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Edgar Allan Poe wrote his great works while living in several cities on the East Coast of the United States, but Baltimore's claim to him is special. His ancestors settled in the burgeoning town on the Chesapeake during the 18th century, and it was in Baltimore that he found refuge when his foster family in Virginia shut him out. Most importantly, it was here that he was first paid for his literary work. If Baltimore discovered Poe, it also has the inglorious honor of being the place that destroyed him. On October 7, 1849, he died in this city, then known as "Mob Town." Edgar Allan Poe's Baltimore is the first book to explore the poet's life in this port city and in the quaint little house on Amity Street, where he once wrote.
»A Tale of the Ragged Mountains« is a short story by Edgar Allan Poe, originally published in 1844. EDGAR ALLAN POE was born in Boston in 1809. After brief stints in academia and the military, he began working as a literary critic and author. He made his debut with the novel The Narrative of Arthur Gordon Pym of Nantucket in 1838, but it was in his short stories that Poe's peculiar style truly flourished. He died in Baltimore in 1849.
Edgar Allan Poe, the renowned author of tales of mystery and madness, arrived in Richmond in 1810 at the age of one and left the city for the last time just two weeks before his death. Of his 40 years, he lived in Richmond for 13 years--far longer than in any other city. While other cities may claim him, Poe himself boasted in 1841, "I am a Virginian . . . for I have resided all my life, until within the last few years, in Richmond." It was in Richmond that Poe was orphaned at the age of two and where he was reared in the home of the tobacco exporter John Allan. In this city, the young Poe first fell in love, wrote his earliest poetry, began his career in journalism, and married his 13- year-old cousin.
Winner of the 2015 Edgar Award for Best Critical/Biographical! Follow the footsteps of the father of American horror fiction. Edgar Allan Poe was an oddity: his life, literature, and legacy are all, well, odd. In Poe-Land, J. W. Ocker explores the physical aspects of Poe’s legacy across the East Coast and beyond, touring Poe’s homes, examining artifacts from his life—locks of his hair, pieces of his coffin, original manuscripts, his boyhood bed—and visiting the many memorials dedicated to him. Along the way, Ocker meets people from a range of backgrounds and professions—actors, museum managers, collectors, historians—who have dedicated some part of their lives to Poe and his legacy. Poe-Land is a unique travelogue of the afterlife of the poet who invented detective fiction, advanced the emerging genre of science fiction, and elevated the horror genre with a mastery over the macabre that is arguably still unrivaled today.
A representative of Poe’s tales of the sea, "Ms. Found in a Bottle" follows the writer’s infatuation with the horrific and unknown forces around us. An avid reader just like his creator, the narrator finds solace within books and ancient lore, thus testing the limits of one’s imagination, and at the same time paving the road for further exploration of the unknown. Poe’s otherworldly narrative could easily fall in the same category as the sea voyages and tribulations described by later authors such as Herman Melville and Joseph Conrad. Edgar Allan Poe (1809-1849) was an American poet, author, and literary critic. Most famous for his poetry, short stories, and tales of the supernatural, mysterious, and macabre, he is also regarded as the inventor of the detective genre and a contributor to the emergence of science fiction, dark romanticism, and weird fiction. His most famous works include "The Raven" (1945), "The Black Cat" (1943), and "The Gold-Bug" (1843).
"Berenice" is a short story by Edgar Allan Poe, centered on obsession and horror. The story follows Egaeus, a man tormented by obsessive thoughts, and his cousin Berenice, who suffers from a mysterious illness. The narrative unfolds around Egaeus' morbid fixation on Berenice's teeth, culminating in a macabre and disturbing outcome that reveals the depth of his obsession.
Presents a critical analysis of Poe's body of work as a concern with universal themes, exploring the presence of evil, the meaning of suffering, the role of justice, and the search for love and God.
The Nutshell Studies of Unexplained Death offers readers an extraordinary glimpse into the mind of a master criminal investigator. Frances Glessner Lee, a wealthy grandmother, founded the Department of Legal Medicine at Harvard in 1936 and was later appointed captain in the New Hampshire police. In the 1940s and 1950s she built dollhouse crime scenes based on real cases in order to train detectives to assess visual evidence. Still used in forensic training today, the eighteen Nutshell dioramas, on a scale of 1:12, display an astounding level of detail: pencils write, window shades move, whistles blow, and clues to the crimes are revealed to those who study the scenes carefully. Corinne May Botz's lush color photographs lure viewers into every crevice of Frances Lee's models and breathe life into these deadly miniatures, which present the dark side of domestic life, unveiling tales of prostitution, alcoholism, and adultery. The accompanying line drawings, specially prepared for this volume, highlight the noteworthy forensic evidence in each case. Botz's introductory essay, which draws on archival research and interviews with Lee's family and police colleagues, presents a captivating portrait of Lee.