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The history of Santa Fe is encapsulated in imagery. Remnants of unearthed Native American artifacts from eons ago shed light on its first inhabitants. These early images, which tell the story of the convergence of humanity, are as varied as the people themselves.
The history of Santa Fe is encapsulated in imagery. Remnants of unearthed Native American artifacts from eons ago shed light on its first inhabitants. By the 17th century, Spanish settlers were capturing everyday life with brushstrokes on canvas. In the 1850s, the epic of this ancient land was brought to life through the camera's lens. These early images, which tell the story of the convergence of humanity, are as varied as the people themselves. They arrived at different times on the four major arteries that connect in the heart of the city: the Camino Real (from Mexico City), the Santa Fe Trail (from Independence, Missouri), the Old Spanish Trail (from Los Angeles), and the Mother Road, Route 66, which began in Chicago.
Winner of the Pulitzer Prize for History (1976). The extraordinary biography of a pioneer hero of the frontier Southwest from the author of Great River. Originally published in 1975, this Pulitzer Prize for History–winning biography chronicles the life of Archbishop Jean Baptiste Lamy (1814–1888), New Mexico’s first resident bishop and the most influential, reform-minded Catholic official in the region during the late 1800s. Lamy’s accomplishments, including the endowing of hospitals, orphanages, and English-language schools and colleges, formed the foundation of modern-day Santa Fe and often brought him into conflict with corrupt local priests. His life story, also the subject of Willa Cather’s Death Comes for the Archbishop, describes a pivotal period in the American Southwest, as Spanish and Mexican rule gave way to much greater influence from the United States and Europe. Historian and consummate stylist Paul Horgan has given us a chronicle filled with hardy, often extraordinary adventure, and sustained by Lamy’s magnificent strength of character. “Lamy of Santa Fe stands as a beacon in American biography.” —James M. Day, author of Paul Horgan “Lamy of Santa Fe is a classic work. Not only is the research exemplary but so is the narrative artistry, the work of history as art.” —Robert Gish, author of Nueva Granada: Paul Horgan and the Modern Southwest “Historians, and general readers as well, seeking vivid portrayal of the Southwest’s political, social and cultural traditions will find [this book] rewarding . . . the historical and literary heritage of Americans in general will be the richer for Mr. Horgan’s painstaking effort.” —Southwestern Historical Quarterly
This definitive documentary history of the Society that made the northern New Mexico town famous as an art colony.
A readable, captivating social history centered on the essence of Santa Fe--the lives of its Hispano and Anglo residents.
The author Willard F. Clark was a printmaker and artist who greatly shaped the way the rst of the world views old-time Santa Fe, New Mexico. Born in 1910 in Boston, he grew up in Argentina and studied art during the summers in New York City at Grand Central Station Art School and the Hawthorn Art Academy. In 1928, on his way to California, he stopped in Santa Fe, New Mexico and fell in love with the majestic landscape of the American Southwest. There he started a small print shop and taught himself the craft of printing, cutting his own wood-blocks, setting type, and binding small books. Willard Clark developed a graphic style that came to represent early-twentieth-century Santa Fe to many around the world.
By the early 1970s, an active bohemian colony had developed in Santa Fe and it became a cultural boom town. The number of art galleries went from two to a hundred. Besides the Santa Fe Opera, there came into being endless festivals: for art, music, literature, theater, movies, fashion, and the crafts of Indians and Spanish Americans. The city’s complex heritage of three interlocked cultures became “Santa Fe Style.” But the fifteen years between 1964 and 1980 held a special magic. And Eli Levin experienced it all: the fading generation of older artists and the newly arriving younger generation; wild night life at Claude’s Bar; artist’s battles with conservative arts organizations; questionable successes and tragic failure of careers; exemplary examples of lifetime dedication; and a number of suppressed scandals, one even involving possible murders. Packed with amusing anecdotes about the various artists with whom Levin painted, plotted and partied, this vivid memoir testifies to the exciting rebirth and burgeoning growth of one of this country’s most well known art colonies.