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As recent statistics show, more than 100 million people on the planet have used MDMA. After cannabis, it is the second most used drug worldwide. Yet there are many misconceptions surrounding the drug, which have affected attempts to use it as a legitimate and highly effective therapeutic aid. Despite the enormous extent of its use, and abuse, MDMA produced neither a large number of medical complications nor social harm on a larger scale, and has very limited addictive potential. In The History of MDMA, Torsten Passie aims to explore a deeper and more differentiated understanding of MDMA and its history. He has conducted personal interviews with most of the people significant in the history of MDMA and provides a lot of new material to present the first comprehensive overview of the history of MDMA in Europe and the U.S. This not just as it is perceived in the public mind, but also in terms of its history as an underground drug, the research into it, political responses to it, its spread, and its medical use. Passie brings these multiple narratives and levels of its history and their complex interactions together in order to make this book an essential reading for anyone interested in the topic.
Describes the effects of ecstasy, explains why it is a dangerous drug and how it can lead to addiction, and discusses how to seek addiction help.
As LSD moves towards the medical mainstream, it continues to evoke powerful memories of the psychedelic sixties and west coast counterculture. In this lively account, Chris Elcock follows a different branch of psychedelic history – one that is sprawling, layered, and centred on New York City. A major hub for the production and consumption of LSD and other hallucinogenic drugs, New York spawned a unique psychedelic culture that reverberated through the city, from psychoanalytic circles to artists’ studios, Greenwich Village to Central Park. Based on years of archival research, interviews with former acid heads, and a range of cultural artifacts, Psychedelic New York shows how the postwar city was at the forefront of LSD medical research, the burgeoning of psychedelic art, drug-accompanied spiritual seeking, and a proliferation of drug subcultures. Elcock recounts stories of New Yorkers such as Holocaust survivor Nina Graboi and artist Isaac Abrams, whose lives were dramatically altered by their psychedelic experiences, while offering new insights into Timothy Leary’s role in turning on the city with psilocybin. Enlivened by personal stories and rooted in thoughtful analysis, Psychedelic New York is a multifaceted history of LSD and the urban psychedelic experience.
This work is not only a general inquiry into ecstatic states of consciousness and an historical outline of the ecstatic poetic tradition but also an intensive study of five representative poets--Rumi, Wordsworth, Whitman, Dickinson, and Tagore. In a refreshingly original, wide-ranging engagement with concepts in psychology, religion, philosophy, aesthetics, sociology and history, this book demonstrates that the poetics and aesthetics of ecstasy represent an ancient, ubiquitous theory of poetry that continues to influence writers in the current century.
"Riveting."--Bessel van der Kolk, MD, author of The Body Keeps the Score The unlikely story of how the psychedelic drug MDMA emerged from the shadows to the forefront of a medical revolution--and the potential it may hold to help us thrive. Few drugs in history have generated as much controversy as MDMA--or held as much promise. Once vilified as a Schedule I substance that would supposedly eat holes in users' brains, MDMA (also known as Molly or Ecstasy) is now being hailed as a therapeutic agent that could transform the field of mental health and outpace psilocybin and ketamine as the first psychedelic approved for widespread clinical use. In I Feel Love, science journalist Rachel Nuwer separates fact from fantasy, hope from hype, in the drug's contested history and still-evolving future. Evidence from scientific trials suggests MDMA, properly administered, can be startlingly effective at relieving the effects of trauma. Results from other studies point to its usefulness for individual and couples therapy; for treating depression, alcohol addiction, and eating disorders; and for cultivating personal growth. Yet scientists are still racing to discover how MDMA achieves these outcomes, a mystery that is taking them into the inner recesses of the brain and the deep history of evolution. With its power to dismantle psychological defenses and induce feelings of empathy, self-compassion, and love, MDMA may answer profound questions about how we became human, and how to heal our broken social bonds. From cutting-edge labs to pulsing club floors to the intimacy of the therapist's couch, Nuwer guides readers through a cultural and scientific upheaval that is rewriting our understanding of our brains, our selves, and the space between.
Spectral Shakespeares is an illuminating exploration of recent, experimental adaptations of Shakespeare on film, TV, and the web. Drawing on adaptation studies and media theory as well as Jacques Derrida's work, this book argues that these adaptations foreground a cluster of self-reflexive "themes" - from incorporation to reiteration, from migration to addiction, from silence to survival - that contribute to the redefinition of adaptation, and Shakespearean adaptation in particular, as an unfinished and interminable process. The "Shakespeare" that emerges from these adaptations is a fragmentary, mediatized, and heterogeneous presence, a spectral Shakespeare that leaves a mark on our contemporary mediascape.
LSD has had a colorful history, to say the least. First developed for medical purposes, it was soon adopted by mental health therapists and spiritual seekers. Experimented with by both the military and the CIA, the drug was eventually adopted by hippies seeking to "turn on, tune in, and drop out." LSD and other hallucinogens have since become a staple of party and club culture. This colorful history, however, belies the very real dangers and destructiveness of drugs that lure many teens into drug abuse, mental illness, physical peril, and dangerous interference with normal brain chemistry. Readers will be confronted with the cold hard facts about these drugs and the devastation they wreak, rather than the sunny pop culture fantasy so often associated with hallucinogens.
In this acclaimed biography, the late Peter Ostwald--himself an accomplished violinist and longtime personal friend of Gould's--raises many questions about Gould and his music, and lays bare the energy and contradiction behind his brilliance. Photos. NPR feature.
"Spliffs," European slang for joint, can be rolled with marijuana alone, or may include tobacco mixed with either marijuana or hashish. This little but potent item sparks this colorful, wide-ranging salute to cannabis. Laid out with splashy graphics in magazine format, Spliffs 2 mixes engaging short narrative and satirical pieces with instructional and practical information. With over 100 color illustrations, the book contains profiles of outlaw heroes and famous dope smugglers; "A Smoker's Life for Me," for potheads who insist on integrating the plant into every aspect of their lives; a pictorial tour of rolling papers past and present; and a guide to cannabis etiquette. There's a section on movies and marijuana for altered-state film buffs, a map of cannabis use around the world for geographically minded ganjistas, and a guide to pot-themed events and festivals worldwide. More serious stoners can expand their minds with essays on pot in politics, medicine, religion, and art.