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This text is compiled of essays critical of the Government's handling of constitutional reform in relation to Europe, Westminster and devolution, in the late 1990s.
This text is a compilation of essays on changes in culture and the media and the dangers of their manipulation.
In every election year, we hear much about the all-powerful “bases” of each major party. Who are these activists? What drives them? And why are they all equally dangerous to our lives, liberties, and pursuits of happiness? In Dumbocracy, journalist Marty Beckerman spends four years with foot soldiers of the Left and Right—pro-choice and anti-choice, pro-gay rights and anti-gay rights, pro-war and anti-war—and delivers a searing, hilarious indictment of the True Believer mentality. Whether it’s banning free speech to protect people’s feelings or banning adult entertainment to enforce morality, extremists have no use for our civil liberties. The ends justify the means for each side—such as brainwashing children and criminalizing dissent—because culture warriors have no other reason for living than victory. However, Beckerman is unafraid to expose their tactics—and their never-ending hypocrisies—with comical, over-the-top glee worthy of South Park or The Daily Show. No extremist will escape unscathed, but moderate readers of all stripes will fall in love with Beckerman’s iconoclasm. In the tradition of P.J. O’Rourke’s Parliament of Whores and Michael Moore’s Stupid White Men, Beckerman’s grand political satire will have readers laughing on the floor and ripping the hair from their scalps.
Human societies have always been ruled by military elites, Mythos elites (religious or royal), or rich elites. They have never been ruled by intellectual elites. Humanity could be saved by knowledge, understanding, reason and logic, but these have always been despised by the average person. Intellectual attributes have never played a decisive role in human affairs. The intelligentsia have always been advisers, and never those occupying the throne and taking the decisions. What would happen to the world if Logos people rather than Mythos people were in charge, if smart people rather than military people were in charge, if people of knowledge ruled rather than people of wealth? The world would be transformed. Humanity would undergo a wondrous metamorphosis. A political system exists that can deliver this New World Order... a world where intelligence becomes the most valued resource. It's called Meritocracy.
The theatre as mirror of our peculiar politics - this is the theme of Robert Brustein's engaging new collection of writings. No theatre critic in America is more informed by ideas than Mr. Brustein, and no critic does a better job of relating theatre to the larger culture. Here, in essays, reviews, and profiles, some of them appearing for the first time, Mr. Brustein uses the prism of the American theatre to explore the motivating impulses behind galloping political correctness.
"As democracy is perfected, the office of president represents, more and more closely, the inner soul of the people. On some great and glorious day the plain folks of the land will reach their heart's desire at last and the White House will be adorned by a downright moron." - H. L. Mencken The Moronarchy is upon us. Welcome to the Dumbocalypse. The Dumbageddon Conspiracy has finally paid off. Freedumb and Dumbocracy have reached their logical conclusion. How did we get here? We can thank the Dunning-Kruger effect, the most powerful and disturbing force in the world today ... the force of human stupidity, the greatest destroyer and wrecker there has ever been. Come and explore the bizarre world of idiots, of the Confederacy of Dunces, of the Dunciad.
According to Sir Peter Hall, "The theatre's been dying for two thousand years, and I'm sure will continue to." In the meantime, Hall and other leading figures of the stage have continued to influence theater productions throughout the world. In this collection of interviews, twenty-seven theater artists explore issues of theater theory and practice, illuminated by their wide range of perspectives. From traditional attitudes toward theatre to more avant-garde approaches, every facet of stage performance is addressed. Taken as a whole, these interviews reveal both the strength and extraordinary mutability of theater, as expressed by some of the most honored and well-regarded names of the stage, including Julie Harris, Quentin Crisp, Spalding Gray, Martin Sherman, Karen Finley, Eddie Izzard, Alan Ayckbourn, Robert Brustein, Uta Hagen, John Lahr, Stephen Daldry, and Edward Albee.
Wide-ranging, discerning essays and reviews in which Mr. Brustein finds that the theatre has been quietly reinventing the nature of its art.
The democratic ideal demands that the citizenry think critically about matters of public import. Yet many Democrats and Republicans in the United States have fallen short of that standard because political tribalism motivates them to acquire, perceive and evaluate political information in a biased manner. The result is an electorate that is more extreme, hostile and willing to reject unfavorable democratic outcomes. In this work, the author provides a host of actionable strategies that are designed to reduce the influence of political tribalism in our lives. The text includes instructions for plumbing the depths of political views; evaluating sources of political information; engaging in difficult political conversations; appraising political data; and assessing political arguments. The first of its kind, this how-to guide is a must-read for partisans who want to become more critical political thinkers.