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A behind-the-scenes account of life at Ealing Studios – one of the great cinematic success stories of post-war Britain, and a byword for a particular strain of comic filmmaking that continues to inspire imitators over half a century on. This will be the first full narrative history of the studio, focusing on its output in the 1940s and '50s, when the movies made there were in astonishing (and revealing) synchronicity with the national mood. Told through the memories of the people who worked and performed there, The Secret Life of Ealing Studios will explore how a small group of maverick filmmakers, some of Britain’s most fondly remembered movie stars, and a lot of unsung backroom boys and girls created pictures that presented a unique and enduring view of British identity, and which have since become classics. Particular emphasis will be placed on the filming of Hue and Cry (1947), Passport to Pimlico (1949), Kind Hearts and Coronets (1949), Whisky Galore (1949), The Lavender Hill Mob (1951), The Man in the White Suit (1951) and The Ladykillers (1955), along with war films such as The Cruel Sea (1953). At the heart of the story will be the figure of Michael Balcon - perhaps the closest Britain has ever come to producing a movie mogul in the Hollywood mould - and iconic actors such as Peter Sellers, Alec Guinness, Margaret Rutherford and Sid James. The author is one of Britain's leading entertainment biographers and has a number of successful and critically lauded titles under his belt (his recent book on Oliver Reed, What Fresh Lunacy Is This?, was selected for Books of the Year round-ups in both the Sunday Times and Mail on Sunday). Robert has a track record of securing original testimony from first-hand witnesses and has already begun interviewing people who worked at Ealing.
The Film Studio sheds new light on the evolution of global film production, highlighting the role of film studios worldwide. The authors explore the contemporary international production environment, identifying various types of film studios and investigating the consequences for Hollywood, international film production, and the studio locations. Visit our website for sample chapters!
A study of British filmmaking
Ealing Revisited provides a major reappraisal of one of British cinema's best-loved institutions, Ealing Studios. During its heyday, Ealing produced a string of classic comedies, including Kind Hearts and Coronets (1949), The Lavender Hill Mob (1951) and The Ladykillers (1955), but there is much more to Ealing than these films, as this volume of new writing on the studio shows. Addressing both known and less familiar aspects of Ealing's story, its films, actors and technicians, the contributors uncover what has gone unexplored, or unspoken, in previous histories of the studio, and consider the impact that Ealing has had on British cultural life from the 1930s to the present. Listed in the Independent on Sunday's Cinema books of 2012 http://www.independent.co.uk/arts-entertainment/books/reviews/ios-books-of-the-year-2012-cinema-8373713.html
This comprehensive volume is an indispensable resource for researchers as well as general readers interested in the geography, history, and culture of London, examining all aspects of life in the United Kingdom's capital city. London is one of the largest cultural and financial centers in the world. How did it become the capital city of the United Kingdom, and what is life like in this global city today? Narrative chapters cover a wide range of topics in this volume, examining such themes as location, people, history, politics, economy, environment and sustainability, local crime and violence, security issues, natural hazards and emergency management, culture and lifestyle, London in pop culture, and London's future. Inset boxes entitled "Life in the City" include personal memoirs from people who are from or have lived in London, allowing readers a glimpse into daily life in the city. Sidebars, a chronology, and a bibliography round out the text. This volume is ideal for students and general readers who are interested in learning about life in this global city.
Studying Ealing Studios explores the rich history of one of the best loved and best known institutions of British cinema.
British Film and Television Industries--Decline or Opportunity?, Volume II: Evidence
The Cinema Book is widely recognised as the ultimate guide to cinema. Authoritative and comprehensive, the third edition has been extensively revised, updated and expanded in response to developments in cinema and cinema studies. Lavishly illustrated in colour, this edition features a wealth of exciting new sections and in-depth case studies. Sections address Hollywood and other World cinema histories, key genres in both fiction and non-fiction film, issues such as stars, technology and authorship, and major theoretical approaches to understanding film.
Britain's underground economy flourished during the 1940s and early 1950s thanks to rationing and price control, producers, traders, and professional criminals helped consumers to get a little extra on the side, from under the counter, or off the back of a lorry. Yet widespread evasion of regulations designed to ensure fair shares for all did not undermine the austerity policies that characterised these years and its vital role in securing compliance with economic regulation. In Black Market Britain, Mark Roodhouse argues that Britons showed self-restraint in their illegal dealings. The means, motives, and opportunities for evasion were not lacking. The shortages were real, regulations were not watertight, and enforcement was haphazard. Fairness, not patriotism and respect for the law, is the key to understanding this self-restraint. By invoking popular notions of a fair price, a fair profit, and a fair share, government rhetoric limited black marketeering as would-be evaders had to justify their offences both to themselves and others. Black Market Britain underlines the importance of fairness to those seeking a richer understanding of economic life in modern Britain.