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It is lost time that concerns Edgar, not lost life. He is a man of small patience and large practicality. He’s a Swede. The two are travelling north to the Henning Mankell writing residence. In Susan’s application, she described her project as a reworking of a play, a two act that had been given a “workshop production” in New York. But that was before Henning Mankell died. All relationships have unwritten rules that define the shared but singular experience of being one half of a couple; the constant rub and friction that manifests itself in long awkward silences or bouts of fiery discontent. Susan and Edgar carry the weight of their individual pasts, expectations, and compromises differently. They exist in uncomfortable togetherness, the confidence of their sexual harmony diminished with age, carefully avoiding the reality of physical loneliness. Susan is a dreamer, a writer obsessed with the mystique of her Scandi writing hero, Henning Mankell; an American whose outsider status is a daily reminder that she will never really fit in, with Edgar, or in Sweden. Edgar is a pragmatist, analytical and practical; a Swede that lives by the rules, and the unspoken rules that he curates to fit his own purpose and beliefs. His self-assurance is deep; it’s in the language he speaks, the land he lives in, in his skin. But what happens when a pilgrimage to Mankell’s revered writing residence takes an unexpected turn, amplifying the differences between them, the silent bitterness between Edward and Susan that lingers just below the surface? Edgar and Susan: Done to Death is a short story that explores the fragility and often absurd pettiness of human relationships, the concepts of autonomy, freedom, and human rights.
A murderer driven to the edge by the sound of his victim's still-beating heart… A mental institution run by someone other than its staff… A mysterious box aboard a ship with a ghastly secret… And the hypnotist's stare that could, perhaps, paralyze even death… Strap into your straitjacket, fasten it tight, and brace yourself! For within these pages are stories of lost love, lost ways… and lost minds. Gris Grimly's mysterious, morbid, macabre illustrations capture four Poe classics, including perennial favourite, The Tell Tale Heart, with an unmatchable ghoulish charm. Read them if you dare ~ and celebrate, in true Poe style, the two hundredth anniversary of the birth ofthe great Master of the Macabre.
NOT YOUR EVERYDAY CIGAR MOGUL For more than 60 years, Edgar Cullman was king of the cigar business. Whether it was top-of-the-line cigars like Macanudo and Punch or mass market products like White Owls, Tiparillos and Tijuana Smalls, Edgar influenced what people were puffing, the cigar jingles they were humming, where the cigars came from and how they were made. But Edgar also was - and at the age of 92 still is - more than just a cigar man. He built his career on a smorgasbord of businesses, among them plastics, packaging, potato chips, real estate and the world's bestknown laxative - all the while dealing, bantering and playing with an array of unforgettable characters. You'll learn about his father's whacky hobbies, the uncle who produced nearly all of a generation's best Broadway shows, a "terrifying" prep school headmaster, a Nazi secret agent, a daring pilot who escaped Nazi-occupied Holland and became Edgar's friend, and wise-cracking investment bankers and fellow philanthropists who express their camaraderie by taking one another down a notch. There's also a great love story here - Edgar's courtship and romance with Louise Bloomingdale that began in the 1930s and still goes strong today. CIGARS AND OTHER PASSIONS is about cementing relationships, building wealth, giving back to society and nurturing a marriage and family for more than 70 years, all the while having marvelous fun. "Cigars are my passion and Yale football is a close second!" - Edgar Cullman
The 150th anniversary of the greatest Edgar Allen Poe mystery of all, his death, is finally put to rest.
In August in Rio Seco, California, the ground is too hard to bury a body. But Glorette Picard is dead, and across the canal, out in the orange groves, they’ll gather shovels and pickaxes and soak the dirt until they can lay her coffin down. First, someone needs to find her son Victor, who memorizes SAT words to avoid the guys selling rock, and someone needs to tell her uncle Enrique, who will be the one to hunt down her killer, and someone needs to brush out her perfect crown of hair and paint her cracked toenails. As the residents of this dry-creek town prepare to bury their own, it becomes clear that Glorette’s life and death are deeply entangled with the dark history of the city and the untouchable beauty that, finally, killed her.
After being accused and acquitted in the death of his girlfriend, seventeen-year-old David is sent to live with his aunt, uncle, and young cousin to avoid the media frenzy. But all is not well at his relatives? house. His aunt and uncle are not speaking, and twelve-year-old Lily seems intent on making David?s life a torment. And then there?s the issue of his older cousin Kathy?s mysterious death some years back. As things grow more and more tense, David starts to wonder?is there something else that his family is trying to hide from?
"Laced with Brand's caustic wit, this one is a true puzzler with a harrowing, revelatory climax."—Booklist, Starred Review At Elysian Hall, a grand exhibition space in post-War London, a cast has been assembled for a medieval-themed pageant show featuring knights in colored armor, real horses, and a damsel in a rickety tower on high. With death threats discovered by members of the troupe before the show, the worst comes to pass when the leading lady is thrown from the tower before the eyes of the audience by an unknown assailant—with all doors backstage also under observation. Faced with a seemingly impossible case, the wizened Inspector Cockrill and the fresh-faced Inspector Charlesworth begrudgingly join forces to uncover the killer hiding in plain sight. First published in Britain in 1949, Brand's exuberant novel is still regarded as one of the great masterpieces of the classic mystery genre for its fiendishly constructed puzzle, memorable setting, dumbfounding acts of misdirection and thrilling denouement. This edition includes an introduction by award-winning author Martin Edwards
One evening, spying on his Hollywood Hills neighbours through his $4,000 electronic telescope, Bobby witnesses a beautiful woman making love to a handsome Latin actor called Ramon. As their pillow talk turns ugly, Bobby watches in horror as the woman appears to bludgeon her lover to death with his own acting trophy. Instead of rushing to the cops, Bobby decides to find out more about the events that led up to the crime, and to use the material for his next movie screenplay. However, when he sneaks into the actor's apartment, the discovery he makes changes his life forever. Empowered by his secret knowledge, Bobby is able to seduce the beautiful woman, while forging a unique friendship with Detective Dennis Farentino, the cop in charge of the investigation. Before long Bobby has dragged the detective, his wife, his lover, and his agent into a Hollywood fun-house hall of mirrors, where only the most manipulative player will survive.
Death of a New American by Mariah Fredericks is the atmospheric, compelling follow-up to the stunning debut A Death of No Importance, featuring series character, Jane Prescott. In 1912, as New York reels from the news of the Titanic disaster, ladies’ maid Jane Prescott travels to Long Island with the Benchley family. Their daughter Louise is to marry William Tyler, at their uncle and aunt’s mansion; the Tylers are a glamorous, storied couple, their past filled with travel and adventure. Now, Charles Tyler is known for putting down New York’s notorious Italian mafia, the Black Hand, and his wife Alva has settled into domestic life. As the city visitors adjust to the rhythms of the household, and plan Louise’s upcoming wedding, Jane quickly befriends the Tyler children’s nanny, Sofia—a young Italian-American woman. However, one unusually sultry spring night, Jane is woken by a scream from the nursery—and rushes in to find Sofia murdered, and the carefully locked window flung open. The Tylers believe that this is an attempted kidnapping of their baby gone wrong; a warning from the criminal underworld to Charles Tyler. But Jane is asked to help with the investigation by her friend, journalist Michael Behan, who knows that she is uniquely placed to see what other tensions may simmer just below the surface in this wealthy, secretive household. Was Sofia’s murder fall-out from the social tensions rife in New York, or could it be a much more personal crime?
C. S. Lewis was a British author, lay theologian, and contemporary of J.R.R. Tolkien. The Lion, the Witch, and the Wardrobe is the first book in The Chronicles of Narnia.