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In twenty essays on subjects such as noise, acoustics, music, and silence, Keywords in Sound presents a definitive resource for sound studies, and a compelling argument for why studying sound matters. Each contributor details their keyword's intellectual history, outlines its role in cultural, social and political discourses, and suggests possibilities for further research. Keywords in Sound charts the philosophical debates and core problems in defining, classifying and conceptualizing sound, and sets new challenges for the development of sound studies. Contributors. Andrew Eisenberg, Veit Erlmann, Patrick Feaster, Steven Feld, Daniel Fisher, Stefan Helmreich, Charles Hirschkind, Deborah Kapchan, Mara Mills, John Mowitt, David Novak, Ana Maria Ochoa Gautier, Thomas Porcello, Tom Rice, Tara Rodgers, Matt Sakakeeny, David Samuels, Mark M. Smith, Benjamin Steege, Jonathan Sterne, Amanda Weidman
The intimate story of a unique marriage spanning the heights of British glamour and power that descends into infidelity, manipulation, and disaster through the heart of the twentieth century. DICKIE MOUNTBATTEN: A major figure behind his nephew Philip's marriage to Queen Elizabeth II and instrumental in the royal family taking the Mountbatten name, he was Supreme Allied Commander of South East Asia during World War II and the last Viceroy of India. EDWINA MOUNTBATTEN: Once the richest woman in Britain—and a playgirl who enjoyed numerous affairs—she emerged from World War II as a magnetic and talented humanitarian worker who was loved throughout the­ world. From British high society to the South of France, from the battlefields of Burma to the Viceroy's House, The Mountbattens is a rich and filmic story of a powerful partnership, revealing the truth behind a carefully curated legend. Was Mountbatten one of the outstanding leaders of his generation, or a man over-promoted because of his royal birth, high-level connections, film-star looks and ruthless self-promotion? What is the true story behind controversies such as the Dieppe Raid and Indian Partition, the love affair between Edwina and Nehru, and Mountbatten's assassination in 1979?
In the ranks of NCAA college basketball, Duke University is like something scraped off the bottom of a shoe. It's like a nasty virus you catch from a door handle at a public toilet. No team in sports is as uniquely hated as those smug, entitled, floor-slapping, fist-pumping, insufferable Blue Devils. The loathing has almost reached the level of a religion. Christian Laettner is a punk. Amen. The Cameron Crazies are obnoxious. The Plumlees are worthless times three. Coach K is a jerk. Kumbaya. The team is dogged by an intense hatred that no other team can match—and for good reason. Millions of hoops fans and March Madness aficionados around the world are not imagining things. Duke really is evil, and within the pages of Duke Sucks, Reed Tucker and Andy Bagwell show readers exactly why Duke deserves to be so detested. They bruise and batter the Blue Devils with fact after fact, story after story, statistic after statistic. They build an airtight case that could stand up in a court of law. So sit back in your "I Hate Duke" t-shirt, and in true Duke fashion, force someone poorer than you to do your work as you crack open the ultimate guide to Duke suckitude.
The 2014–15 season will be etched in the memories of Duke fans forever. The Blue Devils won the program's fifth national championship and Coach Mike Krzyzewski collected his unprecedented 1,000th career win. Freshmen Jahlil Okafor, Tyus Jones, and Justise Winslow led Duke to a 28–3 regular season record, including seven wins over ranked teams. Here Comes Duke is the official championship book commemorating the Blue Devils' amazing journey. Featuring more than 100 exclusive photographs from Duke Athletics and expert analysis from the Herald-Sun, fans will relive this unforgettable season, from early wins over Michigan State and Wisconsin to midseason struggles against NC State, Miami, and Notre Dame to the final seconds in Indianapolis. This commemorative book also includes a foreword by senior Quinn Cook and feature stories on Krzyzewski, Cook, Okafor, Jones, Winslow, Grayson Allen, and more.
A volume of original essays that discusses the applicability of H. L. A. Hart's rule of recognition model of a legal system to U. S. Constitutional law as discussed in his book "The concept of law".
From a Newbery Honor author, a boy loans his dog to the US Army during World War II in this “incisive tale of loyalty, patriotism, sacrifice and bravery” (Publishers Weekly). Hanson is determined to do his part to help his family and his country, even if it means giving up his beloved German shepherd, Duke. Hoping to help end the war and bring his dad home faster, Hobie decides to donate Duke to Dogs for Defense, an organization that urges Americans to “loan” their pets to the military to act as sentries, mine sniffers, and patrol dogs. Hobie immediately regrets his decision and tries everything he can to get Duke back, even jeopardizing his friendship with the new boy at school. But when his father is taken prisoner by the Germans, Hobie realizes he must let Duke go and reach deep within himself to be brave. Will Hobie ever see Duke, or his father, again? Will life ever be the same? “Exceptionally well-crafted and emotionally authentic.” —Kirkus Reviews
White trash. The phrase conjures up images of dirty rural folk who are poor, ignorant, violent, and incestuous. But where did this stigmatizing phrase come from? And why do these stereotypes persist? Matt Wray answers these and other questions by delving into the long history behind this term of abuse and others like it. Ranging from the early 1700s to the early 1900s, Not Quite White documents the origins and transformations of the multiple meanings projected onto poor rural whites in the United States. Wray draws on a wide variety of primary sources—literary texts, folklore, diaries and journals, medical and scientific articles, social scientific analyses—to construct a dense archive of changing collective representations of poor whites. Of crucial importance are the ideas about poor whites that circulated through early-twentieth-century public health campaigns, such as hookworm eradication and eugenic reforms. In these crusades, impoverished whites, particularly but not exclusively in the American South, were targeted for interventions by sanitarians who viewed them as “filthy, lazy crackers” in need of racial uplift and by eugenicists who viewed them as a “feebleminded menace” to the white race, threats that needed to be confined and involuntarily sterilized. Part historical inquiry and part sociological investigation, Not Quite White demonstrates the power of social categories and boundaries to shape social relationships and institutions, to invent groups where none exist, and to influence policies and legislation that end up harming the very people they aim to help. It illuminates not only the cultural significance and consequences of poor white stereotypes but also how dominant whites exploited and expanded these stereotypes to bolster and defend their own fragile claims to whiteness.
Fred "Duke" Slater was the greatest African American football player of the first half of the 20th century. Born into poverty, he developed into a two-time All-American tackle at the University of Iowa from 1918 to 1921. When the College Football Hall of Fame opened decades later, Duke was the only African American elected in the inaugural class. He then became the first black lineman in National Football League history in 1922, embarking on a remarkable ten-year career in the NFL. Incredibly, Slater was the only African American in the entire NFL for most of the late 1920s, yet he was widely recognized as one of the League's best linemen. But his pioneering influence extended beyond the gridiron. After retirement, he broke ground in the legal field as just the second black judge in Chicago history. On the field or on the bench, the inspirational life of Judge Duke Slater is a true American success story.
In Poor Queer Studies Matt Brim shifts queer studies away from its familiar sites of elite education toward poor and working-class people, places, and pedagogies. Brim shows how queer studies also takes place beyond the halls of flagship institutions: in night school; after a three-hour commute; in overflowing classrooms at no-name colleges; with no research budget; without access to decent food; with kids in tow; in a state of homelessness. Drawing on the everyday experiences of teaching and learning queer studies at the College of Staten Island, Brim outlines the ways the field has been driven by the material and intellectual resources of those institutions that neglect and rarely serve poor and minority students. By exploring poor and working-class queer ideas and laying bare the structural and disciplinary mechanisms of inequality that suppress them, Brim jumpstarts a queer-class knowledge project committed to anti-elitist and anti-racist education. Poor Queer Studies is essential for all of those who care about the state of higher education and building a more equitable academy.