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Join Tara in the final Dying Thoughts book! Still living with the after effects of her dad’s accident, Tara is facing her AS exams and the pressure is on. With the internal investigation still hanging over her, all she wants is a moment to gather her thoughts and get some revision done. It’s only when tragedy strikes that Tara realises she’s going to have to contend with college, her father and more. She’s determined that her mentor and friend be remembered for who they were and not who they are being painted as. With Kaolin’s help, Tara has to catch Mike’s killer and root out the corruption that goes to the top of the chain of command. Can she do it before they come after her?
Dexter Morgan—blood-spatter analyst, husband, father, serial killer—knew that he couldn’t burn the candle at both ends forever, and now, his dark deeds have finally ensnared him. • The Killer Character That Inspired the Hit Showtime Series Dexter He is in prison on multiple homicide charges, although, ironically, he did not commit any of the murders of which he is accused. He’s lost everything: his wife, kids, career, and the loyalty of his sister. Now his sole, small shot at redemption may come from his brother, Brian, a homicidal maniac who makes Dexter look like the angel in the family. By helping Brian through some serious trouble of his own making, Dexter sees a potential path to proving himself innocent. But the stakes are truly deadly. And, with nothing left to hold him back, Dexter hurtles into an epic showdown ... which may be his last.
A New York Times Book Review Notable Book of the Year • A New York Times Book Review Editors' Choice • Winner of the Alex Award and the Massachusetts Book Award • Named a Best Book of the Year by NPR, San Francisco Chronicle, Entertainment Weekly, The Huffington Post, BuzzFeed, Grantland Booklist, St. Louis Post-Dispatch, Shelf Awareness, Book Riot, School Library Journal, Bustle, and Time Our New York The acclaimed debut novel by the author of Little Fires Everywhere and Our Missing Hearts “A taut tale of ever deepening and quickening suspense.” —O, the Oprah Magazine “Explosive . . . Both a propulsive mystery and a profound examination of a mixed-race family.” —Entertainment Weekly “Lydia is dead. But they don’t know this yet.” So begins this exquisite novel about a Chinese American family living in 1970s small-town Ohio. Lydia is the favorite child of Marilyn and James Lee, and her parents are determined that she will fulfill the dreams they were unable to pursue. But when Lydia’s body is found in the local lake, the delicate balancing act that has been keeping the Lee family together is destroyed, tumbling them into chaos. A profoundly moving story of family, secrets, and longing, Everything I Never Told You is both a gripping page-turner and a sensitive family portrait, uncovering the ways in which mothers and daughters, fathers and sons, and husbands and wives struggle, all their lives, to understand one another.
Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
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Final work by internationally acclaimed Australian author Gerald Murnane, reflecting on his career as a writer, and the fifteen books which have led critics to praise him as ‘a genius on the level of Beckett’. A book which will appeal equally to Murnane’s legion of fans, and to those new to his work, attracted by his reputation as a truly original Australian writer. In the first days of spring in his eighty-second year, Gerald Murnane began a project which would round off his career as a writer – he would read all of his books in turn and prepare a report on each. His original intention was to lodge the reports in two of his legendary archives, the Chronological Archive, which documents his life as a whole, and the Literary Archive, which is devoted to everything he has written. But as the reports grew, they themselves took on the form of a book, Last Letter to a Reader. The essays on each of his works travel through the capacious territory Murnane refers to as his mind: they dwell on the circumstances which gave rise to the writing, images, associations, reflections on the theory of fiction, and memories of a deeply personal kind. The final essay is on Last Letter to a Reader itself: it considers the elation and exhilaration which accompany the act of writing, and offers a moving ending to what must surely be his last work as death approaches. ‘Help me, dear one, to endure patiently my going back to my own sort of heaven.’ ‘No living Australian writer, not even Les Murray, has higher claims to permanence or a richer sense of distinction’ — Sydney Morning Herald ‘The emotional conviction...is so intense, the somber lyricism so moving, the intelligence behind the chiseled sentences so undeniable, that we suspend all disbelief.’ — J.M. Coetzee
A PATH TO PURPOSE LAID WITH IRON RAILS. ​An end to the endless war—the possibility of stopping the Legion once and for all. Such is humanity’s most fervent desire. But in the war-free world of tomorrow, what will become of the Eighty-Six? Many have gained renewed faith in the future. Some have found love; others, new aspirations. But what of those who have yet to dream? The warm rays of hope have bent their iron wills and distorted their realities. For those tragic few, the worst is yet to come…
"Medieval documents reveal that for centuries of European history, singing for a person at the moment of death was considered to be the ideal accompaniment to a life's ending. Rituals for the dying were well developed, practiced widely, and thoroughly integrated with music. Indeed, these rituals reveal that music, rather than the Eucharist, held a privileged position at the final breath. Music in Medieval Rituals for the End of Life examines and recovers, to the extent possible, the music sung for the dying during the Middle Ages. The book offers a view of the plainchant repertory through the sources of individual institutions. The first four chapters contain a series of "case studies": close readings of rituals from diverse communities, each as they appear in a single source. The rituals' chants are transcribed into modern notation and analyzed, both for their relationships between text and melody and for their functions within the rituals. Created for the powerful and the poor, the educated and the uneducated, women and men, monastics, clerics, and laity, these manuscripts offer a glimpse into the religious practices that distinguished communities from one another and bound them together within a single tradition. The book provides the first editions of the rituals' chants and considers the functions of the music. Why was music given such a prominent position within the deathbed liturgies? Why did communities gather and sing when a loved one was dying? The manuscripts reveal a lost art of comforting the dying and the grieving"--