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Early Indian Terracotta Art Traces The Origin, Typology & Stylistic Evolution Of Backed Clay Figurines In Northern & Western India (C. 2000-300 B.C.). They Have Been Classified Into Three Main Stages Namely The Crude & Simple Post-Harappan & Chaleolithic Cultures With The Bull As The Prominent Figure, The Iron Age When A Variety Of Local Art Styles Emerged, And The Early Nbp Period Showing Qualitative & Quantitative Growth With The Prominence Of Ornamented Elephant & Nagi Figurines Along With Other Animal And Human Forms.
An enormous number of burial objects have been unearthed from ancient tombs in archaeological excavations in China. These mingqi were made in all kinds of materials and in a broad range of forms, techniques and craftsmanship. In this book Quinghua Guo examines a particular type of mingqi -- pottery building. The striking realism of the pottery buildings suggests that they were modelled after actual buildings. They bring to life courtyard houses, manors, towers, granaries and pigsty-privies, as well as cooking ranges and well pavilions. These pottery buildings, previously little known, preserve knowledge of antiquity and demonstrate the architectural quality and structural variety of the period. The author identifies the typology of the pottery buildings they signify in terms of ontology and semiology, in order to provide a conceptual map for classification, and identifies building systems reflected by the mingqi to detect architectonic systems of the Han dynasty. Key features of this volume include: Cross-disciplinary research -- architectural study interlocking with archaeological study; architectural study interlocking with graphic study. The Han pottery buildings are important architectural models from the ancient world, and are contrasted with wooden houses of Middle-Kingdom Egypt and brick buildings of the Minor civilisation, Crete, allowing cross-cultural comparisons.
Presents works of art selected from the South and Southeast Asian and Islamic collection of The Metropolitan Museum of Art, lessons plans, and classroom activities.
Examines Indian sculptures in color photographs and detailed explanations.
First published in 1965, The Culture and Civilisation of Ancient India in Historical Outline is a strikingly original work, the first real cultural history of India. The main features of the Indian character are traced back into remote antiquity as the natural outgrowth of historical process. Did the change from food gathering and the pastoral life to agriculture make new religions necessary? Why did the Indian cities vanish with hardly a trace and leave no memory? Who were the Aryans – if any? Why should Buddhism, Jainism, and so many other sects of the same type come into being at one time and in the same region? How could Buddhism spread over so large a part of Asia while dying out completely in the land of its origin? What caused the rise and collapse of the Magadhan empire; was the Gupta empire fundamentally different from its great predecessor, or just one more ‘oriental despotism’? These are some of the many questions handled with great insight, yet in the simplest terms, in this stimulating work. This book will be of interest to students of history, sociology, archaeology, anthropology, cultural studies, South Asian studies and ethnic studies.
In recent years, the Dallas Museum of Art has expanded its collection of South Asian art from a small number of Indian temple sculptures to nearly 500 works, including Indian Hindu and Buddhist sculptures, Himalayan Buddhist bronze sculptures and ritual objects, artwork from Southeast Asia, and decorative arts from India's Mughal period. Artworks in the collection have origins from the former Ottoman empire to Java, and architectural pieces suggest the grandeur of buildings in the Indian tradition. This volume details the cultural and artistic significance of more than 140 featured works, which range from Tibetan thangkas and Indian miniature paintings to stone sculptures and bronzes. Relating these works to one another through interconnecting narratives and cross-references, scholars and curators provide a broad cultural history of the region. Distributed for the Dallas Museum of Art