Download Free Early Formative Period Of Coastal Ecuador Book in PDF and EPUB Free Download. You can read online Early Formative Period Of Coastal Ecuador and write the review.

This volume is devoted to the archaeology of Formative Ecuador in order to bring new information on this important period of the region's past to the attention of New World scholars.
The traditional costumes worn by people in the Andes—women's woolen skirts, men's ponchos, woven belts, and white felt hats—instantly identify them as natives of the region and serve as revealing markers of ethnicity, social class, gender, age, and so on. Because costume expresses so much, scholars study it to learn how the indigenous people of the Andes have identified themselves over time, as well as how others have identified and influenced them. Costume and History in Highland Ecuador assembles for the first time for any Andean country the evidence for indigenous costume from the entire chronological range of prehistory and history. The contributors glean a remarkable amount of information from pre-Hispanic ceramics and textile tools, archaeological textiles from the Inca empire in Peru, written accounts from the colonial period, nineteenth-century European-style pictorial representations, and twentieth-century textiles in museum collections. Their findings reveal that several garments introduced by the Incas, including men's tunics and women's wrapped dresses, shawls, and belts, had a remarkable longevity. They also demonstrate that the hybrid poncho from Chile and the rebozo from Mexico diffused in South America during the colonial period, and that the development of the rebozo in particular was more interesting and complex than has previously been suggested. The adoption of Spanish garments such as the pollera (skirt) and man's shirt were also less straightforward and of more recent vintage than might be expected.
The Routledge Companion to Art and Disability explores disability in visual culture to uncover the ways in which bodily and cognitive differences are articulated physically and theoretically, and to demonstrate the ways in which disability is culturally constructed. This companion is organized thematically and includes artists from across historical periods and cultures in order to demonstrate the ways in which disability is historically and culturally contingent. The book engages with questions such as: How are people with disabilities represented in art? How are notions of disability articulated in relation to ideas of normality, hybridity, and anomaly? How do artists use visual culture to affirm or subvert notions of the normative body? Contributors consider the changing role of disability in visual culture, the place of representations in society, and the ways in which disability studies engages with and critiques intersectional notions of gender, race, ethnicity, class, and sexuality. This book will be particularly useful for scholars in art history, disability studies, visual culture, and museum studies.
Perhaps the contributions of South American archaeology to the larger field of world archaeology have been inadequately recognized. If so, this is probably because there have been relatively few archaeologists working in South America outside of Peru and recent advances in knowledge in other parts of the continent are only beginning to enter larger archaeological discourse. Many ideas of and about South American archaeology held by scholars from outside the area are going to change irrevocably with the appearance of the present volume. Not only does the Handbook of South American Archaeology (HSAA) provide immense and broad information about ancient South America, the volume also showcases the contributions made by South Americans to social theory. Moreover, one of the merits of this volume is that about half the authors (30) are South Americans, and the bibliographies in their chapters will be especially useful guides to Spanish and Portuguese literature as well as to the latest research. It is inevitable that the HSAA will be compared with the multi-volume Handbook of South American Indians (HSAI), with its detailed descriptions of indigenous peoples of South America, that was organized and edited by Julian Steward. Although there are heroic archaeological essays in the HSAI, by the likes of Junius Bird, Gordon Willey, John Rowe, and John Murra, Steward states frankly in his introduction to Volume Two that “arch- ology is included by way of background” to the ethnographic chapters.
During the past 30 years, the relationship between humans and the environment has changed more drastically than during any previous period in human history. Local sustainable exploitation of natural resources has been overridden by global interests indifferent to the detrimental impact of their activities on local environments and their inhabitants. Increasingly efficient technology has reduced the need for human labor, but improved medical treatment favors reproduction and survival, creating a growing imbalance between population density and food supply. Rapid transportation is introducing alien species to distant terrestrial and aquatic environments, where they displace critical elements in the local food chain. This succinct and profusely illustrated volume applies evolutionary and cultural theory to the interpretation of prehistoric cultural development in the western hemisphere. After reviewing cultural development in Mesoamerica and the central Andes, Meggers examines adaptation in North and South American regions with similar environments to evaluate the influence of adaptive constraints on cultural content. What made the human species dominant on the planet is the substitution of cultural behavior for biological behavior. Prehistoric Americans applied this ability to develop sustainable relationships with their environments. Many succeeded and others did not. Paleoclimatic reconstructions can be compared with archeological sequences and ethnographic descriptions to identify cultural behavior responsible for the difference. Comparison of the responses of Amaonians and Mayans to episodes of severe drought provides useful insights into what we are doing wrong. Betty J. Meggers has been a research associate at the Smithsonian Institution since 1951. She has conducted fieldwork in Brail, Guyana, Veneuela, and Ecuador. Her publications include archeological monographs, edited volumes, general books on Amaonia and Ecuador, and over 200 articles on cultural ecology, cultural diffusion, pottery analysis, and transpacific contact. Her contributions have been recognied by six honorary doctorates from universities in Brail, Argentina, and Ecuador.
A Prehistory of South America is an overview of the ancient and historic native cultures of the entire continent of South America based on the most recent archaeological investigations. This accessible, clearly written text is designed to engage undergraduate and begining graduate studens in anthropology. For more than 12,000 years, South American cultures ranged from mobile hunters and gatherers to rulers and residents of colossal cities. In the process, native South American societies made advancements in agriculture and economic systems and created great works of art—in pottery, textiles, precious metals, and stone—that still awe the modern eye. Organized in broad chronological periods, A Prehistory of South America explores these diverse human achievements, emphasizing the many adaptations of peoples from a continent-wide perspective. Moore examines the archaeologies of societies across South America, from the arid deserts of the Pacific coast and the frigid Andean highlands to the humid lowlands of the Amazon Basin and the fjords of Patagonia and beyond. Illustrated in full color and suitable for an educated general reader interested in the Precolumbian peoples of South America, A Prehistory of South America is a long overdue addition to the literature on South American archaeology.