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With humor, pathos and absurdity, Dying Planet Living Dream chronicles life on the edge during the last half of the 20th Century in America. A host of off-beat and often damaged characters populate these twelve stories of addictions and obsessions with food, sex, drugs, death, and dreams. Stories of murder, redemption, passionate love affairs, parental neglect, pathological mother worship, fatal diseases, miraculous cures, idealism and anarchy. Stories of little boys who lose their mother抯 love and spend the rest of their lives looking for a substitute. Stories that wander all over the country, and even into the future. From the teeming multi-ethnic suburbs of Los Angeles to the moss-draped woods of the Pacific Northwest to the smoky bars of late night New York to the redolent cemeteries of New Orleans and the empty horizons along West Texas highways. Many of these stories read as if they were written on cocktail napkins, odd scraps of paper, on the backs of notebooks, in the pink light of dawn and in the middle of the night. Take this book to bed with you. It may keep you up laughing out loud. But when sleep comes, these stories may come alive in your dreams. Barry Gremillion lives in Los Angeles with his wife, Linda. He writes, produces and hosts the Firehead Mythological Radio Theater, was a Location Manager for 16 years on films like The Doors and the Twin Peaks television series. His other books include I Killed Charles Bronson's Cat and Magasun Hall. author photo for back cover: authorphoto.tif
These authoritative lectures, delivered during a period of deep crisis and conflict in world history, present a comprehensive spiritual teaching for contemporary humanity. Despite the raging world war, Rudolf Steiner was still actively touring Central Europe whilst simultaneously completing work on his architectural masterpiece, the first Goetheanum, in neutral Switzerland.The building of the Goetheanum – undertaken by a community of people from seventeen nations at war – forms a thematic backdrop to the lectures. In speaking of the walls in the new building, for example, Rudolf Steiner describes how their forms are not confining, but rather express an openness to the surrounding cosmos. Likewise, the carved motifs on the architraves of the wooden pillars are not fixed 'symbols' but are alive and continually metamorphosing . These observations are reflected in Steiner's broader discussions. He speaks of extending and deepening our connection with the world and the cosmos, going beyond our usual narrow limits and definitions to engage in 'community with the realities of existence'. We can do this, for example, with the so-called 'dead', who find it difficult to relate to sense-bound thinking. Rudolf Steiner explains how we can connect with them, greatly enriching our lives and 'making an enormous difference to their souls'. The distinction between fixed symbols and living motifs takes us to the core of anthroposophy, striving never to rest in inert forms of thought. In the field of education, Steiner thus warns about 'external measuring' of pupils and linear models of cognitive learning.Throughout the three lecture courses included here – which together form a kind of compendium of anthroposophy at the time – Steiner touches upon a wealth of absorbing themes, including the 'discovery' of America, the contrast between East and West, the qualities of European 'folk souls', Valentin Andreae's Chymical Wedding, and Darwinism. Regardless of his topic, however, Steiner consistently makes the urgent appeal that we 'grasp reality', looking further than abstract schemes of all kinds – such as social and political 'programmes' – to participate in the cosmos as conscious and fully human co-creators.'
Coral reefs are on track to become the first ecosystem actually eliminated from the planet. So says leading ecologist Peter F. Sale in this crash course on the state of the planet. Sale draws from his own extensive work on coral reefs, and from recent research by other ecologists, to explore the many ways we are changing the earth and to explain why it matters. Weaving into the narrative his own firsthand field experiences around the world, Sale brings ecology alive while giving a solid understanding of the science at work behind today’s pressing environmental issues. He delves into topics including overfishing, deforestation, biodiversity loss, use of fossil fuels, population growth, and climate change while discussing the real consequences of our growing ecological footprint. Most important, this passionately written book emphasizes that a gloom-and-doom scenario is not inevitable, and as Sale explores alternative paths, he considers the ways in which science can help us realize a better future.
How the utopian tradition offers answers to today’s environmental crises In the face of Earth’s environmental breakdown, it is clear that technological innovation alone won’t save our planet. A more radical approach is required, one that involves profound changes in individual and collective behavior. Utopianism for a Dying Planet examines the ways the expansive history of utopian thought, from its origins in ancient Sparta and ideas of the Golden Age through to today's thinkers, can offer moral and imaginative guidance in the face of catastrophe. The utopian tradition, which has been critical of conspicuous consumption and luxurious indulgence, might light a path to a society that emphasizes equality, sociability, and sustainability. Gregory Claeys unfolds his argument through a wide-ranging consideration of utopian literature, social theory, and intentional communities. He defends a realist definition of utopia, focusing on ideas of sociability and belonging as central to utopian narratives. He surveys the development of these themes during the eighteenth and nineteenth centuries before examining twentieth- and twenty-first-century debates about alternatives to consumerism. Claeys contends that the current global warming limit of 1.5C (2.7F) will result in cataclysm if there is no further reduction in the cap. In response, he offers a radical Green New Deal program, which combines ideas from the theory of sociability with proposals to withdraw from fossil fuels and cease reliance on unsustainable commodities. An urgent and comprehensive search for antidotes to our planet’s destruction, Utopianism for a Dying Planet asks for a revival of utopian ideas, not as an escape from reality, but as a powerful means of changing it.
For more than a century, Mars has been at the center of debates about humanity’s place in the cosmos. Focusing on perceptions of the red planet in scientific works and science fiction, Dying Planet analyzes the ways Mars has served as a screen onto which humankind has projected both its hopes for the future and its fears of ecological devastation on Earth. Robert Markley draws on planetary astronomy, the history and cultural study of science, science fiction, literary and cultural criticism, ecology, and astrobiology to offer a cross-disciplinary investigation of the cultural and scientific dynamics that have kept Mars on front pages since the 1800s. Markley interweaves chapters on science and science fiction, enabling him to illuminate each arena and to explore the ways their concerns overlap and influence one another. He tracks all the major scientific developments, from observations through primitive telescopes in the seventeenth century to data returned by the rovers that landed on Mars in 2004. Markley describes how major science fiction writers—H. G. Wells, Kim Stanley Robinson, Philip K. Dick, Edgar Rice Burroughs, Ray Bradbury, Robert Heinlein, and Judith Merril—responded to new theories and new controversies. He also considers representations of Mars in film, on the radio, and in the popular press. In its comprehensive study of both science and science fiction, Dying Planet reveals how changing conceptions of Mars have had crucial consequences for understanding ecology on Earth.
The author, a computer science professor diagnosed with terminal cancer, explores his life, the lessons that he has learned, how he has worked to achieve his childhood dreams, and the effect of his diagnosis on him and his family.
Resources running low, the population exploding, the planet is in danger: are we masters of our own destruction, or have we been invaded by aliens bent on mass extinction? Is this a pattern across the entire universe, or just our small sector of cosmic life? This new title in our successful Gothic Fantasy Short Stories series explores the theme of a dying planet, written by a fabulous mix of classic, ancient and brand new writing, with contemporary authors from all over the world. For the first time we’ve made a conscious effort to reach beyond our usual submissions seeking broader voices. This book offers a glorious mix of American, British, Canadian, Italian, Indian, Spanish and Chinese writers with contributions from Barton Aikman, V.K. Blackwell, Steve Carr, Brandon Crilly, AnaMaria Curtis, Kate Dollarhyde, Megan Dorei, Stephanie Ellis, Anita Ensal, E.E. King, Michael Kortes, Raymond Little, Ken Liu, Thana Niveau, John B. Rosenman, Sydney Rossman-Reich, Elizabeth Rubio, Zach Shephard, Shikhandin, Alex Shvartsman, Kristal Stittle, Rebecca E. Treasure, Francesco Verso, and Marian Womack. These sit alongside classic stories by authors such as Clark Ashton Smith, Stanley G. Weinbaum, H.G. Wells and more, as well as stretching back much further, to the Norse Eddas and Sagas, and an Ancient Egyptian Myth on the death of humankind.
Learn to speak the language of your dreams with this fascinating guide to the 100 most common dreams—why we dream them, what they mean, and how they can help us in everyday lives We all dream, but our dreams often seem to be bizarre and confusing experiences that make little sense to us, no matter how much we try to analyze them. The true key to understanding our dreams is looking beyond individual symbols—and being able to see the bigger picture in the stories that we choose to create every night. There are one hundred dream themes that are consistently reported by dreamers around the world, regardless of country or culture. These dreams appear again and again because they reflect fundamental life patterns. This guide will help you recognize these common one hundred dreams, enabling you to achieve a much deeper understanding of your dreams and yourself.
An anthology prepared in tribute to the career of Jack Vance features original tales inspired by "The Dying Earth" and includes contributions by such genre masters as Neil Gaiman, Tanith Lee, and Robert Silverberg.
"'The Beast' is a graphic novel set against the backdrop of Canadian oil industry advertising. It tells the story of two creative millennials working in Edmonton on opposite sides of the energy debate. Important ideas about advertising, energy politics, and sustainability are raised as they grow to understand their relationship to their work, the climate, and each other."--