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Of the writing systems of the ancient world which still await deciphering, the Indus script is the most important. It developed in the Indus or Harappan Civilization, which flourished c. 2500-1900 BC in and around modern Pakistan, collapsing before the earliest historical records of South Asia were composed. Nearly 4,000 samples of the writing survive, mainly on stamp seals and amulets, but no translations. Professor Parpola is the chief editor of the Corpus of Indus Seals and Inscriptions. His ideas about the script, the linguistic affinity of the Harappan language, and the nature of the Indus religion are informed by a remarkable command of Aryan, Dravidian, and Mesopotamian sources, archaeological materials, and linguistic methodology. His fascinating study confirms that the Indus script was logo-syllabic, and that the Indus language belonged to the Dravidian family.
Hinduism has two major roots. The more familiar is the religion brought to South Asia in the second millennium BCE by speakers of Aryan or Indo-Iranian languages, a branch of the Indo-European language family. Another, more enigmatic, root is the Indus civilization of the third millennium BCE, which left behind exquisitely carved seals and thousands of short inscriptions in a long-forgotten pictographic script. Discovered in the valley of the Indus River in the early 1920s, the Indus civilization had a population estimated at one million people, in more than 1000 settlements, several of which were cities of some 50,000 inhabitants. With an area of nearly a million square kilometers, the Indus civilization was more extensive than the contemporaneous urban cultures of Mesopotamia and Egypt. Yet, after almost a century of excavation and research the Indus civilization remains little understood. How might we decipher the Indus inscriptions? What language did the Indus people speak? What deities did they worship? Asko Parpola has spent fifty years researching the roots of Hinduism to answer these fundamental questions, which have been debated with increasing animosity since the rise of Hindu nationalist politics in the 1980s. In this pioneering book, he traces the archaeological route of the Indo-Iranian languages from the Aryan homeland north of the Black Sea to Central, West, and South Asia. His new ideas on the formation of the Vedic literature and rites and the great Hindu epics hinge on the profound impact that the invention of the horse-drawn chariot had on Indo-Aryan religion. Parpola's comprehensive assessment of the Indus language and religion is based on all available textual, linguistic and archaeological evidence, including West Asian sources and the Indus script. The results affirm cultural and religious continuity to the present day and, among many other things, shed new light on the prehistory of the key Hindu goddess Durga and her Tantric cult.
This book investigates the millennial history of the Indian subcontinent. Through the various methods adopted, the objects and moments examined, it questions various linguistic, literary and artistic appropriations of the past, to address the conflicting comprehensions of the present and also the figuring/imagining of a possible future. The volume engages with this general cultural condition, in relation both to the subcontinent’s current “synchronic” reality and to certain aspects of the culture’s underlying diachronic determinations. It also reveals how the multiple heritages are negotiated through the subcontinent’s long-term sedimentational history. It scrutinizes both conservative interpretations of heritage and a possibly incremental enrichment, and the additional possibility of a mode of appropriation open to a dialectic of creative destruction, in which the patrimonial imperative is challenged, leaving room for processes of renewal and rejuvenation. The collection is organized around four major topics: Orientalism, addressed by way of the Tamil Epic Manimekalai, through the evocation of the Hastings Circle and views on a possible Hindu-Muslim unity sketched out by Sayyid Ahmed Khan; modernism in Indian and Burmese texts written in English; pictorial art, through a consideration of the work of British Asian and Indian film directors; and, finally, the current state of a body of critical thinking on gender.
This book surveys the Pre-vedic religion of ancient India. It reflects upon controversies surrounding discoveries at the Indus sites and then takes a dip into the world of Vedas to discover the religion of that age. The book uncovers interesting facts about ancient Hinduism reviewing controversies surrounding the Aryan Invasion (now migrations) theory, the Asuran Indus theory, and the Indigenous theories.
This volume, a compilation of original papers written to celebrate the outstanding contributions of Jonathan Mark Kenoyer to the archaeology of South Asia over the past forty years, highlights recent developments in the archaeological research of ancient South Asia, with specific reference to the Indus Civilization.
This book identifies three of the exceptionally fruitful periods of the millennia-long history of the mathematical tradition of India: the very beginning of that tradition in the construction of the now-universal system of decimal numeration and of a framework for planar geometry; a classical period inaugurated by Aryabhata’s invention of trigonometry and his enunciation of the principles of discrete calculus as applied to trigonometric functions; and a final phase that produced, in the work of Madhava, a rigorous infinitesimal calculus of such functions. The main highlight of this book is a detailed examination of these critical phases and their interconnectedness, primarily in mathematical terms but also in relation to their intellectual, cultural and historical contexts. Recent decades have seen a renewal of interest in this history, as manifested in the publication of an increasing number of critical editions and translations of texts, as well as in an informed analytic interpretation of their content by the scholarly community. The result has been the emergence of a more accurate and balanced view of the subject, and the book has attempted to take an account of these nascent insights. As part of an endeavour to promote the new awareness, a special attention has been given to the presentation of proofs of all significant propositions in modern terminology and notation, either directly transcribed from the original texts or by collecting together material from several texts.
This volume, a compilation of original papers written to celebrate the outstanding contributions of Jonathan Mark Kenoyer to the archaeology of South Asia over the past 40 years, highlights recent developments in the archaeological research of ancient South Asia, with specific reference to the Indus Civilisation.
Whether Vedic people were indigenous habitants or emigrants is a hotly debated current issue. Both sides involved in the debate have been vehemently using the available evidences, with twists – caused at times due to sheer neglect and at times even fraudulently - to bring home their point of view, somehow. Nevertheless, what is the truth? Were there ever any migrations of so-called PIE language speakers, located at some hypothetical and yet uncertain homeland, to spread the language and culture? Are migrations necessary from any hypothetical homeland to result into a net of the languages? What was the geography of Rig Veda? Was the Avesta contemporaneous to the Rig Veda? Did any relation ever exist between the Vedic people and the Indus-Ghaggar civilisation? Is there any relationship between the Vedic religion and the modern Hindu religion? While answering to these vital questions, this book postulates a theory on the issue of the so-called IE languages and origins of the Vedic as well as the Zoroastrian religions. It diligently explains how the religious and cultural ethos of the Indus-Ghaggar Civilisation has flowed to us uninterrupted and exposes the schemes of the Vedicist scholars, who are attempting to claim its authorship!