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Ulli Steltzer, a distinguished photographer, takes the reader into the carving shed and studio to see Robert Davidson as he creates both monumental poles and intricately detailed powerful masks. More than 100 of her black-and-white photographs, reproduced in duotone, record both the evolution of Davidson and his art, from the early days up to the present, a span of 25 years. In the accompanying text and captions, Robert Davidson writes movingly about growing up Haida and his development as an artist, describes the creative and practical process of carving poles and masks, and discusses the place of art in Haida culture. An introduction by Aldona Jonaitis assesses Robert Davidson's place in the world of art. Robert Davidson has produced an internationally acclaimed body of art, in particular a number of large totem poles and masks in collections in Canada and the United States, including the Southwest Museum in Los Angeles, the National Gallery of Canada, the Canadian Museum of Civilization, and the Vancouver Art Gallery.
This book is about how you will leave your mark on the world. It is about discovering the purpose for which you were created, and how to fulfill that purpose. It is about the vision you have for your life, and how to bring that vision into reality. It is about building relationships that are rich and enduring. It is about the courage to rise above adversity in the pursuit of your dreams. It is about connecting to your creative and transcendent spirit. Most of all, it is about taking charge of your one precious life, spreading your wings, and soaring to new realms of possibility.
"e;A true culture transformation should outlast the management that initiated it."e; In his latest book, Phil Geldart, CEO of Eagle's Flight, discusses:How and where to startMeasuring the impactThe role of leadershipHow to change behaviorThe importance of convictionWho should do whatThe role of HRand substantially more...The book also includes an action planning workbook with the 30 most crucial questions to address in order to ensure success.
"The world may know Chris Duffin as 'The Mad Scientist of Strength,' but you wouldn't have ever guessed that if you saw the scrawny kid skinning rattlesnakes and chasing dragonflies in the early '80s. The story of his unconventional life will take you from ... tales of murder, trauma, heartbreak, and survival deep in the Pacific Northwest wilderness all the way to an idealization of the self-made man--still flawed, but never broken"--Dust jacket fla
This poignant personal survival story is intertwined with the thousands of resilient Indigenous Nations that resisted genocide for generations and continue to. Against all odds, we are still here, as a great awakening descends upon humanity. Out of the darkness we arise! Not only as survivors, but as prophesy; like the white buffalo whose presence heralds in an era of massive transformation and reconciliation! Those who unshackle their chains unlock a limitless potential to embody their full multidimensional beings. For each of us must choose between two paths, as Mother Earth begins to shake her blanket....
A bold expression of a fledgling republic's aspirations and bravado, the American bald eagle has been designed, drawn, illustrated, stamped, engraved, painted, sculpted, carved, photographed, and etched by thousands of artists and artisans since 1782, when it first appeared as the central figure on the Great Seal of the United States. As America's most versatile emblem, the eagle emanates confidence during peace and prosperity, and strength during crisis and war; as a North American native species it exemplifies nature's grandeur and the advance of conservation. In all, the bald eagle is a stirring national symbol made all the more vibrant by its indisputable dominion in the sky. American Eagle: A Visual History of Our National Emblem is a visual survey that explores the eagle in American life. A remarkable book that represents American culture, politics, and history, American Eagle will be the definitive source of this national icon for generations to come.
Based on a popular Northwest Coast Native tale, this book recounts the story of Eagle Boy. Born an orphan, the title character grows up to love eagles, despite the fact that the people of his tribe distrust eagles. In return he is ridiculed and made an outcast. One year, the tribe has difficulty hunting and fishing, and must depart their land. With not enough room in their boats, Eagle Boy is left behind. He is saved from starvation by the eagles he loves, and using their assistance saves his starving tribe, who have not been able to find a fertile place to live since their departure. The gorgeous illustrations and tales of adventures and bald eagles will thrill children, while also instructing them about individualism and humanity, as well as Northwest Coast Native life. This is a paperback edition of a pre-existing hardcover book originally published in 2000.
Anthropologists need history to understand how the past has shaped the present. Historians need anthropology to help them interpret the past. Where anthropologists’ and historians’ needs intersect is ethnohistory. The contributors to this volume have been inspired in large part by the teaching and writing of distinguished ethnohistorian Raymond J. DeMallie, whose exemplary combination of ethnographic and archival research demonstrates the ways anthropology and history can work together to create an understanding of the past and the present. Transforming Ethnohistories comprises ten new avenues of ethnohistorical research ranging in topic from fiddling performances to environmental disturbance and spanning places from North Carolina to the Yukon. The authors seek to understand communities by finding and interpreting their stories in a variety of different texts, some of which lie outside academic understanding and research methodology. It is exactly those stories, conventionally labeled “myths” or “oral tradition,” that ethnohistorians demand we pay attention to. Although historians cannot see or talk to their informants as anthropologists do, both anthropologists and historians can listen to oral histories and written documents for the essential stories they contain. The essays assembled here use DeMallie’s approach to contribute to the history and anthropology of Native North America and address issues of literary criticism and contexts, sociolinguistics, performance theory, identity and historical change, historical and anthropological methods and theory, and the interpretation of histories, cultures, and stories. Debates over the legitimacy of ethnohistory as a specialization have led some scholars to declare its decline. This volume shows ethnohistory to be alive and well and continuing to attract young scholars.