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This subject is brought together and treated in depth for the first time. Drawing on the best scholarship of others and extensive personal research, the author uncovers the technology and the significance of paint in early Native California. Hundreds of rare photographs parallel the text. Many are of painted 19th century Indians. Others in full color depict an array of ochre-covered artifacts. Images from walls of remote caves transport the reader to a California long past and little known.
Author Paul Campbell reveals the knowledge he has spent 20 years learning and reproducing from California natives. Included are sections on the basic skills of survival, the tools of gathering and food preparation, and the implements of household and personal necessity, as well as the arts of hunting and fishing. Sample topics include: shelter; greens, beans, flowers and other vegetables; meat preparation; how to make and shoot an Indian bow.--From publisher description.
The purpose of this essay collection is to recover color's complex and sometimes morally troubling past. By emphasising color's materiality, and how it was produced, exchanged and used, contributors draw attention to the disjuncture between the beauty of color and the blood, sweat, and tears that went into its production, circulation and application as well as to the complicated and varied social meanings attached to color within specific historical and social contexts.
California's diverse geography overflows with many types of edible plants. Through the seasons, this forager's paradise offers a continually changing list of wild, harvestable treasures. Nuts and Berries of California guides you to the edible wild foods and healthful herbs of the West. This valuable reference guide will help you identify and appreciate the wild bounty of California. Inside you'll find: detailed descriptions for edible nuts and berries; tips on finding, preparing and consuming them. Use Nuts and Berries of California as a field guide or as a delightful armchair read. No matter what you're looking for, this guide will enhance your next backpacking trip or easy stroll around the garden, and may just provide some new favorites for your dinner table.
This is an art book which highlights the possibility of using natural, organic materials as art supplies and inspiration.
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
Art meets science in this guide to creating color with earth’s extraordinary pigments and exploring their fascinating uses today and throughout history Part anthropological study, part art book, and part how-to, Book of Earth immerses you in the world of ochre, a naturally occurring mineral used to make pigment. Each chapter delves into author Heidi Gustafson’s rare pigment archive and provides a thorough exploration of natural color, while challenging our notions of the inanimate world. The book includes practical advice and techniques for creating your own pigments and applying these skills in everyday life. Called the “ochre whisperer” by American Craft, and noted as the “woman archiving the world’s ochre,” in the New York Times, her personal collection of more than 600 pigments from around the planet is a unique treasure, and her passion and field experience will captivate you from the first page to the last.
First published in 2005, this brief introduction to methods of studying rock art has become the standard text for courses on this topic. It was also selected as a Choice Magazine Outstanding Academic Book in 2005. Internationally-known rock art researcher David Whitley takes the reader through the various processes needed to document, interpret, and preserve this fragile category of artifact. Using examples from around the globe, he offers a comprehensive guide to rock art studies of value to archaeologists and art historians, their students, and rock art aficionados. The second edition of this classic work has additional material on mapping sites, ethnographic analogy, neuropsychological models, and Native American consultation.