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Everyone who knew Carmeletta Joseph thought she lived the perfect life--just in her early twenties, she had a handsome, charismatic man who loved her and their two beautiful little girls. They had no idea that this vivacious, seemingly happy young woman was living under a reign of terror. Like many who suffer from intimate partner violence, Carmeletta's ordeal began not with fists but with the words she heard from early childhood. From her mother's boyfriend who told her she wasn't as pretty as her sisters to the teacher who berated her in front of her grade school class, they eroded her self-esteem and made her seek out ways she could "earn" respect and love, particularly from men. She also learned to hide her feelings behind a dazzling smile. This smile, along with carefully applied makeup, would continue mask her physical bruises and emotional pain for six years. It was only after she removed this mask that she was able to leave the relationship and begin the healing process. Ultimately, Drowning in Silence explores not only the complex dynamics of domestic violence, but also attests to the cost of not speaking one's truth. It is about the journey from wounded child to warrior. Most importantly, it is about knowing that no matter how inescapable one's circumstances appear, there is always a way out.
Regina Brannon's unexpected return from prison—wheelchair-bound and seemingly helpless—flips her family's world upside down. Struggling to protect her pregnant self and adopted niece, Kenzi suspects her mother's paralysis is a ruse. As eerie events unfold in their old mansion, the arrival of Ryker, a man claiming to be a long-lost Brannon, further complicates matters. Caught between her husband's suspicions and her brother's sympathy, Kenzi finds herself entangled in a web of family secrets and divided loyalties. As the line between truth and deception blurs, Kenzi must unravel the mystery before it's too late. Is Regina truly helpless, or is she orchestrating a sinister plan that could shatter their fragile family forever?
In the gripping fantasy sequel to A Shadow Bright and Burning that Justine Magazine says is "a pinch of Potter blended with a drop of Infernal Devices (Cassandra Clare)", Henrietta wants to save her love, but his dark magic may be her undoing. “Devastatingly magical and monstrously romantic.” —Stephanie Garber, New York Times bestselling author of CARAVAL Henrietta wants to save the one she loves. But will his dark magic be her undoing? In the second book in the Kingdom on Fire series, Jessica Cluess delivers her signature mix of magic, passion, and teen warriors fighting for survival. Hand to fans of Victoria Aveyard, Sarah J. Maas, and Kiersten White. Henrietta came to London to be named the chosen one, the first female sorcerer in centuries. Instead, she discovered a city ruled by secrets. And the biggest secret of all: Henrietta is not the chosen one. Still, she must play the role in order to keep herself and Rook, her best friend and childhood love, safe. But can she truly save him? In order to try, Henrietta persuades Blackwood, the mysterious Earl of Sorrow-Fell, to travel up the coast to seek out new weapons. And Magnus, the brave, reckless flirt who wants to win back her favor, is assigned to their mission. Together, they will face monsters, make powerful allies, and discover that some old wounds are still full of poison. Praise for Jessica Cluess's A Shadow Bright and Burning, Kingdom on Fire, Book 1: “This is a novel that gives off light and heat.” —The New York Times “The magic! The intrigue! The guys! We were sucked into this monster-ridden alternative England from page one. Henrietta is literally a ‘girl on fire’ and this team of sorcerers training for battle had a pinch of Potter blended with a drop of [Cassandra Clare’s] Infernal Devices.” —Justine “Unputdownable. I loved the monsters, the magic, and the teen warriors who are their world’s best hope! Jessica Cluess is an awesome storyteller!” —TAMORA PIERCE, #1 New York Times bestselling author
'Edgework' brings together seven of Wendy Brown's recent essays in political, cultural and feminist theory. They range from explorations of the post 9/11 political landscape to critiques of the norms in the fields of political theory and feminist studies.
It is time to reevaluate the merits of the inconspicuous life, to search out some antidote to continuous exposure, and to reconsider the value of going unseen, undetected, or overlooked in this new world. Might invisibility be regarded not simply as refuge, but as a condition with its own meaning and power? The impulse to escape notice is not about complacent isolation or senseless conformity, but about maintaining identity, autonomy, and voice. In our networked and image-saturated lives, the notion of disappearing has never been more alluring. Today, we are relentlessly encouraged, even conditioned, to reveal, share, and promote ourselves. The pressure to be public comes not just from our peers, but from vast and pervasive technology companies that want to profit from patterns in our behavior. A lifelong student and observer of the natural world, Busch sets out to explore her own uneasiness with this arrangement, and what she senses is a widespread desire for a less scrutinized way of life—for invisibility. Writing in rich painterly detail about her own life, her family, and some of the world’s most exotic and remote places, she savors the pleasures of being unseen. Discovering and dramatizing a wonderful range of ways of disappearing, from virtual reality goggles that trick the wearer into believing her body has disappeared to the way Virginia Woolf’s Mrs. Dalloway finds a sense of affiliation with the world around her as she ages, Busch deliberates on subjects new and old with equal sensitivity and incisiveness. How to Disappear is a unique and exhilarating accomplishment, overturning the dangerous modern assumption that somehow fame and visibility equate to success and happiness. Busch presents a field guide to invisibility, reacquainting us with the merits of remaining inconspicuous, and finding genuine alternatives to a life of perpetual exposure. Accessing timeless truths in order to speak to our most urgent contemporary problems, she inspires us to develop a deeper appreciation for personal privacy in a vast and intrusive world.
In an increasingly noisy, distracting world, the idea of enjoying silence-healthy silence-has become for many people just a mirage. We talk about ""a little peace and quiet"" not because we experience it regularly, but because it's a joke we tell ourselves when we're overwhelmed. Silence is on the endangered experiences list. Today, if you're lik.
"Los Angeles has Joan Didion and Raymond Chandler, and Istanbul, Orhan Pamuk. The beautiful, resilient city of Beirut belongs to Khoury."--Laila Lalami, Los Angeles Times From the author of Gate of the Sun and "one of the most innovative novelists in the Arab World" (The Washington Post Book World) comes the many-layered story of Little Gandhi, or Abd Al-Karim, a shoe shine in a city fractured by war. Shot down in the street, Gandhi's story is recounted by an aging and garrulous prostitute named Alice. Ingeniously embedding stories within stories, Little Gandhi becomes the story of a city, Beirut, in the grip of civil war. Once again, as John Leonard wrote in Harper's Magazine, Elias Khoury "fills in the blank spaces on the Middle Eastern map in our Western heads."
Rebecca McCabe knows trauma. Fueled by her desire to let go of her troubled past and live a simpler life, she buys an old New England cape house on a dead-end road in small town Eden, Vermont. She hires contractor Jack Corcoran, a sexy and sweet local, to handle the repairs and, if the universe is willing, to provide some much-needed sexual healing. Determined to uncover the truth behind the spirits residing in her house, she delves into the cape’s history. There, the spirits and her research lead her into a web of abuse, sadness, and danger. But will unearthing the cape’s secrets provide comfort or threaten her life?
Ludwig Bonhoeffer has been looking forward to this opportunity for all of his life. Ever since he attended a lecture by one Doctor Berwick, he's dreamed of becoming a neurosurgeon and assisting Berwick on his project: CORD. A computer system designed to perfectly interface with the human mind and help to wake comatose victims. But when an accident leaves Ludwig at the mercy of CORD, he finds that not all is as it seems. Inside CORD is a labyrinth of imprisoned minds and haunted people. Only one has managed to retain her sanity - Mara. The rest have given free reign to their darkest tendencies, led chiefly by Lucy - a psychopath who believes himself the incarnation of Satan. With Lucy out for his blood, can Ludwig unravel the mysteries of CORD and wake the sleepers up?
Censorship was once a predictable topic, dividing liberals and conservatives down the middle on issues like obscenity and national security. Today, the debate over the regulation of speech offers no such easy dichotomy, with feminists joining forces with religious fundamentalists to control pornography, and abortion rights advocates seeking to restrict clinic demonstrations while prolife groups defend their freedom to picket. Underlying this trend is a fundamental intellectual shift--exemplified by the work of Michel Foucault--that holds that the state is not the only agent of censorship. The thirteen contributors here explore the topic of censorship from the viewpoint of numerous disciplines and viewpoints.