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Dusty and his animated friends hold a competition to find a model family based on letters written by children. The winning family will receive a visit from Daisy and will be filmed for an upcoming episode...
Scenes from the plays and portraits of leading actors accompany a statistical record of the current season
"Fuente is a magically-real comedy set in a remote desert town about love, revenge, escape, and the perilous powers of Aqua Net hairspray"--P. [4] of cover.
Pill popping Lucy Santiago heads to her family home in Bolivia after being fired from the syndicated hit "Beach Detectives". All she wants to do is forget her troubles but her wildly eccentric family and a mysterious spirit that lives under Simon Bolivar¿s campaign bed won¿t let her. Lucy is forced to confront her own troubled history as well as the history of a conquered people.
In this first substantive study of directing Shakespeare in the USA, Charles Ney compares and contrasts directors working at major companies across the country. Because of the complexities of directing Shakespeare for audiences today, a director's methods, values and biases are more readily perceptible in their work on Shakespeare than in more contemporary work. Directors disclose their interpretation of the text, their management of the various stages of production, how they go about supervising rehearsals and share tactics. This book will be useful to students wanting to develop skills, practitioners who want to learn from what other directors are doing, and scholars and students studying production practice and performance.
Theater on the Cape began in 1916 when a group of artists and writers in Provincetown mounted a production of a one-act play, Bound East for Cardiff, by a little-known playwright, Eugene O'Neill. They staged the play in a rickety old theater on a wharf in what was then little more than a sleepy fishing village. From that artists' colony--and others like it across the Cape and Islands--it grew into the constantly expanding theater universe it is today. The theatrical descendants of O'Neill and the Provincetown Players continue to present classical drama, contemporary hits and new, experimental works to audiences that have come to expect the best. In her tour of the theaters from Provincetown to Falmouth, author and entertainment columnist Sue Mellen reveals the rich past behind a unique cultural treasure.
WHAT BIG ARMS YOU HAVE… (Once upon a time, fiery Amelia Tucker left a chaotic life in the city for a remote cottage in the woods to care for her sick grandmother. Along the way, she met Brian Wolf, a wounded man with No Trespassing stamped clearly across his heart. Amelia knew she should respect his privacy, but the loneliness in his eyes had her aching to know his secrets. THE BETTER TO HOLD YOU WITH! "Amelia was classy, smart and sophisticated—the kind of city girl Brian knew would never fettle for quiet country life. Now he'd have to use every trick up his big bad sleeve if he wanted Little Red Riding Hood to follow him home….
A brilliantly original fairy-tale twist from Children's Laureate and Charlie & Lola creator Lauren Child.
Now in its 62nd year, 'Theatre World' provides a complete statistical and pictorial record of the Broadway and off-Broadway theatre season. Each entry includes complete cast lists, producers and directors, authors and composers, opening dates, plot synopses, and biographical information.