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From Lexington and Gettysburg to Normandy and Iraq, the wars of the United States have defined the nation. But after the guns fall silent, the army searches the lessons of past conflicts in order to prepare for the next clash of arms. In the echo of battle, the army develops the strategies, weapons, doctrine, and commanders that it hopes will guarantee a future victory. In the face of radically new ways of waging war, Brian Linn surveys the past assumptions--and errors--that underlie the army's many visions of warfare up to the present day. He explores the army's forgotten heritage of deterrence, its long experience with counter-guerrilla operations, and its successive efforts to transform itself. Distinguishing three martial traditions--each with its own concept of warfare, its own strategic views, and its own excuses for failure--he locates the visionaries who prepared the army for its battlefield triumphs and the reactionaries whose mistakes contributed to its defeats. Discussing commanders as diverse as Dwight D. Eisenhower, George S. Patton, and Colin Powell, and technologies from coastal artillery to the Abrams tank, he shows how leadership and weaponry have continually altered the army's approach to conflict. And he demonstrates the army's habit of preparing for wars that seldom occur, while ignoring those it must actually fight. Based on exhaustive research and interviews, The Echo of Battle provides an unprecedented reinterpretation of how the U.S. Army has waged war in the past and how it is meeting the new challenges of tomorrow.
CIA Agent Briggs Tanner is fighting bioterrorists in the Alps in this thriller by the #1 New York Times–bestselling author of Tom Clancy Duty and Honor. Dinaric Alps, Bosnian region of Austrian Hungarian Empire, 1918. When four Allied soldiers discover a biological weapon that could devastate the world, they take a vow to keep it from falling into the wrong hands. Ever since, the deadly substance—code-named Kestrel—has been guarded by the descendants of those four brave men, each with the mission of keeping its existence a secret . . . Chesapeake Bay, United States, 2003. The wife of former CIA director Jonathon Root has been kidnapped, and no one except Root himself knows who carried out the crime or why. His grandfather had been one of the soldiers responsible for stealing Kestrel, and now a group of Bosnian terrorists are trying to force Root to hand it over. Enter Agent Briggs Tanner. His mission: follow a trail through the Alps, to the heart of where it all began. At risk: Millions of lives, starting with his own. Praise for Grant Blackwood “Fast-paced and filled with action. . . . Fans of international political, military, and espionage tales will want to read Grant Blackwood’s novel.” —Midwest Book Review for Wall of Night “The action and intrigue keep accelerating without any attempt to brake.” —Clive Cussler, #1 New York Times–bestselling author for End of Enemies
A portrait of the American recon platoon of the 101st Airborne Division describes their sixty-day fight for survival during the 1968 Tet Offensive, tracing their postwar difficulties with acclimating into a peacetime America that did not want to hear their story.
All women's magazines are not the same: content, outlook, and format combine to shape publications quite distinctively. While magazines in general have long been understood as a significant force in women's lives, many critiques have limited themselves to discussions of mainstream printed publications that engage with narrowly stereotypical representations of femininity. Looking at a range of women's magazines (Cooperative Correspondence Club and Housewife) and magazine programmes (Woman's Hour and Houseparty), Magazine Movements not only extends our definition of a magazine, but most importantly, unearths the connections between women's cultures, specific magazines and the implied reader. The author first outlines the existing field of magazine studies, and analyzes the methodologies employed in accessing and assessing the cultural competence of magazines. Each chapter then provides a case study of a different kind of magazine: different in media form or style of presentation or audience connection, or all three. Forster not only extends our definition of a magazine, but most importantly, unearths the connections between women's cultures, specific magazines and the implied reader. In this way, fresh insights are provided into the long-standing importance of the magazine to the variety of feminisms on offer in Britain, from the mid twentieth century to the present day.
Finally, it considers how, through its contribution to the 'reconstruction' debate, the BBC consolidated not only a lasting image of the 'People's War', but a compelling vision of the 'People's Peace'.
"I was phenomenally lucky, so I will tell our story, will try to tell you something of what happened over there. There have been war books written by other men who were better writers than I—more fitted to place what they saw upon the printed page. But I don't believe a book about America's participation in the war has been written by a man who spent days, weeks and months in intensive fighting at or in front of the front, as my comrades and I did. There is nothing beautiful or particularly glorious about this story. I have told it as well as I could, but have been able to give you only a faint idea of the conditions we encountered during the five worst days any unit of the American army experienced in France—the five days of our battle of Fismette. You could fully appreciate its horrors only if you were there. Never was a group of men harder pressed by superior forces of the enemy, or more ill equipped to fight off those attacks than were we. No artillery support during most of the fighting, no trench mortars, no hand or rifle grenades, just a moderate amount of pistol, rifle and machine gun ammunition. No food, proper medical attention, or the opportunity to bury the dead. Our men in that battle, the handful who held the front of the front lines, covered themselves with undying glory. The telling of this story will give a better idea of what we did in France than have other war books I have seen. It tells the unvarnished truth about how we lived, slept, hiked, fought and died over there. There is another generation of men since those distant days of 1918. If this book does its part in showing them the folly, the uselessness, the tragedy of war, I'll feel well repaid for the time I spent in writing it." -Bob Hoffman This is a 6" by 9" original version, restored and re-formatted edition of Bob Hoffman's 1940 classic. The text remains exactly as written. Visit our website and see our many books at PhysicalCultureBooks.com
Newbery Honor Book New York Times Bestseller This impassioned, uplifting, and virtuosic tour de force from a treasured storyteller follows three children, in three different times and places, whose lives mysteriously intersect. Lost and alone in a forbidden forest, Otto meets three mysterious sisters and suddenly finds himself entwined in a puzzling quest involving a prophecy, a promise, and a harmonica. Decades later, Friedrich in Germany, Mike in Pennsylvania, and Ivy in California each, in turn, become interwoven when the very same harmonica lands in their lives. All the children face daunting challenges: rescuing a father, protecting a brother, holding a family together. And ultimately, pulled by the invisible thread of destiny, their suspenseful solo stories converge in an orchestral crescendo. Richly imagined and masterfully crafted, Echo pushes the boundaries of genre, form, and storytelling innovation to create a wholly original novel that will resound in your heart long after the last note has been struck.
War Echoes examines how Latina/o cultural production has engaged with U.S. militarism in the post–Viet Nam era. Analyzing literature alongside film, memoir, and activism, Ariana E. Vigil highlights the productive interplay among social, political, and cultural movements while exploring Latina/o responses to U.S. intervention in Central America and the Middle East. These responses evolved over the course of the late twentieth and early twenty-first centuries—from support for anti-imperial war, as seen in Alejandro Murguia's Southern Front, to the disavowal of all war articulated in works such as Demetria Martinez’s Mother Tongue and Camilo Mejia’s Road from Ar Ramadi. With a focus on how issues of race, class, gender, and sexuality intersect and are impacted by war and militarization, War Echoes illustrates how this country’s bellicose foreign policies have played an integral part in shaping U.S. Latina/o culture and identity and given rise to the creation of works that recognize how militarized violence and values, such as patriarchy, hierarchy, and obedience, are both enacted in domestic spheres and propagated abroad.
This pictorial history of the war as seen by Homer includes almost all of his works done in oils, watercolors, drawings, lithographs, and wood engravings.
Mabel Constanduros was one of the first British radio comediennes and a beloved star of the early BBC, best known as the creator and performer of the comic Cockney family, the Bugginses. In this, the first significant biography of Constanduros, Jennifer J Purcell explores Constanduros's career and influence on the shaping of popular British entertainment alongside the history of the nascent BBC. Mother of the BBC provides new insights into programming decisions and content on the early BBC, deepening our understanding of the history and evolution of situation comedy and soap opera. Further, Constanduros's biography considers class in the representation of the British people on BBC radio, the gendered experience and performance of radio celebrity, and the intersections between BBC entertainment and other forms of popular media prior to the advent of television. Constanduros's emphasis on the everyday and the family had far-reaching impacts on the shape of sitcom and soap opera in Britain, two popular lenses through which the nation sees itself at home. Her role in developing entertainment on the BBC and the ways in which she cultivated her career make her the Mother of the BBC, but in constructing a popular image of family life she might also be considered the Mother of the Nation.