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Dugald Stewart Walker's 1918 collection of short children's stories, “Dream Boats and Other Stories” presents a fantastic collection of charming and magical tales concerning fauns, fairies, and other mystical creatures. This timeless volume is ideal bedtime material and is not to be missed by lovers of fairy tales and folklore. Contents include: “The Magic Dewdrop”, “Cold Porridge”, “Out of Doors”, “Waiting Dreams”, “A Fairy Ring to Valentine”, “On June Winds”, “To My Grown-Up Self”, “Snapdragons”, “As Posted by Legal Authority”, “Sweet April”, “Alone”, “A Little Dream That Wandered”, “Summer Breezes”, “Autumn's Colour”, “Little Birds”, and “Dream Boats—Play”. These tales are accompanied by the beautiful and intricate illustrations of Dugald Stewart Walker who was one of the most highly-celebrated illustrators of children's books during the early twentieth century and are best remembered for the lavish, magical realm that they frequently describe. He is perhaps best known for his illustrated edition of “Fairy Tales from Hans Christian Andersen” (1914), but also illustrated books such as “The Boy who Knew what the Birds Said” and “Rainbow Gold - Poems Old and New”. Pook Press celebrates the great ‘Golden Age of Illustration‘ in children’s classics and fairy tales – a period of unparalleled excellence in book illustration. We publish rare and vintage Golden Age illustrated books, in high-quality colour editions, so that the masterful artwork and story-telling can continue to delight both young and old.
Dream Boats is a beautiful, whimsical picture book that takes children on an adventure through a world of dreams. From Marco in the Andes who sails through the constellations and greets Mighty Viracocha, to Kaia in the Northwest coast, who floats near the shores of Haida Gwaii and adventures with Eagle, Orca, Grizzly Bear and her grandmother, to Ivan in St. Petersburg who sneaks behind the bony legs of Baba Yaga, Dream Boats is an enchanting visit to children from around the globe.
Selected for the 2018 Bank Street College of Education Best Children’s Books of the Year 2017 NYPL Best Books for Kids List *2017 IPPY Independent Publishers Gold Medalist* *Starred Review School Library Journal* *Starred Review- Booklist* *Brazil's 2015 Jabuti Award for best children's illustration* How does a fastidious old man with bowler, umbrella, suspenders, and a Salvador Dali mustache come to live on a deserted island? How does a boy come to live alone in an apparently deserted city? Are they separated by distance or by time? Does the man dream the boy? Does the boy dream the man? Is a blank paper in a floating bottle an invitation to imagine our futures? Is the man’s flying boat an encouragement to the boy to dream? Are the man and the boy the same person—the boy dwelling in the man’s memory? Is a message in a bottle the earthbound dreams of the elderly? Is a flying boat the unconstrained dreams of the young? This wordless, many-layered 80-page picture book invites all these interpretations and more. The intricately detailed illustrations reveal new wonders with each viewing. Neither children nor adults will ever tire of this wonderful testament to imagination, memory, and dreams.
A wordless picture book featuring a sandcastle that takes on a life of its own.
Gaze into the lives of the twentieth century’s wealthy and declining WASP establishment in these twelve stories by the author of The Education of Oscar Fairfax. No one else writes about the moral life of America’s moneyed class with anything approaching Louis Auchincloss’s understanding, sympathy, irony, and humor. In this, his first book of short fiction since the acclaimed Collected Stories, he again brings us news that no other writer can deliver, news about how America’s great families and fortunes are run and the axes and crises on which they turn. Here is how the privileged view their privilege—some with smugness, some with style, some with a crushing sense of civic and personal responsibility. Here is how the rich marry, how they divorce, and, more important, why. Here, definitively and indelibly, is the eastern seaboard’s Wasp establishment—sometimes in its glory, more often in its decline, and always with its values, assumptions, and increasingly fragile sense of self held up for our scrutiny by a master, the most subtle critic of American manners since Edith Wharton. Praise for The Atonement and Other Stories “The 12 stories collected in “The Atonement” reveal a writer at, or very near, the top of his form.” —Los Angeles Times “In this PC world, Auchincloss’ crisp, confident tales of the WASP elite almost qualify as guilty pleasures. These 12 stories . . . will satisfy longtime fans and initiates alike with their portraits of investment bankers, lawyers, and socialites testing the limits of silver-plated social niches . . . . As usual, Auchincloss etches out the moral dilemmas of the blue-chip social stratum with reassuring clarity. A” —Entertainment Weekly “Fragile, often smug, and sometimes silly characters populate this noteworthy collection . . . . these glimpses of the Eastern elite’s manners and moral quandaries will provide an accessible first taste for the Auchincloss novice and an enjoyable read for longtime fans.” —Publishers Weekly, starred review
"Dream and Swine and Aurora," "Deep in the Rubber Forest," "Fish Bones," "Allah's Will," "Monkey Butts, Fire, and Dangerous Things"—Ng Kim Chew's stories are raw, rural, and rich with the traditions of his native Malaysia. They are also full of humor and spirit, demonstrating a deep appreciation for human ingenuity in the face of poverty, oppression, and exile. Ng creatively captures the riot of cultures that roughly coexist on the Malay Peninsula and its surrounding archipelago. Their interplay is heightened by the encroaching forces of globalization, which bring new opportunities for cultural experimentation, but also an added dimension of alienation. In prose that is intimate and atmospheric, these sensitively crafted, resonant stories depict the struggles of individuals torn between their ancestral and adoptive homes, communities pressured by violence, and minority Malaysian Chinese in dynamic tension with the Islamic Malay majority. Told through relatable characters, Ng's tales show why he has become a leading Malaysian writer of Chinese fiction, representing in mood, voice, and rhythm the dislocation of a people and a country in transition.