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(Piano/Vocal/Guitar Songbook). 16 songs from the soundtrack of the film to garner the most Oscar nominations in 2006. Includes: Cadillac Car * Dreamgirls * Family * Hard to Say Goodbye, My Love * I Am Changing * I Want You, Baby * Listen * Love You I Do * Move * One Night Only * Patience * Perfect World * Steppin' to the Bad Side * more!
(Vocal Selections). Based upon the show business aspirations and successes of R&B acts such as the Supremes, James Brown and others, Dreamgirls follows the story of a young female singing trio from Chicago called "The Dreams." The production first hit Broadway in 1981, and was adapted for the screen in 2006, and then returned to the stage in 2009. Our songbook features selections from this most recent revival, including two NEW songs, never before published: "What Love Can Do" and "Listen," plus: And I Am Telling You I'm Not Going * Dreamgirls * Hard to Say Goodbye, My Love * I Am Changing * One Night Only * When I First Saw You (You Are My Dream) * and more. The book contains snazzy revival artwork, and all songs are in standard piano/vocal format with the melody in the piano part.
(Fake Book). This fifth edition has been completely revised and now includes over 820 standards from 260 shows. Perfect for professional gigging musicians or hobbyists who simply want all their favorites in one collection! Songs include: Ain't Misbehavin' * All I Ask of You * And All That Jazz * And I Am Telling You I'm Not Going * Another Op'nin', Another Show * Another Suitcase in Another Hall * At the Ballet * Any Dream Will Do * Beauty and the Beast * Before the Parade Passes By * Big Girls Don't Cry * Bring Him Home * Capped Teeth and Caesar Salad * Castle on a Cloud * A Change in Me * Circle of Life * Close Every Door to Me * The Color Purple * Comedy Tonight * Consider Yourself * Don't Cry for Me Argentina * Edelweiss * Footloose * Getting to Know You * Hakuna Matata * Heat Wave * Hello, Dolly! * I Wanna Be a Producer * I'm Not Wearing Underwear Today * If I Said I Loved You * The Impossible Dream (The Quest) * It Only Takes a Moment * The Light in the Piazza * Love Changes Everything * Mama, I'm a Big Girl Now * Mama Who Bore Me * Mamma Mia * Memory * My Junk * On My Own * People * Popular * Prepare Ye (The Way of the Lord) * Seasons of Love * Seventy Six Trombones * The Song That Goes like This * Springtime for Hitler * The Surrey with the Fringe on Top * There Is Nothin' like a Dame * Tomorrow * Transylvania Mania * Try to Remember * and hundreds more!
(Vocal Collection). 40 songs for the Broadway belter. All songs have been especially chosen for this voice type, with careful attention to range and key. This expanded third edition features songs from classic to contemporary shows arranged for voice with piano accompaniment. Contents: And All That Jazz (from CHICAGO) * And I Am Telling You I'm Not Going (from DREAMGIRLS) * Another Hundred People (from COMPANY) * Astonishing (from LITTLE WOMEN) * Broadway Baby (from FOLLIES) * Burn (from HAMILTON) * Cabaret (from CABARET) * A Change in Me (from BEAUTY AND THE BEAST: THE BROADWAY MUSICAL) * Defying Gravity (from WICKED) * Don't Cry for Me Argentina (from EVITA) * Don't Rain on My Parade (from FUNNY GIRL) * Everything's Coming Up Roses (from GYPSY) * Fly, Fly Away (from CATCH ME IF YOU CAN) * Gimme Gimme (from THOROUGHLY MODERN MILLIE) * Heaven Help My Heart (from CHESS) * The History of Wrong Guys (from KINKY BOOTS) * How Did We Come to This? (from THE WILD PARTY) * I Am Playing Me (from title of show ) * I Can Do Better than That (from THE LAST FIVE YEARS) * I Can Hear the Bells (from HAIRSPRAY) * I Don't Know How to Love Him (from JESUS CHRIST SUPERSTAR) * I Dreamed a Dream (from LES MISERABLES) * I'd Give My Life for You (from MISS SAIGON) * I'm Not Afraid of Anything (from SONGS FOR A NEW WORLD) * Losing My Mind (from FOLLIES) * Maybe This Time (from CABARET) * Memory (from CATS) * The Miller's Son (from A LITTLE NIGHT MUSIC) * On My Own (from LES MISERABLES) * Pulled (from The Addams Family) * Safer from (FIRST DATE) * Show Off (from THE DROWSY CHAPERONE) * Someone Else's Story (from CHESS) * Special (from AVENUE Q) * Still Hurting (from THE LAST FIVE YEARS) * Tell Me on a Sunday (from SONG & DANCE) * There's a Fine, Fine Line (from AVENUE Q) * Watch What Happens (from NEWSIES) * Whatever Happened to My Part? (from MONTY PYTHON'S SPAMALOT) * You Learn to Live Without (from IF/THEN)
(Big Note Songbook). Big-note arrangement of a baker's dozen songs from the wildly popular TV show: Alone * And I Am Telling You I'm Not Going * Bad Romance * Beautiful * Defying Gravity * Don't Stop Believin' * Hello * I Dreamed a Dream * Imagine * Like a Prayer * To Sir, With Love * True Colors * You Keep Me Hangin' On.
(Big Note Songbook). This second edition features a new songlist of 12 movie favorites arranged for big-note piano. Includes: And I Am Telling You I'm Not Going * Bella's Lullaby * Can I Have This Dance * Come What May * I Am a Man of Constant Sorrow * Learn to Be Lonely * Mamma Mia * The Medallion Calls * My Heart Will Go On * Spider-Pig * Upside Down * You'll Be in My Heart.
The image of the Irish in the United States changed drastically over time, from that of hard-drinking, rioting Paddies to genial, patriotic working-class citizens. In 'Twas Only an Irishman's Dream, William H. A. Williams traces the change in this image through more than 700 pieces of sheet music--popular songs from the stage and for the parlor--to show how Americans' opinions of Ireland and the Irish went practically from one extreme to the other. Because sheet music was a commercial item it had to be acceptable to the broadest possible song-buying public. "Negotiations" about their image involved Irish songwriters, performers, and pressured groups, on the one hand, and non-Irish writers, publishers, and audiences on the other. Williams ties the contents of song lyrics to the history of the Irish diaspora, suggesting how ethnic stereotypes are created and how they evolve within commercial popular culture.
(Piano/Vocal/Guitar Songbook). From Gershwin and Rodgers & Hammerstein to Stephen Schwartz & Stephen Sondheim, 100 timeless hits from the Great White Way are showcased in this book of classics in arrangements for piano, voice and guitar. Songs include: And All That Jazz * Beauty and the Beast * Can't Take My Eyes off of You * Don't Rain on My Parade * Edelweiss * Footloose * I Whistle a Happy Tune * If I Only Had a Brain * The Impossible Dream (The Quest) * Luck Be a Lady * Maria * New York, New York * One * Popular * Puttin' on the Ritz * Seasons of Love * Send in the Clowns * Seventy Six Trombones * Singin' in the Rain * Someone to Watch over Me * Sunrise, Sunset * The Surrey with the Fringe on Top * This Is the Moment * Tomorrow * Whatever Lola Wants (Lola Gets) * You're the Top * and more.
(Piano/Vocal/Guitar Songbook). Nearly 60 tunes from the Great White Way, including: And I'm Telling You I'm Not Going * Aquarius * Beauty and the Beast * Can You Feel the Love Tonight * Corner of the Sky * Getting to Know You * Everything's Coming Up Roses * I Enjoy Being a Girl * It's Delovely * Mack the Knife * Mame * New York, New York * Oh, What a Beautiful Mornin' * On My Own * Part of Your World * People * Seasons of Love * Stop the World I Want to Get Off * The Impossible Dream * 'Til There Was You * Tomorrow * What I Did for Love * and more.
First published in 1989, The Singing Bourgeois challenges the myth that the 'Victorian parlour song' was a clear-cut genre. Derek Scott reveals the huge diversity of musical forms and styles that influenced the songs performed in middle class homes during the nineteenth century, from the assimilation of Celtic and Afro-American culture by songwriters, to the emergence of forms of sacred song performed in the home. The popularity of these domestic songs opened up opportunities to women composers, and a chapter of the book is dedicated to the discussion of women songwriters and their work. The commercial success of bourgeois song through the sale of sheet music demonstrated how music might be incorporated into a system of capitalist enterprise. Scott examines the early amateur music market and its evolution into an increasingly professionalized activity towards the end of the century. This new updated edition features an additional chapter which provides a broad survey of music and class in London, drawing on sources that have appeared since the book's first publication. An overview of recent research is also given in a section of additional notes. The new bibliography of nineteenth-century British and American popular song is the most comprehensive of its kind and includes information on twentieth-century collections of songs, relevant periodicals, catalogues, dictionaries and indexes, as well as useful databases and internet sites. The book also features accompanying downloadable resources of songs from the period.