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Claude Cahen's book on Crusader Antioch cast a long shadow. His thorough monograph seemingly leaves little more to be said. Decades may pass before scholars return to the topic. The long shadow fell even on the Wisconsin History of the Crusades which still seeks, essentially, to stich the written sources together into traditional narrative history, only to do it better. But topics such as architecture, or coins are optional extras and not much integrated into the whole picture. A thorough analysis of political and military developments is indeed the essential groundwork of most medieval history. But high politics was not the whole of life; and charters and texts are not the only witnesses to that life. Social and economic life has its own momentum and its own continuity. Its moral and spiritual aspects deserve historical study, and impose new historical disciplines. Crusades studies have become more interdisciplinary, and less monolithic. That new style of enquiry is fully reflected in the range and variety of the papers, tightly focussed on Antioch, printed in this volume.
This interdisciplinary volume re-evaluates the interconnectedness of the Merovingian world with its Mediterranean surroundings.
Collected Studies CS1066 The articles in this collection cover the region extending from Italy to the Black Sea and to Egypt, over a period of seven centuries, with an emphasis on the considerable economic and social interaction between the West and the regions of the Eastern Mediterranean. They represent key works in the oeuvre of David Jacoby, the doyen of scholars in the field over many decades.
This volume offers an overview of the rich narrative material circulating in the medieval Mediterranean. As a multilingual and multicultural zone, the Eastern Mediterranean offered a broad market for tales in both oral and written form and longer works of fiction, which were translated and reworked in order to meet the tastes and cultural expectations of new audiences, thus becoming common intellectual property of all the peoples around the Mediterranean shores. Among others, the volume examines for the first time popular eastern tales, such as Kalila and Dimna, Sindbad, Barlaam and Joasaph, and Arabic epics together with their Byzantine adaptations. Original Byzantine love romances, both learned and vernacular, are discussed together with their Persian counterparts and with later adaptations of western stories. This combination of such disparate narrative material aims to highlight both the wealth of medieval storytelling and the fundamental unity of the medieval Mediterranean world. Contributors are Carolina Cupane, Faustina Doufikar-Aerts, Massimo Fusillo, Corinne Jouanno, Grammatiki A. Karla, Bettina Krönung, Renata Lavagnini, Ulrich Moennig, Ingela Nilsson, Claudia Ott, Oliver Overwien, Panagiotis Roilos, Julia Rubanovich, Ida Toth, Robert Volk and Kostas Yiavis.
Italy and the East Roman World in the Medieval Mediterranean addresses the understudied topic of the Italian peninsula’s relationship to the continuation of the Roman Empire in the East, across the early and central Middle Ages. The East Roman world, commonly known by the ahistorical term "Byzantium", is generally imagined as an Eastern Mediterranean empire, with Italy part of the medieval "West". Across 18 individually authored chapters, an introduction and conclusion, this volume makes a different case: for an East Roman world of which Italy forms a crucial part, and an Italian peninsula which is inextricably connected to—and, indeed, includes—regions ruled from Constantinople. Celebrating a scholar whose work has led this field over several decades, Thomas S. Brown, the chapters focus on the general themes of empire, cities and elites, and explore these from the angles of sources and historiography, archaeology, social, political and economic history, and more besides. With contributions from established and early career scholars, elucidating particular issues of scholarship as well as general historical developments, the volume provides both immediate contributions and opens space for a new generation of readers and scholars to a growing field.
In the politically and militarily complex world of the medieval Eastern Mediterranean people and entities of different ethnic, religious and linguistic backgrounds came into close contact at many different levels, from everyday dealings in the marketplace to high diplomacy between competing states, thus providing scope for fertile cross-cultural interaction and permeation. This collective volume examines aspects of intercultural communication as reflected in Byzantine, Latin and Arabic documentary sources originating from or relating to the Eastern Mediterranean and ranging from the eleventh to the fifteenth centuries. Twenty essays examine a variety of archival sources for the Latin East, explore chancery traditions in the culturally diverse society of Frankish Cyprus, and trace modes of communication and exchange between Byzantium, Islam and the West. Contributors are: Jean Richard, David Jacoby, Benjamin Z. Kedar, Michel Balard, Peter Schreiner, Michel Balivet, Catherine Otten-Froux, Svetlana V. Bliznyuk, Brenda Bolton, Karl Borchardt, Nicholas Coureas, William O. Duba, Charalambos Gasparis, Hubert Houben, Angel Nicolaou-Konnari, Johannes Pahlitzsch, and Kostis Smyrlis.
The rich and diverse architectural traditions of the Eastern Mediterranean and adjacent regions are the subject of this book. Representing the visual residues of a "forgotten" Middle Ages, the social and cultural developments of the Byzantine Empire, the Caucasus, the Balkans, Russia, and the Middle East parallel the more familiar architecture of Western Europe. The book offers an expansive view of the architectural developments of the Byzantine Empire and areas under its cultural influence, as well as the intellectual currents that lie behind their creation. The book alternates chapters that address chronological or regionally-based developments with thematic studies that focus on the larger cultural concerns, as they are expressed in architectural form.
The medieval world does not end in Western Europe, and within the last twenty or so years some of the most stimulating art-historical discoveries have been made in the Near East. Moving beyond the confines of Jerusalem and Carthage, this volume considers the art of Armenia, Ethiopia, Coptic Egypt, Georgia, Jordan, Lebanon, Syria, and the Mongol East in relation to Byzantium, Cyprus, Italy, and the West. The Christian arts of the Near East, long considered naïve and provincial, are now being reconsidered for their complex liturgical and theological significance. The essays in this essential reference volume cover topics ranging from the classically inspired Christian iconography of Jordan's mosaics, sources and influences of style in Jerusalem and the West, and stylistic interaction between Ethiopia and Egypt to wooden carvings from Coptic Egypt and manuscripts from Antioch as well as icon painting in Lebanon and Cairo. Specific case studies on ivories from the Eastern Mediterranean, the Red Monastery Conservation Project, the Edessan Image of Christ, and the Marriage Charter of Otto II and Theophanu are accompanied by iconographical exposés of the Abgar Legend, the Biblical Sarah, and the Çintamani motif. The contributors are Susan H. Auth, Elizabeth S. Bolman, Erica Cruikshank Dodd, Anthony Cutler, Jaroslav Folda, Marilyn E. Heldman, Lucy-Anne Hunt, Mat Immerzeel, Adeline Jeudy, Catherine Jolivet-Lévy, Irma Karaulashvili, Hugo Meyer, Mati Meyer, William North, Michele Piccirillo, and Alexander Saminsky.