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After seven goblins try to steal it, the Rainbow is careful never again to touch the earth.
A page-turning novel that is also an exploration of the great philosophical concepts of Western thought, Jostein Gaarder's Sophie's World has fired the imagination of readers all over the world, with more than twenty million copies in print. One day fourteen-year-old Sophie Amundsen comes home from school to find in her mailbox two notes, with one question on each: "Who are you?" and "Where does the world come from?" From that irresistible beginning, Sophie becomes obsessed with questions that take her far beyond what she knows of her Norwegian village. Through those letters, she enrolls in a kind of correspondence course, covering Socrates to Sartre, with a mysterious philosopher, while receiving letters addressed to another girl. Who is Hilde? And why does her mail keep turning up? To unravel this riddle, Sophie must use the philosophy she is learning—but the truth turns out to be far more complicated than she could have imagined.
Follow a whimsical day in the life of a Bug City family, with imaginative illustrations of real insects by American artist Dahlov Ipcar This charming bug family (Mama is a ladybug and Papa is a daddy longlegs) share a day in Bug City, where they go shopping (for calico moths and velvet ants, of course!) and visit the zoo with rhinoceros beetles and ant lions. Their quaint, busy lives, augmented by Dahlov Ipcar's flamboyant, colorful illustrations, make a charming story for readers to enjoy and learn how to identify a wide variety of bugs.
From the dawn of this century, Matt Leines has produced a steady flow of fine art to delight and confound viewers?drawings and paintings rich in color and detail?exploring the kaleidoscope of memory and outer zones of imagination. He possesses a workmanlike approach to symbolism and surrealism, the poet?s ability to realize longed-for images and a passion for theatrical sports. The world moves in patterns, faces unfixed, lines dancing across pyramid walls. Perspective is subservient to unique modernist iconography; his characters operate in a kind of abstract epic or post-Columbian codex that blurs pure myth and daily life.00Observant, vibrant, obsessively intricate and rippling with gnostic strength and humor, Leines? output reflects the 80?s pop culture of his New Jersey youth, highlights from the modern art playbook and a global range of graphic influences. He is master of lines and balance?the kind of kid born with a crayon gripped in his hand?who developed his talent through practice and study. This genius for drawing is supported by genuine sympathy for the mysteries of existing and an eye that ranges far and wide, past, present and future, real and unreal.00Leines lives and works in Brooklyn. He passed through other east coast visual centers, earned a degree from Rhode Island School of Design and spent a few years at Space 1026 in Philadelphia. Free News Projects published a retrospective monograph in 2008 titled, You Are Forgiven. His work has been shown at Deitch Projects, Clementine Gallery and The Hole in New York; Roberts and Tilton and New Image Art in Los Angeles; as well as international venues in Sweden, Italy, Spain, Greece and Japan.0.
It seems simple enough for David and Jem to release the two baboons from the experimental research station where they are doomed to die. But when they discover that the baboons are no longer capable of looking after themselves in the African bush, David and Jem are forced to stay and protect them. And that's when their problems truly begin ...
A grandfather and his blind grandson reminisce about the young boy's birth, his first horse and an exiciting horse race.
Echoes of a Natural World presents a continuum of discomforting reactions to a world perpetually out of whack. Nature, so oft considered the epitome of "order" and "tranquility" in the human mind, is herein explored at its most aberrant, absurd, and nightmarish. Through eleven weird tales, Echoes of a Natural World raises questions about Nature's influence on the mind and the mind's unnatural influence on Nature.Contributions include new translations of fin de siècle Decadent masters; sensual accounts of amphibian horrors and secret caverns below country inns. These sparkling 19th century pieces sit against contemporary American fiction that delivers haunting scenarios and darkly comic ontological routines. Behold accounts of whispering mold and Midwestern strip-mall desolation; occult hypnosis and regenerated limbs; void-bound train rides with a hallucinatory hustler king; ghost boars in German battlefields; spiraling anxiety that only peach trees and country cottages could produce. Parse through questionable documents that detail the aftershocks of a once idyllic world no longer salvageable. This kaleidoscopic collection wades in those nebulous waters where the inner world and outer landscape mesh. For as we barrel into a reality where technology has seemingly penetrated even the most remote corners of the earth, one must ask: Is it even possible to have a genuine interaction with Nature anymore? Has it ever been? Or have these longings always been the romantic delusions of a species obsessed with itself? Echoes of a Natural World defies easy categorization and easy answers.
Winner of the 1974 National Book Award "The most profound and accomplished American novel since the end of World War II." - The New Republic “A screaming comes across the sky. . .” A few months after the Germans’ secret V-2 rocket bombs begin falling on London, British Intelligence discovers that a map of the city pinpointing the sexual conquests of one Lieutenant Tyrone Slothrop, U.S. Army, corresponds identically to a map showing the V-2 impact sites. The implications of this discovery will launch Slothrop on an amazing journey across war-torn Europe, fleeing an international cabal of military-industrial superpowers, in search of the mysterious Rocket 00000.
Remarkably little has been written on the subject of modernism in Japanese fiction. Until now there has been neither a comprehensive survey of Japanese modernist fiction nor an anthology of translations to provide a systematic introduction. Only recently have the terms "modernism" and "modernist" become part of the standard discourse in English on modern Japanese literature and doubts concerning their authenticity vis-a-vis Western European modernism remain. This anomaly is especially ironic in view of the decidedly modan prose crafted by such well-known Japanese writers as Kawabata Yasunari, Nagai Kafu, and Tanizaki Jun’ichiro­. By contrast, scholars in the visual and fine arts, architecture, and poetry readily embraced modanizumu as a key concept for describing and analyzing Japanese culture in the 1920s and 1930s. This volume addresses this discrepancy by presenting in translation for the first time a collection of twenty-five stories and novellas representative of Japanese authors who worked in the modernist idiom from 1913 to 1938. Its prefatory materials provide a systematic overview of the literary movement’s salient features—anti-naturalism, cosmopolitanism, the concept of the double self, and actionism—and describe how modanizumu evolved from its early "jagged edges" into a sophisticated yet popular expression of Japanese urban life in the first half of the twentieth century. The modanist style, characterized by youthful exuberance, a tongue-in-cheek tone, and narrative techniques like superimposition, is amply illustrated. Modanizumu introduces faces altogether new or relatively unknown: Abe Tomoji, Kajii Motojiro, Murayama Kaita, Osaki Midori, Tachibana Sotoo, Takeda Rintaro, Tani Joji, Yoshiyuki Eisuke, and Yumeno Kyusaku. It also revisits such luminaries as Kawabata, Tanizaki, and the detective novelist Edogawa Ranpo. Key works that it culls from the modernist repertoire include Funahashi Seiichi’s Diving, Hagiwara Sakutaro’s "Town of Cats," Ito Sei’s Streets of Fiendish Ghosts, and Kawabata’s film scenario Page of Madness. This volume moves beyond conventional views to place this important movement in Japanese fiction within a global context: an indigenous expression born of the fission of local creativity and the fusion of cross-cultural interaction.
The first in a five-volume best-of series, featuring an introduction from Margaret Atwood! Lulu Moppet is an outspoken and brazen young girl who doesn’t follow any rules—whether they’ve been set by her parents, the neighborhood boys, or society itself. In 2019 D+Q begins a landmark full-color reissue series collecting five volumes of Lulu’s funniest suburban hijinks: she goes on picnics, babysits, and attempts to break into the boys’ clubhouse again and again. Cartoonist John Stanley’s expert timing and constant gags made these stories unbelievably enjoyable, ensuring that Marge’s Little Lulu was a defining comic of the post-war period. First released in the 1940s and 1950s as Dell comics, Little Lulu as helmed by Stanley remains one of the most entertaining works in the medium. In this first volume, Little Lulu: Working Girl, we meet the series’ mainstay characters: Lulu, Tubby, Alvin, and oodles more neighbourhood kids. Little Lulu’s comedy lies in the hilarious dynamic between its cast of characters. Lulu’s assertiveness, individuality, and creativity is empowering to witness—the series is powerfully feminist despite the decades in which the stories were created. It’s the character’s strong personality that made her beloved by such feminist icons as Patti Smith, Eileen Myles, and more. Lovingly restored to its original full color, complete with knee-slapping humor and an introduction by Margaret Atwood that explains the vitality of Lulu herself, Little Lulu: Working Girl is a delight for classic comics fans and the uninitiated.