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A comprehensive resource on the covered figure introduces clothing and drapery as basic shapes before illustrating how the mechanics of physics can cause them to bend, wrinkle and fold in predictable ways, demonstrating how to use key concepts to render clothing in any medium while citing the examples of masters from Raphael to Walt Disney.
From Renaissance fresco painters to contemporary graphic novel artists, the ability to draw clothed figures from one’s imagination has always been crucial to artists – and exceptionally difficult to attain. With over 220 illustrations, The Art of Drawing Folds: An Illustrator’s Guide to Drawing the Clothed Figure reveals the logic and patterns in folds, enabling the reader to more easily predict the behavior of cloth when creating folds in their own drawings and paintings. Addressing folds in clothing systematically, the author provides a clear, concise approach to the analysis, classification and visualization of convincingly naturalistic folds. Starting with the nature of fabric and its geometry, this book methodically explores the reasons for fold behavior based on the construction of clothing and the shapes and actions of the human figure. An essential guide and reference for animators, illustrators, storyboard artists, comic-book artists, 3D modelers, sculptors, fashion designers and students, The Art of Drawing Folds simplifies one of the most complex and important aspects of drawing the clothed figure.
Ideal for those looking to develop a realistic drawing style, Lucy Swinburne demystifies the subject of drawing clothed figures through use of dozens of inspirational examples in a variety of drawing media. Step-by-step projects walk the reader through interesting and varied subjects, from all walks of life - from ballerinas to buskers. Drawing people can be intimidating -- unlike other subjects, even the tiniest error can give a staged or forced result. This book explains how to get your clothed figures looking alive, dynamic and characterful; and produce successful, dynamic results. Lucy Swinburne is the author of the popular book on animals in this series.
In figurative art, sketching the clothed figure requires a detailed study of the folds of the garment and the way in which fabrics sit in relation to the movement of the human body. In this book, Giovanni Civardi shares his expert advice on how to draw clothing on human figures exploring lighting, perspective and the composition of fabric on the human body. Train yourself to see not just the body, but what surrounds it by using the techniques of chiaroscuro and by observing the tonal characteristics of the fabric texture. This inspirational and easy-to-follow guide will suit beginners as well as more expert artists providing a comprehensive overview of the techniques including advice and suggestions for the practical aspects of drawing from life.
Throughout the history of art, figure drawing has been regarded as the very foundation of an artist’s education and the center of the art-making process. Bill Buchman’s Expressive Figure Drawing presents the classic fundamentals of this genre, but with a distinctly contemporary twist—celebrating freedom, expressiveness, and creativity. This unique method incorporates more than 30 essential exercises, empowering you to draw the figure dramatically and with confidence, no matter your current level of skill. Filled with step-by-step demonstrations, inspiring images, and insightful text revealing a wide range of techniques and concepts, this book presents new ways to think about the figure and use your materials to free the artist within.
A how-to handbook that makes drawing easy. Offers simplified techniques and scores of brand-new hints and helps. Step by step procedures. Hundreds of illustrations.
Understanding how the body moves is the key to rendering clothing, as world-renowned artist Hogarth demonstrates in this unique book.
The clothed figure is a fascinating subject for beginner and experienced artist alike. While the human body offers a physical and psychological point of interest, the clad figure gives even further scope with which to tell a story. Working from the naked body through to the draped and attired model, this book focuses uniquely on the figure and cloth while addressing the practicalities of using various drawing and painting techniques to transfer what you see onto the two-dimensional surface.
In this book, Michel Lauricella presents both his artistic and systematic methods for drawing the human body—with drawing techniques from the écorché (showing the musculature underneath the skin) to sketches of models in action. In more than 1000 illustrations, the human body is shown from a new perspective—from bone structure to musculature, from anatomical detail to the body in motion. Morpho is a rich, fascinating, and helpful book that can go with you everywhere on your sketching journey. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 16.0px Times; color: #212121} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 16.0px Times; color: #212121; min-height: 19.0px} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; font: 11.0px Cambria; color: #212121} span.s1 {color: #232323} In this book, artist and teacher Michel Lauricella presents both his artistic and systematic methods for drawing the human body with drawing techniques from the écorché (showing the musculature and bone structure beneath the skin) to dynamic sketches of models in action. In more than 1000 illustrations, the human body is shown from a new perspective—from bone structure to musculature, from anatomical detail to the body in motion. Lauricella believes that only by learning basic human anatomy can one’s drawing skills be perfected. Morpho is a rich, fascinating, and essential book that can go with you everywhere on your sketching journey.
Many of us want to learn “how to draw.” But as artist Anthony Ryder explains, it’s much more important to learn what to draw. In other words, to observe and draw what we actually see, rather than what we think we see. When it comes to drawing the human figure, this means letting go of learned ideas and expectation of what the figure should look like. It means carefully observing the interplay of form and light, shape and line, that combine to create the actual appearance of human form. In The Artist’s Complete Guide to Figure Drawing, amateur and experienced artists alike are guided toward this new way of seeing and drawing the figure with a three-step drawing method. The book’s progressive course starts with the block-in, an exercise in seeing and establishing the figure’s shape. It then build to the contour, a refined line drawing that represents the figure’s silhouette. The last step is tonal work on the inside of the contour, when light and shadow are shaped to create the illusion of form. Separate chapters explore topics critical to the method: gesture, which expresses a sense of living energy to the figure; light, which largely determines how we see the model; and form, which conveys the figure’s volume and mass. Examples, step-by-steps, and special “tips” offer helpful hints and practical guidance throughout. Lavishly illustrated with the author’s stunning artwork, The Artist’s Complete Guide to Figure Drawing combines solid instruction with thoughtful meditations on the art of drawing, to both instruct and inspire artists of all levels.