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Annotation In the 1880s, the aging Browning showed once again the remarkable versatility of his lyric and narrative talents. Ranging across eras and cultures, the books here reveal his late thoughts about history, myth, legend, faith, love, and desire. He had never been more popular, and the founding of the Browning Society in 1881 expanded both his audience and his sense of his place in English letters. The first title in Volume XV is Dramatic Idylls, Second Series (1880). Taking his subjects from classical history, colonial India, Arabian legend, medieval sorcery, Jewish folk tales, and Greek myth, Browning startles the reader with the rapidity of his thought and the inventiveness of his art. In Jocoseria (1883) Browning’s subjects range across time and space from Hebraic legend to the England of the Romantics. Such variety helped attract new readers: Jocoseria was immediately successful, and a second edition was printed in the same year as the first. Although Browning’s next volume, Ferishtah’s Fancies (1884), was so popular that three editions were printed in less than two years, this artful string of anecdotes and lyrics has attracted little favorable criticism. The materials— Persian legends and Arabic backgrounds—chimed with the wildly popular Orientalism of FitzGerald’s Rubáiyát, Whistler’s Peacock Room, and Alma-Tadema’s paintings. But the thought was pure Browning in his most optimistic vein, and not at all in tune with the growing pessimism of the day. As always in this series of critical editions, a complete record of textual variants is provided, as well as extensive explanatory notes.
Robert Browning is one of the most significant Victorian Poets and, of course, English Poetry. Much of his reputation is based upon his mastery of the dramatic monologue although his talents encompassed verse plays and even a well-regarded essay on Shelley during a long and prolific career. He was born on May 7th, 1812 in Walmouth, London. Much of his education was home based and Browning was an eclectic and studious student, learning several languages and much else across a myriad of subjects, interests and passions. Browning's early career began promisingly. The fragment from his intended long poem Pauline brought him to the attention of Dante Gabriel Rossetti, and was followed by Paracelsus, which was praised by both William Wordsworth and Charles Dickens. In 1840 the difficult Sordello, which was seen as willfully obscure, brought his career almost to a standstill. Despite these artistic and professional difficulties his personal life was about to become immensely fulfilling. He began a relationship with, and then married, the older and better known Elizabeth Barrett. This new foundation served to energise his writings, his life and his career. During their time in Italy they both wrote much of their best work. With her untimely death in 1861 he returned to London and thereafter began several further major projects. The collection Dramatis Personae (1864) and the book-length epic poem The Ring and the Book (1868-69) were published and well received; his reputation as a venerated English poet now assured. Robert Browning died in Venice on December 12th, 1889.
Robert Browning (1812-89) rivals Tennyson as the major Victorian poet with such important works as Dramatic Lyrics, Dramatic Romances and Lyrics, Men and Women, Dramatic Personae and the monumental The Ring and the Book. He is known for his development of the dramatic monologue in which he recreated the world of Renaissance Italy, and provided subtle and complex explorations of character. Here, Daniel Karlin and John Woolford provide a thematic survey of Browning's often difficult work, using key poems as a common point of reference. The themes covered include: styles, genres, the mind, the world, interaction and criticism. This excellent survey will be of value to students of Victorian literature and modernism.
Robert Browning represents the intellectual and argumentative strand in English poetry, in contrast to the more ornate style of Spenser and Tennyson. His poetry demonstrates that a poet must be a sharp observer of the human condition. The most moving poems deal with his feelings for his wife.
First published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.