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While on an expedition with his father to get lumber to take back to Greenland, Thrand is captured by the native Osweet, who have taken him to replace one of their own who was killed by a Greenlander.
In this story, inspired by the real life of Oaxacan woodcarver Manuel Jimenez, a young boy, dreams of colorful, exotic animals that he will one day carve in wood.
While on an expedition with his father to get lumber to take back to Greenland, Thrand is captured by the native Osweet, who have taken him to replace one of their own who was killed by a Greenlander.
Introduces the period of Canadian history from 900 to 1541 by discussing the explorations of the Vikings, John Cabot, and Jacques Cartier, and their encounters with the Native people of North America.
Explore the lives of 83 of the most talented children's authors writing today. Told in the authors' own words, these lively biographies describe the creative process, and offer advice to today's young writers. Learn how they crate wonderful books, where they get their ideas, what their desks look like, and what their favourite books were when they were growing up.
Children’s books seek to assist children to understand themselves and their world. Unsettling Narratives: Postcolonial Readings of Children’s Literature demonstrates how settler-society texts position child readers as citizens of postcolonial nations, how they represent the colonial past to modern readers, what they propose about race relations, and how they conceptualize systems of power and government. Clare Bradford focuses on texts produced since 1980 in Canada, the United States, Australia, and New Zealand and includes picture books, novels, and films by Indigenous and non-Indigenous publishers and producers. From extensive readings, the author focuses on key works to produce a thorough analysis rather than a survey. Unsettling Narratives opens up an area of scholarship and discussion—the use of postcolonial theories—relatively new to the field of children’s literature and demonstrates that many texts recycle the colonial discourses naturalized within mainstream cultures.
The essays in Home Words explore the complexity of the idea of home through various theoretical lenses and groupings of texts. One focus of this collection is the relation between the discourses of nation, which often represent the nation as home, and the discourses of home in children’s literature, which variously picture home as a dwelling, family, town or region, psychological comfort, and a place to start from and return to. These essays consider the myriad ways in which discourses of home underwrite both children’s and national literatures. Home Words reconfigures the field of Canadian children’s literature as it is usually represented by setting the study of English- and French-language texts side by side, and by paying sustained attention to the diversity of work by Canadian writers for children, including both Aboriginal peoples and racialized Canadians. It builds on the literary histories, bibliographical essays, and biographical criticism that have dominated the scholarship to date and sets out to determine and establish new directions for the study of Canadian children’s literature.
Between the wars, the lives of four neighboring English families intersect in this “highly recommended” saga by a New York Times–bestselling author (Sunday Express). In the spring of 1919, his wife’s death brings Sergeant Jim Carver home from the front. He returns to be a single parent to his seven children in a place he has never lived: Number Twenty, Manor Park Avenue, in a South London suburb. The Carvers’ neighbor Eunice Fraser, at Number Twenty-Two, has also known tragedy. Her soldier husband was killed, leaving her and her eight-year-old son, Esme, to fend for themselves. At Number Four, Edith Clegg takes in lodgers and looks after her sister, Becky, whose mind has been shattered by a past trauma. No one knows much about the Friths, at Number Seventeen, who moved to the Avenue before the war. The first book in the two-part historical series the Avenue, which also includes The Avenue Goes to War, The Dreaming Suburb takes readers into the everyday lives of these English families between World War I and World War II, as their hopes, dreams, and struggles are played out against a radically changing world.
Analyzes six popular children's books to define the genre and explains ways that adult experience and expectations can change the meaning of the text.
From the bestselling author of Latitudes of Melt and An Audience of Chairs: The Birthday Lunch is the story of one pivotal week in the life of a family facing a tragic loss, rich with dramatic tension and beautifully rendered. Free-spirited Lily has always played the peacemaker between her fierce, doting sister, Laverne, and her own loving, garrulous husband, Hal, as they competed for her attention. The competition has only grown worse since the three of them moved into a large house in the town of Sussex, New Brunswick. On Lily’s 58th birthday, a steamy day in late June, Laverne feels she has bested Hal by winning her sister’s company for a gourmet lunch, but it becomes a bitter and short-lived victory when the day’s events take an unexpected and tragic turn. In The Birthday Lunch, Joan Clark explores the different ways each member of Lily's family confronts her shocking death: Hal's open sorrow, her daughter Claudia's reappraisal of her own life, her son Matt's determination to assign blame. And unforgettably, Laverne's eccentricity and isolation, her intensifying conflict with Hal, illuminates the brutal territory of accusation and regret. Compassionate and engrossing with a powerful sense of place, The Birthday Lunch is an extraordinary new novel from one of our most gifted storytellers.