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Epic saga of slavery in America based on the controversial historical figure - Joseph Cinque.
This classic series has inspired nearly 2 million readers. Both loyal fans and new readers will want the latest edition of this beloved series. This edition includes a foreword from the publisher, a preface from Francine Rivers and discussion questions suitable for personal and group use. #2 An Echo in the Darkness: Turning away from the opulence of Rome, Marcus is led by a whispering voice from the past into a journey that could set him free from the darkness of his soul.
When a group of lions live together, it's called a pride. Learn about life in a pride of lions and why these animals like to stick together. Find out how living together with others helps lions hunt food, mark their territory, and raise their young.
Different animals of the jungle are presented through descriptive adjectives and repeating text.
"Vintage Follett . . . This is his most ambitious novel and it succeeds admirably." —USA Today Ellis, the American. Jean-Pierre, the Frenchman. They were two men on opposite sides of the Cold War, with a woman torn between them. Together, they formed a triangle of passion and deception, racing from terrorist bombs in Paris to the violence and intrigue of Afghanistan—to the moment of truth and deadly decision for all of them. . . .
(back cover) Everyone knows that lions don't like lettuce, but can you guess who does? Lift the first flap to find the answer and the second flap to find a surprise! This delightful play book is full of fun and perfect for sharing. With bright, cheerful illustrations from well-known children's book illustrator Sonia Canals and lively text from author Moira Butterfield, this book is ideal for younger children.
Banker Sir Charles Cormer hires a team to kill Ethiopian emperor Haile Selassie to prevent the transfer of Selassie's wealth from his bank to the new Marxist government
The weekly source of African American political and entertainment news.
From the early 1970s to the mid-1990s, playwrights, novelists, filmmakers, visual artists, and prison writers from Sierra Leone and the United States brought a new attention to the events of the 1839 Amistad shipboard slave rebellion. As a testament of the human will to freedom, the story of the Amistad mutineers also describes the wide arc of the international circuits of capital, commerce, juridical power, and diplomacy that structured and reproduced the Atlantic slave trade for nearly four centuries. In Rebellious Histories, Matthew J. Christensen argues that for creative artists struggling to comprehend—and survive—pernicious manifestations of globalization like Sierra Leone's civil war, the Amistad rebellion's narrative of exploitative resource extraction, transatlantic migrations, armed rebellion, and American judicial intervention offers both a historical antecedent and allegory for contemporary global capitalism's reconfiguration of culture and subjectivity. At the same time, he shows how the mutineers' example provides a model for imagining utopian forms of transnationalism. With its wide-ranging comparative approach, Rebellious Histories brings a unique perspective to the study of the cultural histories of both slave resistance and globalization.
Africa has long captured the Western imagination as a land shrouded in danger and mystery. British and American novels written before World War II established popular conventions and stereotypes about Africa that have been increasingly challenged by contemporary American novels set in Africa. Kuhne's book overviews the ways in which Africa has been employed as a powerful setting for American novels written since World War II. Kuhne argues that contemporary American novels with African settings are largely didactic, that these novels convey specific lessons about Africa and Africans, and that they compare African and American cultures in order to evaluate and critique the two worlds. The book begins by summarizing the conventions and themes Westerners have traditionally associated with Africa and by detailing how British and American authors from Aphra Behn to Ernest Hemingway depicted Africa before World War II. It then looks at contemporary American novels set in invented African nations, novels that typically suggest that the problems that trouble actual African nations are the result of colonialism. A separate chapter then examines the African novels of African Americans, which generally aim to correct the historical record, refute stereotypes, and detail the horrors of the slave trade. The volume also looks at genre fiction set in Africa, while a final chapter discusses postcolonial novels with African settings.