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It is now apparent that East Africa cannot be viewed in isolation if its early history is to be adequately understood. Arabic, Indian, and Chinese influences have been discovered in the East African cultures, and evidence has shown that from about 100 B.C. the coastal fringe of eastern Africa was economically and culturally an integral part of the Indian Ocean basin. The available evidence relating to these early con-tacts is so scattered, however, that historians and archaeologists must rely on the findings of numerous related disciplines. The contributors to this volume make ingenious use of anthropological, geographical, ethnographical, zoological, linguistic, numismatic, and musicol-ogical evidence as they develop new historio-graphical techniques to open this challenging area of inquiry. Among them are the leading specialists in their respective fields: H Neville Chittick, Vinigi Grottanelli, Paul Wheatley, J S Trimingbam, Gervase Mathew, Pierre Wrin, Aldan Southall, Merrick Posnansky, James Kirkman, and Michael Gwynne. The topics in-vestigated include: the peopling of the East African coast, Chinese knowledge of East Africa, the Arab geographers, the problem of Malagasy origins, connections between the lacustrine peoples and the coast, and the origin and spread of various domestic food plants. Although there remain as many questions as answers, this volume serves as a vital summa-tion of our current knowledge and points the way toward further fruitful research in African history.
A Study Of The Role Of Immigrants From The Indian Subcontinent In The Development Of Political Consciousness In Kenya, Tanganyika, Uganda And Zanzibar. The Author Believes That With Their Great Economic Strength, Industriousness And Ability To Articulate, The Asians Played A Pivotal Role In The Transition Of These Countries From Colonies To Independent States. This Is Apparently The First Book Which Comprehensively Covers The Role Of Asians In East African History Until Independence Came To These Territories.
A groundbreaking critique of the West's historical, cultural, and political perceptions of the East that is—three decades after its first publication—one of the most important books written about our divided world. "Intellectual history on a high order ... and very exciting." —The New York Times In this wide-ranging, intellectually vigorous study, Said traces the origins of "orientalism" to the centuries-long period during which Europe dominated the Middle and Near East and, from its position of power, defined "the orient" simply as "other than" the occident. This entrenched view continues to dominate western ideas and, because it does not allow the East to represent itself, prevents true understanding.
The two-volume Companion to Islamic Art and Architecture bridges the gap between monograph and survey text by providing a new level of access and interpretation to Islamic art. The more than 50 newly commissioned essays revisit canonical topics, and include original approaches and scholarship on neglected aspects of the field. This two-volume Companion showcases more than 50 specially commissioned essays and an introduction that survey Islamic art and architecture in all its traditional grandeur Essays are organized according to a new chronological-geographical paradigm that remaps the unprecedented expansion of the field and reflects the nuances of major artistic and political developments during the 1400-year span The Companion represents recent developments in the field, and encourages future horizons by commissioning innovative essays that provide fresh perspectives on canonical subjects, such as early Islamic art, sacred spaces, palaces, urbanism, ornament, arts of the book, and the portable arts while introducing others that have been previously neglected, including unexplored geographies and periods, transregional connectivities, talismans and magic, consumption and networks of portability, museums and collecting, and contemporary art worlds; the essays entail strong comparative and historiographic dimensions The volumes are accompanied by a map, and each subsection is preceded by a brief outline of the main cultural and historical developments during the period in question The volumes include periods and regions typically excluded from survey books including modern and contemporary art-architecture; China, Indonesia, Sub-Saharan Africa, Sicily, the New World (Americas)
Born from the fields of Islamic art and architectural history, the archaeological study of the Islamic societies is a relatively young discipline. With its roots in the colonial periods of the late 19th and early 20th centuries, its rapid development since the 1980s warrants a reevaluation of where the field stands today. This Handbook represents for the first time a survey of Islamic archaeology on a global scale, describing its disciplinary development and offering candid critiques of the state of the field today in the Central Islamic Lands, the Islamic West, Sub-Saharan Africa, and Asia. The international contributors to the volume address such themes as the timing and process of Islamization, the problems of periodization and regionalism in material culture, cities and countryside, cultural hybridity, cultural and religious diversity, natural resource management, international trade in the later historical periods, and migration. Critical assessments of the ways in which archaeologists today engage with Islamic cultural heritage and local communities closes the volume, highlighting the ethical issues related to studying living cultures and religions. Richly illustrated, with extensive citations, it is the reference work on the debates that drive the field today.