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(E-Z Play Today). 13 songs from roots-rocking country star Dwight Yoakam, including: Guitars, Cadillacs * Honky-Tonk Man * I Got You * I Sang Dixie * If There Was a Way * Little Sister * Little Ways * Long White Cadillac * Nothing's Changed Here * Please, Please Baby * Streets of Bakersfield * Turn It On, Turn It Up, Turn Me Loose * You're the One.
David Bowie's career as a pioneering artist spanned nearly 50 years and brought him international acclaim. He continues to be cited as a major influence on contemporary artists and designers working across the creative arts. This book, published to accompany the blockbuster international exhibition launched at London's Victoria and Albert Museum, is the only volume that grants access to Bowie's personal archive of performance costumes, ephemera, and original design artwork by the artist, bringing it together to present a completely new perspective on his creative work and collaborations. The book traces his career from its beginnings in London, through the breakthroughs of Space Oddity and The Rise and Fall of Ziggy Stardust and the Spiders from Mars, and on to his enormous impact on 20th-century avant-garde music and art. Essays by V&A curators on Bowie's London, image, and influence on the fashion world are complemented by Howard Goodall on musicology; Camille Paglia on gender and decadence, and Jon Savage on Bowie's relationship with William Burroughs and his fans. The more than 300 color illustrations include personal and performance photographs, album covers, costumes, original lyric sheets, and much more. Praise for David Bowie Is "Perusing David Bowie Is (V&A Publishing, distributed by Abrams), the exhibition's catalog, with its procession of poses and costumes and weighty essays tracking the cross-references to pop culture and high art, you get a sense of how much hard work it took to be Mr. Bowie." --The New York Times "The fans of 50 years or those making discoveries in retrospect will be intrigued by the accompanying book David Bowie Is that is far more than a fanzine."--The New York Times "Lends context and picks away at Bowie with such insight that it's a rare hagiography with soul." --Chicago Tribune "Combining top-notch articles on the singer/actor's life and work with official images and reproductions of his fashion and associated ephemera, the hefty, mango-colored book is nothing short of a treasure trove of all things Bowie; a one-stop smorgasbord for the eyes whose pictorials chronicle the groundbreaking star from Ziggy Stardust to Thin White Duke to Heathen and every personality in between." --Examiner.com
(Fake Book). The Nashville Number System is the standard way for a professional country musician to notate a song. The system has been around since the 1950s, and it rapidly became widespread within the country music community because of how efficiently it can represent music. In essence, a Nashville number chart conveys the harmony, key, meter, rhythm, phrase structure, instrumentation, arrangement, and form of a song all on a single piece of paper. An introduction is included that thoroughly explains how to use the book. Lyrics are not included. This valuable resource gathers together 200 country standards from yesterday's favorites to today's chart-topping hits, including: Achy Breaky Heart (Don't Tell My Heart) * Act Naturally * All the Gold in California * Always on My Mind * Amazed * Battle of New Orleans * Before He Cheats * Before the Next Teardrop Falls * Behind Closed Doors * Bless the Broken Road * Blue Eyes Crying in the Rain * Boot Scootin' Boogie * A Boy Named Sue * Breathe * Coal Miner's Daughter * Could I Have This Dance * Crazy * The Dance * Delta Dawn * The Devil Went down to Georgia * Don't It Make My Brown Eyes Blue * Elvira * Folsom Prison Blues * Friends in Low Places * The Gambler * God Bless the U.S.A. * He Stopped Loving Her Today * Hey, Good Lookin' * I Hope You Dance * I Walk the Line * I Will Always Love You * In Color * Jesus Take the Wheel * King of the Road * Live like You Were Dying * The Long Black Veil * Lucille * Luckenbach, Texas (Back to the Basics of Love) * Mean * Need You Now * On the Road Again * Redneck Woman * Springsteen * Stand by Your Man * This Kiss * You're Still the One * Your Cheatin' Heart * and more!
TEN WEEKS ON THE EXTENDED NEW YORK TIMES BESTSELLER LIST A BOOK AS BIG AND BOLD AS THE AMAZING ENTERTAINER IT CELEBRATES -- THE ONE AND ONLY GARTH BROOKS! AMERICAN THUNDER has taken America by storm, earning the praise of songwriters, industry insiders, and, most important, Garth Brook's own fans. Here's the story of an ordinary guy from Oklahoma who hoped to become an athlete until he discovered his own unique ability to harness the power of music and reach into people's hearts and souls. From his early days in clubs and honky-tonks playing pop, rock, and folk music to his domination of the country music scene in the 1990s through his artistic experiment as rock icon Chris Gaines, this biography takes you backstage, into recording studios, and all around the world with the biggest-selling solo artist of all time.
Steven Hyden explores nineteen music rivalries and what they say about life in this "highly entertaining" book (Rolling Stone) perfect for every passionate music fan. Beatles vs. Stones. Biggie vs. Tupac. Kanye vs. Taylor. Who do you choose? And what does that say about you? Actually -- what do these endlessly argued-about pop music rivalries say about us? Music opinions bring out passionate debate in people, and Steven Hyden knows that firsthand. Each chapter in Your Favorite Band Is Killing Me focuses on a pop music rivalry, from the classic to the very recent, and draws connections to the larger forces surrounding the pairing. Through Hendrix vs. Clapton, Hyden explores burning out and fading away, while his take on Miley vs. Sinead gives readers a glimpse into the perennial battle between old and young. Funny and accessible, Hyden's writing combines cultural criticism, personal anecdotes, and music history -- and just may prompt you to give your least favorite band another chance.
A concise yet comprehensive account of the origins and evolution of rock music, emphasizing its interaction with social change and cultural trends. The narrative begins with ``the birth of the blues'' and proceeds to discuss the major (and mention the minor) performers and to identify the significant styles. These include Fifties rockabilly, folk/protest, the British Invasion, acid rock, punk/New Wave, and Eighties revivalism. Using a lively, anecdotal approach and pertinent quotes, the author examines the appropriate political, economic, technological, or psychological context of each topic, e.g., the relationship between Dylan's music and JFK's New Frontier. A primary focus throughout is on the contributions of blacks and the role of racism. Paul Feehan, Univ. of Miami Lib., Coral Gables, Fla. - Library Journal.
Dwight Yoakam has long been known to country music fans as a musiciam who is as much artist as he is superstar. Over the course of his fifteen-year career, he has received fourteen Grammy nominations. One reviewer described his work this way: "Yoakam's lyrics--Leonard Cohen meets Ernest Tubb--work so well because they're literary without being high-minded. The artfulness of the words . . . doesn't always hit you until you read them on the lyric sheet." Newsweek called Yoakam's most recent record--titled, like his book, A Long Way Home--"a daring departure. It's lush and languid, more introspective than hit-driven. He's looking for subtle emotions, melodic evocations of the distances between people, and he draws on sources as varied as Bobby Darin, Chet Baker, and Buck Owens to get there." A Long Way Home is the first collection of Yoakam's lyrics in book form. It spans his career, from such early albums as Hillbilly Deluxe and Buenas Noches from a Lonely Room to the recently released, critically acclaimed A Long Way Home. Yoakam's songwriting is really storytelling--he poetically writes of subjects ranging from God to drinking to love--and proves him to be as fine a writer as he is a musician.
A “compulsively readable” history of how Waylon Jennings, Willie Nelson, and Kris Kristofferson redefined country music (Publishers Weekly, starred review). Outlaw delves into the country music scene of the late ’60s and early ’70s, when three rebels—Waylon Jennings, Willie Nelson, and Kris Kristofferson found themselves in Music City writing songs and vying for record deals. Channeling the unrest of the times, all three Country Music Hall of Famers resisted the music business’s unwritten rules and emerged as leaders of the outlaw movement that ultimately changed the recording industry. This account offers a broad portrait of the outlaw movement in Nashville that includes a diverse secondary cast of characters, such as Johnny Cash, Rodney Crowell, Kinky Friedman, and Billy Joe Shaver, among others. With archival photographs throughout, Outlaw is a comprehensive examination of a fascinating shift in country music, and the three unbelievably talented musicians who forged the way. “[An] engaging cultural history . . . a fascinating chronicle.” —The Washington Post “Riveting.” —The Wall Street Journal
This volume acts as a reference to the 1000 top albums of all time. All the key information is provided, including track listings and a brief judgement on each album. The appendices in this new edition have been expanded and enlarged to include the top 1000 albums across a range of genres, from blues to rap, reggae to indie and jazz to dance. More specialist areas, such as Latin, have been included and the number of jazz albums have been increased.
Chronicles the musical life of the country star who has made a career of blending disparate influences, drawing on interviews to explore his authenticity and success as an artist.