robbins Wharton, who was 12 years older. From a well-established Philadelphia family, he was a sportsman and gentleman of the same social class and shared her love of travel. From the late 1880s until 1902, he suffered acute depression, and the couple ceased their extensive travel. At that time his depression manifested as a more serious disorder, after which they lived almost exclusively at The Mount, their estate designed by Edith Wharton. In 1908 her husband's mental state was determined to be incurable. She divorced him in 1913. Around the same time, Edith was overcome with the harsh criticisms leveled by the naturalist writers. Later in 1908 she began an affair with Morton Fullerton, a journalist for The Times, in whom she found an intellectual partner. In addition to novels, Wharton wrote at least 85 short stories. She was also a garden designer, interior designer, and taste-maker of her time. She wrote several design books, including her first published work, The Decoration of Houses of 1897, co-authored by Ogden Codman. Another is the generously illustrated Italian Villas and Their Gardens of 1904.
The highly acclaimed debut novel from the bestselling, award-winning author of A Visit from the Good Squad follows two sisters in the 1970s—one lost, one seeking—on "a trip that takes the reader through stunning emotional terrain" (The New Yorker). The political drama and familial tensions of the 1960s form a backdrop for the world of Phoebe O’Connor, age eighteen, in 1978. Phoebe is obsessed with the memory and death of her sister Faith, a beautiful idealistic hippie who died in Italy in 1970. In order to find out the truth about Faith’s life and death, Phoebe retraces her steps from San Francisco across Europe, a quest which yields both complex and disturbing revelations about family, love, and Faith’s lost generation. This spellbinding novel introduced Egan’s remarkable ability to tie suspense with deeply insightful characters and the nuances of emotion.