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The Director of the Federal Bureau of Investigation explains the startling facts about the major menace of our time, communism: what it is, how it works, what its aims are, the real dangers it poses, and what loyal American citizens must know to protect their freedom. MASTERS OF DECEIT is a powerful and informative book—a firsthand account of American communism from its beginnings to the present, written by a man more intimately familiar with the complete story than any other American. Mr. Hoover shows the day-to-day operations of the Communist Party, USA: who the communists are, what they claim, why people be-come communists and why some break away. He describes life within the Party, communist strategy and tactics, methods of mass agitation and underground infiltration, espionage, sabotage, and its treatment of minorities. The picture of what life in this country would be under communism (toward which thou-sands of misguided Americans actually are working now!) is vivid and shocking. The forceful, driving message of this book is clarified with many incidents and anecdotes, definitions of communist terms, key dates, and a list of international communist organizations and publications which illustrate the communist Trojan horse in action. And it concretely outlines just what you can do now to combat the evils of the “false religion” of communism, so that you can stay free. MASTERS OF DECEIT is one of the most important books of our time—a warning of the clear and present danger to our way of life.
Winner of the 2023 Pulitzer Prize in Biography Winner of the 2022 National Book Critics Circle Award in Biography, the 2023 Bancroft Prize in American History and Diplomacy, and the 43rd LA Times Book Prize in Biography | Finalist for the 2023 PEN/Jacqueline Bograd Weld Award for Biography Named a Best Book of 2022 by The Atlantic, The Washington Post and Smithsonian Magazine and a New York Times Top 100 Notable Books of 2022 “Masterful…This book is an enduring, formidable accomplishment, a monument to the power of biography [that] now becomes the definitive work”—The Washington Post “A nuanced portrait in a league with the best of Ron Chernow and David McCullough.”—The Wall Street Journal A major new biography of J Edgar Hoover that draws from never-before-seen sources to create a groundbreaking portrait of a colossus who dominated half a century of American history and planted the seeds for much of today's conservative political landscape. We remember him as a bulldog--squat frame, bulging wide-set eyes, fearsome jowls--but in 1924, when he became director of the FBI, he had been the trim, dazzling wunderkind of the administrative state, buzzing with energy and big ideas for reform. He transformed a failing law-enforcement backwater, riddled with scandal, into a modern machine. He believed in the power of the federal government to do great things for the nation and its citizens. He also believed that certain people--many of them communists or racial minorities or both-- did not deserve to be included in that American project. Hoover rose to power and then stayed there, decade after decade, using the tools of state to create a personal fiefdom unrivaled in U.S. history. Beverly Gage’s monumental work explores the full sweep of Hoover’s life and career, from his birth in 1895 to a modest Washington civil-service family through his death in 1972. In her nuanced and definitive portrait, Gage shows how Hoover was more than a one-dimensional tyrant and schemer who strong-armed the rest of the country into submission. As FBI director from 1924 through his death in 1972, he was a confidant, counselor, and adversary to eight U.S. presidents, four Republicans and four Democrats. Franklin Roosevelt and Lyndon Johnson did the most to empower him, yet his closest friend among the eight was fellow anticommunist warrior Richard Nixon. Hoover was not above blackmail and intimidation, but he also embodied conservative values ranging from anticommunism to white supremacy to a crusading and politicized interpretation of Christianity. This garnered him the admiration of millions of Americans. He stayed in office for so long because many people, from the highest reaches of government down to the grassroots, wanted him there and supported what he was doing, thus creating the template that the political right has followed to transform its party. G-Man places Hoover back where he once stood in American political history--not at the fringes, but at the center--and uses his story to explain the trajectories of governance, policing, race, ideology, political culture, and federal power as they evolved over the course of the 20th century.
A New York Times–bestselling author’s revealing, “important” biography of the longtime FBI director (The Philadelphia Inquirer). No one exemplified paranoia and secrecy at the heart of American power better than J. Edgar Hoover, the original director of the Federal Bureau of Investigation. For this consummate biography, renowned investigative journalist Anthony Summers interviewed more than eight hundred witnesses and pored through thousands of documents to get at the truth about the man who headed the FBI for fifty years, persecuted political enemies, blackmailed politicians, and lived his own surprising secret life. Ultimately, Summers paints a portrait of a fatally flawed individual who should never have held such power, and for so long.
The anticommunist crusade of the Federal Bureau of Investigation did not start with the Cold War. Based on research in the early files of the FBI's predecessor, the Bureau of Investigation, the author describes how the federal security officials played a decisive role in bringing about the first anticommunist hysteria in the US, the Red Scare in 1919 to 1920. The Bureau's political role, it is argued, originated in the attempt by the modern federal state during the early decades of the 20th century to regulate and control any organised opposition to the political, economic and social order.
Between 1942 and 1958, J. Edgar Hoover's Federal Bureau of Investigation conducted a sweeping and sustained investigation of the motion picture industry to expose Hollywood's alleged subversion of "the American Way" through its depiction of social problems, class differences, and alternative political ideologies. FBI informants (their names still redacted today) reported to Hoover's G-men on screenplays and screenings of such films as Frank Capra's It's a Wonderful Life (1946), noting that "this picture deliberately maligned the upper class attempting to show that people who had money were mean and despicable characters." The FBI's anxiety over this film was not unique; it extended to a wide range of popular and critical successes, including The Grapes of Wrath (1940), The Best Years of Our Lives (1946), Crossfire (1947) and On the Waterfront (1954). In J. Edgar Hoover Goes to the Movies, John Sbardellati provides a new consideration of Hollywood's history and the post-World War II Red Scare. In addition to governmental intrusion into the creative process, he details the efforts of left-wing filmmakers to use the medium to bring social problems to light and the campaigns of their colleagues on the political right, through such organizations as the Motion Picture Alliance for the Preservation of American Ideals, to prevent dissemination of "un-American" ideas and beliefs. Sbardellati argues that the attack on Hollywood drew its motivation from a sincerely held fear that film content endangered national security by fostering a culture that would be at best apathetic to the Cold War struggle at best, or, at its worst, conducive to communism at home. Those who took part in Hollywood's Cold War struggle, whether on the left or right, shared one common trait: a belief that the movies could serve as engines for social change. This strongly held assumption explains why the stakes were so high and, ultimately, why Hollywood became one of the most important ideological battlegrounds of the Cold War.
J. Edgar Hoover: The Father of the Cold War examines Hoover's career in detail, and looks at his role in the development of the Cold War against Communism. With considerable detail and an excellent selection of photographs, Kiel traces Hoover's anti-communism to his earliest experiences, during World War I. Well-documented and thought provoking, this study looks anew at the connection between Hoover, Lyndon Johnson, and the "hot" war against communism in Vietnam.
J. Edgar Hoover, Joseph McCarthy, and Roy Cohn were titanic figures in midcentury America, wielding national power in government and the legal system through intimidation and insinuation. Hoover’s FBI thrived on secrecy, threats, and illegal surveillance, while McCarthy and Cohn will forever be associated with the infamous anticommunist smear campaign of the early 1950s, which culminated in McCarthy’s public disgrace during televised Senate hearings. In Gossip Men, Christopher M. Elias takes a probing look at these tarnished figures to reveal a host of startling new connections among gender, sexuality, and national security in twentieth-century American politics. Elias illustrates how these three men solidified their power through the skillful use of deliberately misleading techniques like implication, hyperbole, and photographic manipulation. Just as provocatively, he shows that the American people of the 1950s were particularly primed to accept these coded threats because they were already familiar with such tactics from widely popular gossip magazines. By using gossip as a lens to examine profound issues of state security and institutional power, Elias thoroughly transforms our understanding of the development of modern American political culture.
Operation Solo is America's greatest spy story. For 27 years, Morris Childs, code name "Agent 58", provided the United States with the Kremlin's innermost secrets. Repeatedly risking his life, "Agent 58" made 57 clandestine missions into the Soviet Union, China, Eastern Europe, and Cuba. Because of his high ranking in the American communist party and his position as editor of its official paper, the Daily Worker, he was treated like royalty by communist leaders such as Khrushchev, Brezhnev, and Mao Tse-tung. Through first-hand accounts, Operation Solo tells the story of the conflicts within the FBI and American intelligence about the operation, and how the FBI, through extraordinary measures, managed to keep that operation hidden from everyone, including the CIA. Operation Solo will appeal to movie audiences looking forward to Steven Spielberg's upcoming blockbuster movie, Bridge of Spies.