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"Published to accompany the exhibition In Focus: Ed Ruscha, on view at the J. Paul Getty Museum at the Getty Center, Los Angeles, from April 9 to September 29, 2013, this book focuses on Ruscha's photographic work, specifically the thirty-eight images he made for his 1965 photobook Some Los Angeles Apartments"--Provided by publisher.
Schwartz examines Ruscha's diverse body of work, including paintings, drawings, prints, photographs, books, and films, and discusses his relationship with other artists with whom he sparked the movement known as West Coast pop.
The renowned artist Ed Ruscha was born in Nebraska, grew up in Oklahoma, and has lived and worked in Southern California since the late 1950s. Beginning in 1956, road trips across the American Southwest furnished a conceptual trove of themes and motifs that he mined throughout his career. The everyday landscapes of the West, especially as experienced from the automobileÑgas stations, billboards, building facades, parking lots, and long stretches of roadwayÑare the primary motifs of his often deadpan and instantly recognizable paintings and works on paper, as well as his influential artist books such as Twentysix Gasoline Stations and All the Buildings on the Sunset Strip. His iconic word imagesÑdeclaring Adios, Rodeo, Wheels over Indian Trails, and Honey . . . I Twisted through More Damn Traffic to Get HereÑfurther underscore a contemporary Western sensibility. RuschaÕs interest in what the real West has becomeÑand HollywoodÕs version of itÑplays out across his oeuvre. The cinematic sources of his subject matter can be seen in his silhouette pictures, which often appear to be grainy stills from old Hollywood movies. They feature images of the contemporary West, such as parking lots and swimming pools, but also of its historical past: covered wagons, buffalo, teepees, and howling coyotes. Featuring essays by Karin Breuer and D.J. Waldie, plus a fascinating interview with the artist conducted by Kerry Brougher, this stunning catalogue, produced in close collaboration with the Ruscha studio, offers the first full exploration of the painterÕs lifelong fascination with the romantic concept and modern reality of the evolving American West. Published in association with the Fine Arts Museums of San Francisco Exhibition dates: de Young, San Francisco: July 16ÐOctober 9, 2016
Edited and with an Essay by Sylvia Wolf.
This is the catalogue for Ed Ruscha's exhibition "Los Angeles Apartments" which will be held at the Kunstmuseum Basel from June till September 2013. In 1965, Ed Ruscha published Some Los Angeles Apartments, the third of his ongoing series of photographic books, and completed a group of ten related drawings that depict examples of the ubiquitous Southern California apartment building. The exhibition will show the preparatory studies for these drawings which were recently acquired by the Department of Prints and Drawings of the Kunstmuseum Basel. They are based directly on the photographs Ruscha made of the apartment buildings. Included also, are photographs from Ruscha's Gasoline Stations series of 1962, one of which served as a model for the painting of Standard Station, Amarillo, Texas of 1963. By immediately juxtaposing preparatory studies, drawings and photographs, Ruscha's working method is clearly highlighted and the significance of photography for his passage between abstraction and realism made evident. Ed Ruscha was born in Omaha, Nebraska, in 1937 and grew up in Oklahoma City, Oklahoma, from 1941 to 1956. He moved to Los Angeles, California, and attended Chouinard Art Institute from 1956 to 1960. His work has been exhibited internationally and is represented in major museums and private collections throughout the world. In 2001, Ruscha was elected to the American Academy of Arts & Letters as a member of the Department of Art. He was chosen by the U.S. Department of State to represent the United States at the 2005 Venice Biennale.
Paintings, drawings and photographs by Edward Ruscha and other twentieth-century artists illustrate the continuing appeal of architecture as a subject for art.
American artist Ed Ruscha began making prints and drawings consisting of one word or phrase in the late 1950s and has continued to explore the language-based imagery that has become a hallmark of his work. Pictured here are 500 of his "word" drawings which transcend their apparent randomness to become visual icons of universal emotions and places known and imagined. Full color.