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This is a new release of the original 1949 edition.
This multidisciplinary volume examines the cultural and social relevance of dream studies, looking at various ways that the field can contribute to the resolution of the modern West's most troubling social issues. The essays offer novel insights on education, sexual abuse, ecology, crime, race, gender, religion, politics, death, and cross-cultural conflict. The contributors argue that the study of dreams can provide valuable resources to regain a vibrant, trustworthy sense of moral and spiritual orientation in life.
This Norton Critical Edition presents Chaucer's four dream visions and selected shorter poems and is suitable for both beginning and advanced students.
This multidisciplinary volume examines the cultural and social relevance of dream studies, looking at various ways that the field can contribute to the resolution of the modern West's most troubling social issues. The essays offer novel insights on education, sexual abuse, ecology, crime, race, gender, religion, politics, death, and cross-cultural conflict. The contributors argue that the study of dreams can provide valuable resources to regain a vibrant, trustworthy sense of moral and spiritual orientation in life.
One of few truly gifted essayists who have turned their talents to science, Wyn Wachhorst here fashions a luminous meditation on the meaning of space exploration from a montage of images and reflections on humanity's dream of spaceflight. In a survey of major figures from Johannes Kepler to Wernher von Braun, he sees in the rise of spaceflight a metaphor of modern history as a recurrent story of transformation and rebirth. Other essays offer new perspectives on the nature of wonder, recall the romantic vision of the decades prior to Sputnik ("nostalgia for a bygone future"), and look at the larger meaning of the moon landing, seeing in spaceflight not only a spiritual quest in the broadest sense of the word, but a cure for the withered capacity for wonder that afflicts the postmodern mind.
In Europe and North and South America during the early modern period, people believed that their dreams might be, variously, messages from God, the machinations of demons, visits from the dead, or visions of the future. Interpreting their dreams in much the same ways as their ancient and medieval forebears had done—and often using the dream-guides their predecessors had written—dreamers rejoiced in heralds of good fortune and consulted physicians, clerics, or practitioners of magic when their visions waxed ominous. Dreams, Dreamers, and Visions traces the role of dreams and related visionary experiences in the cultures within the Atlantic world from the late thirteenth to early seventeenth centuries, examining an era of cultural encounters and transitions through this unique lens. In the wake of Reformation-era battles over religious authority and colonial expansion into Asia, Africa, and the Americas, questions about truth and knowledge became particularly urgent and debate over the meaning and reliability of dreams became all the more relevant. Exploring both indigenous and European methods of understanding dream phenomena, this volume argues that visions were central to struggles over spiritual and political authority. Featuring eleven original essays, Dreams, Dreamers, and Visions explores the ways in which reports and interpretations of dreams played a significant role in reflecting cultural shifts and structuring historic change. Contributors: Emma Anderson, Mary Baine Campbell, Luis Corteguera, Matthew Dennis, Carla Gerona, María V Jordán, Luís Filipe Silvério Lima, Phyllis Mack, Ann Marie Plane, Andrew Redden, Janine Rivière, Leslie Tuttle, Anthony F. C. Wallace.
George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times