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Gathers Poe's essays on the theory of poetry, the art of fiction, the role of the critic, leading nineteenth-century writers, and the New York literary world.
Examines the techniques and theories used by Poe in his writing of short stories, discusses his impact on the evolution of the genre, and also includes comments and critiques of Poe's work by noted scholars.
This handbook is currently in development, with individual articles publishing online in advance of print publication. At this time, we cannot add information about unpublished articles in this handbook, however the table of contents will continue to grow as additional articles pass through the review process and are added to the site. Please note that the online publication date for this handbook is the date that the first article in the title was published online.
Essential anthology of Poe's critical works reviews works by Dickens, Hawthorne, many others. Includes Theory of Poetry ("The Philosophy of Composition," "The Rationale of Verse," "The Poetic Principle"). Introduction.
Scott Peeples here examines the many controversies surrounding the work and life of Poe, shedding light on such issues as the relevance of literary criticism to teaching, the role of biography in literary study, and the importance of integrating various interpretations into one's own reading of literature.
Few, if any, U.S. writers are as important to the history of world literature as Edgar Allan Poe, and few, if any, U.S. authors owe so much of their current reputations to the process of translation. Translated Poe brings together 31 essays from 19 different national/literary traditions to demonstrate Poe’s extensive influence on world literature and thought while revealing the importance of the vehicle that delivers Poe to the world—translation. Translated Poe is not preoccupied with judging the “quality” of any given Poe translation nor with assessing what a specific translation of Poe must or should have done. Rather, the volume demonstrates how Poe’s translations constitute multiple contextual interpretations, testifying to how this prolific author continues to help us read ourselves and the world(s) we live in. The examples of how Poe’s works were spread abroad remind us that literature depends as much on authorial creation and timely readership as on the languages and worlds through which a piece of literature circulates after its initial publication in its first language. This recasting of signs and symbols that intervene in other cultures when a text is translated is one of the principal subjects of the humanistic discipline of Translation Studies, dealing with the the products, functions, and processes of translation as both a cognitive and socially regulated activity. Both literary history and the history of translation benefit from this book’s focus on Poe, whose translated fortune has helped to shape literary modernity, in many cases importantly redefining the target literary systems. Furthermore, we envision this book as a fountain of resources for future Poe scholars from various global sites, including the United States, since the cases of Poe’s translations—both exceptional and paradigmatic—prove that they are also levers that force the reassessment of the source text in its native literature.
The Anglia Book Series (ANGB) offers a selection of high quality work on all areas and aspects of English philology. It publishes book-length studies and essay collections on English language and linguistics, on English and American literature and culture from the Middle Ages to the present, on the new English literatures, as well as on general and comparative literary studies, including aspects of cultural and literary theory.
Edgar Allan Poe has firmly established himself as one of the most studied 19th-century American writers, a pioneer in the theory of the short story, and a hauntingly lyrical poet whose works continue to capture the imagination of modern readers. Because of his preeminence in the world of letters, Poe has generated a tremendous amount of scholarship, and critics continue to engage in disputes over his varied writings. Through chapters written by expert contributors, this reference synthesizes the vast body of material about Poe's works and addresses topics of central importance to Poe studies. Best known as the author of poems such as The Raven and short stories such as The Fall of the House of Usher, Edgar Allan Poe is now firmly established as one of the most significant 19th-century American writers. Since 1845, when his work was recognized in France by Baudelaire, his critical reception has endured a history of fluctuation and controversy. During the last 50 years, research on Poe has grown so much that it now rivals or possibly exceeds the renaissance of interest in Emerson, Melville, and Henry James. His work has been adapted for popular consumption through several films; and early editions of his works, printed in small quantities, continue to command high prices. This reference companion, the third in a series with others on Melville and Henry James, is a guide to the tremendous amount of scholarship Poe has generated. Through chapters written by expert contributors, this volume reviews and represents Poe biography, criticism, aesthetics, philosophy, and influence. The first section of the book includes chapters on Poe's life and discusses the problems confronting Poe's biographers. The second section primarily offers textual criticism of his individual works, while the third and fourth sections treat broad topics related to his philosophical views and aesthetic theory. The fifth section consists of chapters on the legacy of Poe as a world author and his lasting influence on literature, popular culture, and fine arts. Chapters include extensive documentation, and a bibliography at the end of the volume lists the most significant resources for the study of Poe.