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In Echoes of an Invisible World Jacomien Prins offers an account of the transformation of the notion of Pythagorean world harmony during the Renaissance and the role of the Italian philosophers Marsilio Ficino (1433-1499) and Francesco Patrizi (1529-1597) in redefining the relationship between cosmic order and music theory. By concentrating on Ficino’s and Patrizi’s work, the book chronicles the emergence of a new musical reality between the fifteenth and sixteenth centuries, a reality in which beauty and the complementary idea of celestial harmony were gradually replaced by concepts of expressivity and emotion, that is to say, by a form of idealism that was ontologically more subjective than the original Pythagorean and Platonic metaphysics.
In Echoes of an invisible world Jacomien Prins offers an account of the transformation of the notion of Pythagorean world harmony during the Renaissance and the role of the Italian philosophers Marsilio Ficino (1433-1499) and Francesco Patrizi (1529-1597) in redefining the relationship between cosmic order and music theory.
This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com. It is funded by the University of Otago, New Zealand. Farming Inside Invisible Worlds argues that the farm is a key player in the creation and stabilisation of political, economic and ecological power-particularly in colonised landscapes like New Zealand, America and Australia. This open access book reviews and rejects the way that farms are characterised in orthodox economics and agricultural science and then shows how re-centring the farm using the theoretical idea of political ontology can transform the way we understand the power of farming. Starting with the colonial history of farms in New Zealand, Hugh Campbell goes on to describe the rise of modernist farming and its often hidden political, racial and ecological effects. He concludes with an examination of alternative ways to farm in New Zealand, showing how the prior histories of colonisation and modernisation reveal important ways to farm differently in post-colonial worlds. Hugh Campbell's book has wide-ranging implications for understanding the role farms play in both our food systems and landscapes, and is an exciting new addition to food studies.
With the clarity / of a landscape made of single / grains of sand, the poems in John Canaday's The Invisible World invite readers on a journey through an exotic land, as the narrator travels for more than a year in the Hashemite Kingdom of Jordan before returning home to New England. Swept along by poetry alive to paradox, we encounter a world in which the Bible and the Qur'an, Eastern and Western traditions, ancient and modern artifacts, mystical and scientific attitudes, meet on equal footing, where a tape recorder perched on a minaret broadcasts the prerecorded cry of a muezzin calling the faithful to prayer. In these poems, the exotic includes not only a world of Bedouin and camels, djinn and ghouls, but also the internal territory of the narrator himself, who alternately feels like an ambassador of sorts, / albeit penned in tourist class and a post-imperial naif / in metaphorical Bermuda shorts. Canaday offers here a complex meditation on the inner and outer nature of journeys and confronts the powerful recognition that the sense of the foreign arises through an inevitable encounter with the self. Confident in both lyric and narrative modes, Canaday's poems create a stun
With very little text, this book lets the illustrations tell the charming story of a child carried away into a world much bigger than herself. A young girl and her family travel from the city to the country to celebrate her grandmother's birthday. Someone suggests that Arianne, as the only child at the party, might enjoy exploring the garden more than listening to the adults chat. Arianne is unsure what to do in the quiet garden, and she soon lies down out of boredom. But then she spots a pebble...and a grasshopper...and flies away on a dandelion seed pod into the cosmos as she discovers the freedom of her imagination.
This book deals with profound experiences - emotional, intellectual, highly charged, usually sudden, unannounced, often odd, some weird, others glorious. Do these experiences mean anything? Are we puzzling over questions we can't answer no matter how long we try? Is that puzzling itself meaningful? If so, is that meaning significant? Are these experiences actually signals that there is something more than to human life - our human life, my life - perhaps something transcendent? The book endswith a discussion of the need for an apologetic that includes a wide range of biblical revelation - not just religious experience, but historical and scientific evidence and rational arguments involving both a positive case and a negative refutationof objections.
Also Available: Orchestral Music Online This fourth edition of the highly acclaimed, classic sourcebook for planning orchestral programs and organizing rehearsals has been expanded and revised to feature 42% more compositions over the third edition, with clearer entries and a more useful system of appendixes. Compositions cover the standard repertoire for American orchestra. Features from the previous edition that have changed and new additions include: · Larger physical format (8.5 x 11 vs. 5.5 x 8.5) · Expanded to 6400 entries and almost 900 composers (only 4200 in 3rd Ed.) · Merged with the American Symphony Orchestra League's OLIS (Orchestra Library Information Service) · Enhanced specific information on woodwind & brass doublings · Lists of required percussion equipment for many works · New, more intuitive format for instrumentation · More contents notes and durations of individual movements · Composers' citizenship, birth and death dates and places, integrated into the listings · Listings of useful websites for orchestra professionals
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