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In the late 19th and early 20th centuries, America’s High Plains witnessed a startling onrush of settlers. But these lands are unforgiving, dreams failed, and a great dwindling followed. A dying land shapes its residents, how they think, how they live, and where they place their faith. But while the High Plains are dry, flat, and mostly treeless, the region is not yet lifeless. Many persist and even thrive. Peter R. Sandberg meditates on a region and its people, drawing on memories of ordinary yet remarkable individuals striving to flourish in a place that just might not want them. He melds compelling narratives about the people he knew with insights into prairie life and humanity itself, drawing out joy, tragedy, faith, hope, and meaning. Throughout the book, the author reflects on how his dry, windy, isolated upbringing shaped who he is and how he views people and the world. He draws on his childhood in Northwest Kansas, followed by decades spent across much of the rest of America, to examine life on the High Plains and how it compares with the rest of the country. Ultimately this book provides a message of perseverance from the heartland for a nation seeking to find its way.
Thanks in part to the Ken Burns documentary The Dust Bowl, Sanora Babb is perhaps best known today for her novel Whose Names Are Unknown (2004), which might have been published in 1939 had her publisher not thought the market too small for two Dust Bowl novels, hers and Steinbeck’s The Grapes of Wrath. Into the twenty-first century, Babb wrote and published lyrical prose and poetry that revealed her prescient ideas about gender, race, and the environment. The essays collected in Unknown No More recover and analyze her previously unrecognized contributions to American letters. Editors Joanne Dearcopp and Christine Hill Smith have assembled a group of distinguished scholars who, for the first time in book-length form, explore the life and work of Sanora Babb. This collection of pathbreaking essays addresses Babb’s position within the literature of the Great Plains and American West, her leftist political odyssey as a card-carrying Communist who ultimately broke with the Party, and her ecofeminist leanings as reflected in the environmental themes she explored in her fiction and nonfiction. With literary sensibilities reminiscent of Willa Cather, Ralph Ellison, and Meridel LeSueur, Babb’s work revealed gender-based, environmental, and working-class injustices from the Depression era to the late twentieth century. No longer unknown, Sanora Babb’s life and work form a prism through which the peril and promise of twentieth-century America may be seen.
Sea Battles on Dry Land gathers the best of Harold Brodkey's essays into a single volume. His "One of the Rules of Foppishness" explains, with deadpan precision, just what men and women are trying to communicate to each other by the way they dress. The previously unpublished "Notes on American Fascism" eerily anticipates the violence of latter-day militia groups. And Brodkey's profile of Frank O'Hara's Harvard years stands as one of the most eloquent portraits of a legendary American writer.
Set in rural North Carolina between the Civil War and the Great War, Love and Lament chronicles the hardships and misfortunes of the Hartsoe family. Mary Bet, the youngest of nine children, was born the same year that the first railroad arrived in their county. As she matures, against the backdrop of Reconstruction and rapid industrialisation, she must learn to deal with the deaths of her mother and siblings, a deaf and damaged older brother, and her father's growing insanity and rejection of God.