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Winner of the 2013 Colorado Book Award for Literary Fiction - a poignant, darkly comic debut novel about a father and son finding their way together as their livelihood inexorably disappears When Stacey “Shakespeare” Williams returns to the family farm in eastern Colorado to bury his dead cat, he finds his widowed father, Emmett, living in squalor. There’s no money, the land is fallow, and a local banker has cheated the senile Emmett out of the majority of the farm equipment and his beloved Cessna. Unemployed and without prospects, Shakespeare settles in as caretaker to both his dad and the farm while simultaneously getting drawn into an unlikely clique of former classmates. Threatened with the farm’s foreclosure, Shakespeare, Emmett, and his misfit friends hatch a half-serious plot to rob the very bank that stole their future.
By the 1870s, the word was out about Colorado. East coast and Midwest prospectors, European immigrants, and African Americans newly freed from slavery, rushed to Denver to find work and their fortune in silver and gold. Captured here in almost 200 vintage images is the story of the African Americans who escaped the oppression and racism of the post Civil War South, and created a city within a city: the Five Points neighborhood of Denver. Named in 1881 for a bustling five-way intersection, the Five Points area became the commercial and social sector for African American churches, businesses, clubs, and homes, and the heart of Denver's black community. Showcased here are the photographs of once thriving Five Points businesses in the Welton Street business district, such as Otha Rice's Tap Room and Oven and the Rossonian Hotel, as well as the familiar faces of the Cosmopolitan Club, Madame CJ Walker, and Dr. Justina Ford, Denver's first African-American female doctor.
An award-winning journalist’s dramatic account of a shooting that shook a community to its core, with important implications for the future On the last evening of summer in 2013, five shots rang out in a part of northeast Denver known as the Holly. Long a destination for African American families fleeing the Jim Crow South, the area had become an “invisible city” within a historically white metropolis. While shootings there weren’t uncommon, the identity of the shooter that night came as a shock. Terrance Roberts was a revered anti-gang activist. His attempts to bring peace to his community had won the accolades of both his neighbors and the state’s most important power brokers. Why had he just fired a gun? In The Holly, the award-winning Denver-based journalist Julian Rubinstein reconstructs the events that left a local gang member paralyzed and Roberts facing the possibility of life in prison. Much more than a crime story, The Holly is a multigenerational saga of race and politics that runs from the civil rights movement to Black Lives Matter. With a cast that includes billionaires, elected officials, cops, developers, and street kids, the book explores the porous boundaries between a city’s elites and its most disadvantaged citizens. It also probes the fraught relationships between police, confidential informants, activists, gang members, and ex–gang members as they struggle to put their pasts behind them. In The Holly, we see how well-intentioned efforts to curb violence and improve neighborhoods can go badly awry, and we track the interactions of law enforcement with gang members who conceive of themselves as defenders of a neighborhood. When Roberts goes on trial, the city’s fault lines are fully exposed. In a time of national reckoning over race, policing, and the uses and abuses of power, Rubinstein offers a dramatic and humane illumination of what’s at stake.
Conceived in gold lust and born in the middle of nowhere on a cold autumn day, Denver grew up on mining booms and busts. Building their city rapidly and recklessly, Denverites tore down 'old-fashioned buildings' to construct their own grand new monuments. Not until the 1960s did the people of Denver, alarmed by wholesale urban-renewal demolitions and a new building boom, convince the mayor and city council to form the Denver Landmark Preservation Commission to identify and preserve the most important landmarks. To date, more than 250 landmarks and 28 historic districts have been preserved. Denver Landmarks and Historic Districts is the only volume of its kind to celebrate Denver's finest antique homes, churches, clubs, saloons, hotels, libraries, schools, restaurants, and banks -- many of which are open to the public. Here is the story of the Daniels and Fisher Tower, Elitch's Theatre, Denver's best city parks, the Denver Press Club, the Denver Athletic Club, notorious houses of ill repute, a tiny Five Points black mortuary that became a Hispanic pool hall, and much more. A brief history of Denver introduces readers to building types, materials, and styles and architects, showing how buildings reflect various ethnic and economic groups. An overview of the preservation movement covers the history of the Denver Landmark Preservation Commission and local preservation battles.
The city of Denver was born during the great "Pikes Peak or Bust" gold rush of 1859 when flakes of placer gold were found where the South Platte River meets Cherry Creek. With the discovery of more gold, Denver became a boomtown, and African American pioneers began to arrive in search of prosperity and a better future. Initially, Denver's African Americans lived scattered throughout the city and in the Cherry Creek area. By the late 1890s, most had relocated to the Five Points Neighborhood. Many worked in Denver during the week and farmed their homesteads in Dearfield on the weekends. They often spent their holidays at Winks Lodge and summers at Camp Nizhone.
Denver enters the Noir Series arena with a wide range of mile-high misgivings and perils. “Denver Noir presents an impressive range of perspectives and observations. Between the writers and their characters, you’ll encounter dozens of distinct and compelling relationships with this place. Maybe you’ll start to see our city—and even yourself—in new ways.” —Denver North Star “Denver Noir is a fascinating exploration of this sunny city’s dark side. Mountain views, a roughneck Gold Rush past, and stories of murder and mayhem make this anthology a must-read for anyone curious about Denver and its environs. Like the countless entries before it, Akashic Books allows an editor to craft an anthology filled with stories varying in tone and perspective.” —New York Journal of Books Akashic Books continues its award-winning series of original noir anthologies, launched in 2004 with Brooklyn Noir. Each book comprises all new stories, each one set in a distinct neighborhood or location within the respective city. Brand-new stories by: Peter Heller, Barbara Nickless, Cynthia Swanson, Mario Acevedo, Francelia Belton, R. Alan Brooks, D.L. Cordero, Amy Drayer, Twanna LaTrice Hill, Manuel Ramos, Mark Stevens, Mathangi Subramanian, David Heska Wanbli Weiden, and Erika T. Wurth.
Astonishing images of vanished Denver, from old hotels and movie houses to streetcars to sports stadiumsThere has been much change in Denver since the first settlers built a small town on the south side of Cherry Creek and named it Auraria. Streetcar suburbs emerged and were annexed into the city of Denver; skyscrapers rose and were replaced by even bigger skyscrapers. The streetcars disappeared. Denver's baseball team, the Bears, played out of Broadway Park, then Bears Stadium, which became Mile High Stadium and then a parking lot for Sports Authority Field. The city has lost many of its grand Victorian buildings. The grand Richardsonian Romanesque Denver Club is gone, along with the Tabor Block and Tabor Opera House. The theater district on Curtis Street has been transformed, while the Denver Urban Renewal Authority (DURA) has targeted whole districts for wholesale change. Lost Denver looks at the many aspects of the city that have disappeared over the last 150 years—the old hotels and movie houses, the civic buildings no longer fit for purpose, the old bridges, cemeteries, and parks that have been changed out of all recognition, and the city districts that didn't fit in with the Skyline Renewal Project.