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This book is based on a story told by Daisy Utemorrah of the Worora people to Aboriginal children living in Derby, Western Australia. The illustrations are adapted from their paintings of her story. She said, "I used to live with my parents in a humpy house. My Grandmother, my aunties and even my Grandpa told me stories from the Dreamtime. I kept the stories till I was old enough to tell children. We want to share our stories with all children so they learn what Aborigines used to do."
This book is based on a story told by Daisy Utemorrah of the Worora tribe to Aboriginal children living in Derby, Western Australia. This story from the Dreamtime tells a creation myth in which the children tease and torment the first owl, and are punished by a flood caused by Wanalirri.
This story was told by Agnes Lippo from the Aboriginal community of Belyuen in the Northern Territory, where people from the Larrakia and Waigite language groups live. The illustrations in this book are adapted from paintings of the story done by the children at Belyuen School. Bill Turner, Head Teacher at Belyuen School in 1987, said "'The Kangaroo and the Porpoise' is one of the many stories from the very small Aboriginal community of Belyuen. We hope publishing these stories will enable us to buy materials for the school. We want to continue to document the culture of the people at Belyuen."
This book is based on a story told by Mary Albert, of the Bardi people, to Aboriginal children living in Broome, Western Australia. The illustrations are adapted from their paintings of the story. Mary Albert said, 'Would you like to hear a story from long ago? My mother used to tell me lots of stories, but this story I loved the best, because I loved the birds.'
I used to live with my parents in a humpy house. My Grandmother, my aunties and even my Grandpa told me stories from the Dreamtime. I kept the stories till I was old enough to tell children. We want to share our stories with all children so they learn what Aborigines used to do.
This book was inspired by aboriginal artist Elaine Russell's childhood memories of her family and their life on the mission at Murrin Bridge. Each letter of the alphabet takes the reader on a different journey through the daily events of Elaine's childhood - being chased by emus, billycart racing, looking after her pet possum, picking quandongs.
This story comes from the Aboriginal people at Warmun (Turkey Creek) in Western Australia. It was told in the Kija language by Jacko Dolumyu and then in English by Hector Jandany. The illustrations are adapted from paintings of the story done by the children living at Warmun. Eileen Bray, of the Kija Language Group at Warmun, said, "When we talk about the Dreamtime, we think about the beginning. It was that sacred time when the land, water, trees, animals, sacred sites and people came to be. Our ancestors have passed on the Dreamtime to us through our culture - law, language, song and dance. The Dreamtime is that special thing in the hearts of all Aboriginal people."
An honour book and shortlisted title in the CBC Early Childhood book of the Year Awards 2009. Tom Tom is an engaging contemporary story that traces a day in the life of a small boy living in a typical Aboriginal community in the Top End of the Northern Territory. It follows the adventures of Tom Tom as he goes to preschool, eats lunch with Granny Annie in the bottom camp, swims in the Lemonade Springs in the afternoon and spends the night with Granny May and grandfather Jo in the top camp. Rosemary Sullivan's simple text and Dee Huxley's vivid illustrations captures the warmth and security of Tom Tom's world as he moves freely within his community from relative to another. As a pre-school teacher working in remote Aboriginal communities for more than 17 years, Rosemary Sullivan says: 'Tom Tom was inspired by the lives of many indigenous children in the Top End and the importance of family and interconnectedness in Aboriginal life.'
From award-winning Nordic author and illustrator Linda Bondestam comes a new kind of climate change story, narrated by an adorable axolotl who is--possibly--the last of its kind. In a forest of seaweed there was ME, a rare and beautiful little axolotl, going for my first-ever swim. So graceful, and yet so lonesome--out of 987 eggs, mine was the only one that hatched. Who knows, maybe I was the last axolotl in these waters? At the bottom of a lake in Mexico City, our axolotl narrator goes to underwater school, collects treasures tossed away by the big lugs on land, and has dance parties with tiger salamander friends. Life is good! But as the world gets hotter and hotter, the water gets murkier. Friends become harder to find, and the lonesome axolotl grows even lonelier. Until one day when, out of the blue, a colossal wave carries the axolotl into a surprising new future.... Bittersweet, droll, existential, and hopeful, My Life at the Bottom is a tale from the climate crisis unlike any other. Combining her irresistible visual wit with exquisite aquatic art and rare empathy, Linda Bondestam brings us a story of catastrophe that bursts with life.